Mebêngôkre (Kayapó/Cayapo) headdress (1990-1998)Smithsonian's National Museum of the American Indian
Infinity of Nations features works of Native art from throughout North, Central, and South America, demonstrating the geographic and chronological scope of the National Museum of the American Indian’s collections, and highlighting the historic importance of these iconic objects.
The right within a culture to don a headdress such as those shown here depends first on the acquisition of cultural knowledge and second on the ability to use that knowledge for the benefit of the people. These headdresses represent the right of Native peoples to govern and instruct themselves according to their own laws, customs, and prophecies.
Patagonia
Native peoples settled Patagonia, Gran Chaco, and Tierra del Fuego—the southernmost reaches of South America—thousands of years ago.
Inspired by ancient stories that recall the creation of their homelands, the Mapuche of southern Chile and Argentina resisted subjugation by the Inka Empire and the Spanish Crown. Living on their ancestral lands, they forged a strong way of life—admapu—that has guided their response to outside forces. Today, more than one million Mapuche continue to live in Chile and Argentina, many in cities, maintaining traditions that connect them to their region of origin.
Yámana model canoe (1900) by Yámana (Yagán/Yahgan)Smithsonian's National Museum of the American Indian
Farther south, the Yámana and Selk´nam kept constant fires burning on the string of islands at the tip of South America—Tierra del Fuego, “land of fire.” They had sporadic contact with Europeans from the time of Magellan’s exploration along the coast in 1520.
The Yámana and Selk´nam were less impacted by contact than many Native cultures—until the late 19th-early 20th centuries, when they were virtually annihilated by the sudden increase of European settlers. Today, few people identify as tribal descendants.
Andes
Throughout the Andes Native peoples shared complex symbolism and art forms over wide distances, a remarkable feat in a region defined by the world’s second-highest mountain range.
Nazca (Nasca) ear ornament with sun image (AD 100-600)Smithsonian's National Museum of the American Indian
The celestial or cosmic family—represented by the sun, the earth, the moon, and the stars—continues to appear in ceremonies in the Andes and throughout the Americas.
Successive cultures—including Calima and Muisca in Colombia; Valdivia and Manteño in Ecuador; Tiwanaku in Bolivia; and Cupisnique, Paracas, Moche, and Nazca in Peru—created objects that honored their deities and rulers and celebrated their way of life. Today, as many as 12 million people still speak Aymara and Quechua, the languages of Tiwanaku and the Inka Empire. Millions more live in their ancestral villages, maintain aspects of Andean culture, and take pride in their Native heritage.
Shuar akitiai (ear ornaments) (circa 1930)Smithsonian's National Museum of the American Indian
Amazon
The Amazon Basin—a watershed comparable in size to the contiguous United States—is the largest remaining tropical rain forest in the world.
Many ecologists attribute the forest’s survival to the knowledge of the hundreds of Native peoples who have lived along the river and its tributaries for millennia. The survival of the peoples of the Amazon has also depended on their ability to withstand incursions from the outside world. That struggle continues today, as Amazonian Native nations organize to protect their rain forest homelands against intrusion and deforestation.
Totonac Danza de los Ormegas belt (circa 1980)Smithsonian's National Museum of the American Indian
Mesoamerica/Caribbean
Native mariners discovered the Caribbean thousands of years before Columbus arrived. Far from isolating different islands, the Caribbean Sea linked Native communities to one another and allowed for the constant exchange of goods and ideas.
Mesoamerica gave rise to several of history’s great civilizations and contemporary Native peoples, among them the Olmec (1500–400 BC) of the tropical lowlands of southern Mexico; the great central Mexican city Teotihuacán (200 BC–ca. AD 600); the Classic Veracruz cultures (AD 100–1000) along the Gulf of Mexico; the Maya, whose history reaches back 4,000 years and whose 21st-century population numbers 7 million; and the Triple Alliance (or Aztec Empire), which fell to Cortés in 1521.
Founded in 1325, Tenochtitlan at its height had a population of around 200,000. In Europe, only Paris and Constantinople were as large.
Quechan cradleboard (1910)Smithsonian's National Museum of the American Indian
Southwest
In the American Southwest, Pueblo peoples tell of their ancestors’ journeys through the region’s arid canyons and mesas. Ancient stories tie the present-day Pueblo peoples to their origins and ancestral lands.
Ancestral Pueblo pottery was built using thin coils of clay and smoothed probably using a gourd scraper. Beginning about AD 500, Ancestral Puebloans painted black designs on vessels; they added white slip as background by about AD 700.
Indians of the Southwest—Pueblo-speaking peoples, Diné, Apache, O´odham, Yuman, and Pais—maintained spheres of interaction within and beyond the region. Eventually these nations incorporated non-Native peoples and markets into their economic and political life. European wares appeared at Indian fairs in Taos, Pecos, and elsewhere, where southwestern textiles, pottery, turquoise, and maize had long been traded for Plains hides and dried meat.
Lakota doll's baby carrier/moss bag (1885-1900)Smithsonian's National Museum of the American Indian
Plains/Plateau
Images of Plains and Plateau tribes have been shaped largely by the bitter “Indian Wars” of the latter half of the 19th century, when many Native communities fought U.S. efforts to extinguish Indian control of tribal lands.
Accounts of this conflict dominated the nation’s newspapers and illustrated magazines at the beginning of the media age, to the extent that, for many people, the Plains warrior remains the iconic American Indian.
Yet the museum’s collections from the same time and place also include a beautifully beaded cradleboard, a deer-hide dress decorated with cowrie shells, and the fashionable Victorian wedding ensemble worn by Inshata–Theumba (Susette La Flesche), an activist who campaigned for Indian citizenship and land rights. As these objects and their histories illustrate, clearly there were many ways of being Indian in the 19th-century American West, and they involved great creativity and resilience.
“When the Indian, being a man and not a child or thing, or merely an animal, as some of the would-be civilizers have termed him, fights for his property, liberty, and life, they call him a savage. When the first settlers in this country fought for their property, liberty, and lives, they were called heroes. When the Indian in fighting this great nation wins a battle it is called a massacre; when this great nation in fighting the Indian wins, it is called a victory.”
—Susette La Flesche, 1880
Shoshone pipe bag (circa 1870)Smithsonian's National Museum of the American Indian
California/Great Basin
California west of the Sierra Nevada has always drawn people to its varied climate and rich coast, valleys, and uplands. Before Spaniards arrived in the late 1700s, Native peoples lived in more than 200 autonomous communities and spoke more than 100 different languages.
Spanish missionaries saw in Native California a wealth of souls to convert. During the Gold Rush, miners, loggers, and settlers formed vigilante groups and local militias to hunt Indians living outside the mission communities—a genocide largely ignored by American history. The Native population, estimated at 150,000 in 1845, was by 1870 less than 30,000. In the