HABITANTES | Memory

Part Two

Exhibition view "HABITANTES" (2022) by Sarabel Santos Negrón, design and with the collaboration of Loriane SerranoMuseo de Arte de Bayamón

HABITANTES is a project that explores the idea of space, memory and social identity through a selection of artists who have a special bond with the city of Bayamón.

The exhibition proposes a look at the relationship of this community of artists with the place where they were born, raised or where they have carried out their lives.

Exhibition view "HABITANTES: memoria" (2022) by Museo de Arte de Bayamón (MAB)Museo de Arte de Bayamón

Habitante (Inhabitant) is the term conferred to designate the people who have been part of the population of a particular place.

The exhibition is made up of forty-three artists whose works, in a multiplicity of media and aesthetics, trace a look at what it would be worth to define the being that inhabits something. 

The second theme explored in the HABITANTES exhibition is memory. This is presented through the graphic tradition of word and language, as well as through the use of color and scenes that reference past experiences.

Aguadores (1960) by José Meléndez Contreras and 1960Museo de Arte de Bayamón

Water carriers, 1960 Oil on wood 23 1⁄2" x 23 1⁄2" Collection Dennis Simonpietri and Margarita Fernández Zavala. Theme: Memory. 

Aguadores (1960) by José Meléndez Contreras and 1960Museo de Arte de Bayamón

JOSÉ MELÉNDEZ CONTRERAS (Naguabo, PR, 1921- Bayamón, PR, 1998)
A member of the 1950s Generation, Meléndez Contreras distinguished himself in painting and poster design. He lived for several years in a home in Bayamón until his death.

April Love Dance (2020) by Richard Santiago "Tiago"Museo de Arte de Bayamón

April Love Dance, 2020. Oil on canvas. 16" x 48". Collection of the artist. Subject: Memory.

April Love Dance (2020) by Richard Santiago "Tiago"Museo de Arte de Bayamón

RICHARD SANTIAGO (Bayamón, PR, 1971)

"I was born in the urban area of Bayamón, just like my mother. From there to here I have lived in many places in the world, among which stand out: Royal Town, Sierra Linda, Santa Elena, Santa Olaya, Vista Bella, Hato Tejas, Estancias, Santa Teresita and Monte Frio."

Tropical Readymade Balenciaga Track con Palma Roja (2021) by Radamés "Juni" FigueroaMuseo de Arte de Bayamón

Tropical Readymade Balenciaga Track with Red Palm, 2021. Acrylic on canvas. 36" x 60".  Collection of the artist. Subject: Memory. 

Tropical Readymade Balenciaga Track con Palma Roja (2021) by Radamés "Juni" FigueroaMuseo de Arte de Bayamón

RADAMÉS “JUNI” FIGUEROA (Bayamón, PR, 1982)

"Cowboys there!!!! In Bayamón I lived through all kinds of things.... "

"The first thing that comes to mind is the ostrich in Central Park, concerts by Madonna, Cypress Hill, Fugees, National Salsa Day, Don Chezina in the Virgilio Dávila housing development and the Mediocre Punks in Río Hondo."

"Oh and the people yelling "defense, defense" at the Ruben Rodriguez Coliseum while I was eating some nachos with cheese."

Jardín imposible (de la serie Sereno) (2019) by Juan Alberto NegroniMuseo de Arte de Bayamón

Impossible garden (from the Sereno series), 2019. Mixed media. 16" x 48". Collection of the artist. Subject: Memory.

Jardín imposible (de la serie Sereno) (2019) by Juan Alberto NegroniMuseo de Arte de Bayamón

JUAN ALBERTO NEGRONI (Bayamón, PR, 1979)

"I was born and raised in Bayamón. Bayamón made me an artist."

Entre Bayamón y Cataño un paso es (2020) by Heryk Tomassini in collaboration with Wanda SuroMuseo de Arte de Bayamón

Between Bayamon and Cataño one step is, 2020.  Cabinet door, chalkboard paint and spray paint 26" x 29 1⁄2" x 3⁄4". Collection of the artist. In collaboration with Wanda Suro. Theme: Memory.

Entre Bayamón y Cataño un paso es (2020) by Heryk Tomassini in collaboration with Wanda SuroMuseo de Arte de Bayamón

HERYK TOMASSINI (San Juan, PR, 1974)

"My relationship with Bayamón began when I moved to Santa Cruz Street in that town at the age of 13, where my mom still resides."

La conjugación del verbo Otrear (2021) by Nora Rodríguez Vallés and with the collaboration of Dra. Rosa Rivera ÁlamoMuseo de Arte de Bayamón

The conjugation of the verb Otrear, 2021. Acrylic on canvas. 60" x 48". Collection of the artist. In collaboration with Dr. Rosa Rivera Álamo. Theme: Memory.

La conjugación del verbo Otrear (2021) by Nora Rodríguez Vallés and with the collaboration of Dra. Rosa Rivera ÁlamoMuseo de Arte de Bayamón

NORA RODRÍGUEZ VALLÉS (San Juan, PR, 1957)

"My great-grandfather Romualdo Vallés Matarredona was a teacher in Bayamón. My grandfather Romualdo Vallés Feliú was from Bayamón. I teach at the University of Puerto Rico in Bayamón. Family, professional and sentimental ties have always linked me to this city."

Y VA A SEGUIIRRR, POR EL CRISTAL, GULU GULU Y PA’ DENTRO (2020) by Héctor Madera and in colaboration with Bobby CruzMuseo de Arte de Bayamón

Y VA A SEGUIIRRR, POR EL CRISTAL, GULU GULU Y PA’ DENTRO, 2020. Neon sculptures.  4" x 20" each.  Collection of the artist. In collaboration with Bobby Cruz. Theme: Memory.

Y VA A SEGUIIRRR, POR EL CRISTAL, GULU GULU Y PA’ DENTRO (2020) by Héctor Madera and in colaboration with Bobby CruzMuseo de Arte de Bayamón

HÉCTOR MADERA (Bayamón, PR, 1977)

His work arises from personal experiences and the observation of everyday situations in which the struggle of everyday life is reflected.

Reminiscencia en movimiento (2021) by Elizabeth Barreto OrtizMuseo de Arte de Bayamón

Reminiscence in movement, 2021. Mixed media on watercolor paper. 18" x 24". Permanent Collection, MAB. Theme: Memory. 

Reminiscencia en movimiento (2021) by Elizabeth Barreto OrtizMuseo de Arte de Bayamón

ELIZABETH BARRETO ORTIZ (Bayamón, PR, 1987)

"I was born and raised in this urban fabric called Bayamón. I treasure many experiences that have led me to travel through this space, that have been part of my sociocultural construct and that attract me to return to experience it from a new point of view".

The impossibility of moral conduct due to the fact that everyone is hiding something shameless (2011) by Daniel Arnaldo RománMuseo de Arte de Bayamón

The impossibility of moral conduct due to the fact that everyone is hiding something shameless, 2011. Digital print on sintra. 40" x 24". Collection of the artist. Theme: Memory.

The impossibility of moral conduct due to the fact that everyone is hiding something shameless (2011) by Daniel Arnaldo RománMuseo de Arte de Bayamón

DANIEL ARNALDO ROMÁN (Ponce, PR, 1974)

"My relationship with the city of Bayamón goes back more than 24 years. During my studies at the Escuela de Artes Plásticas, I lived in Barrio Cerro Gordo and later in Urbanización Villa España".

"Between all these places I transited a little more than 24 years. My formation as a plastic artist took place while I was living in this city".

Credits: Story

ADMINISTRACIÓN MUNICIPAL DE BAYAMÓN


JUNTA DE DIRECTORES
Waleska Colón de Rivera  |  presidenta
Nancy Ayala
Gladys Alonso
Maribel Avilés
Otto Reyes Casanova
Roberto Lucena
Margarita Fernández Zavala
Raphael Osuna

CURADURÍA & DISEÑO DE EXPOSICIÓN  |  EQUIPO MAB

EQUIPO MAB
Sarabel Santos Negrón  |  directora
Carmen M. Rivera Rodríguez  |  coordinación administrativa
Darian Rosado Rosa  |  desarrollo de contenido
Karla Beltrán Correa  |  manejo y registro de colecciones, iluminación
Loriane G. Serrano Hernández  |  manejo y registro de colecciones
Margarita Rivera Concepción |  asistencia en montaje
Quintín Rivera Toro  |  preparación, montaje e iluminación
Heriberto Colón Mateo  |  preparación y montaje
Jonathan G. Rodríguez Torres  |  asistencia en preparación
William Ayala Vázquez |  asistencia en preparación
Pablo Pérez de Jesús |  asistencia en preparación

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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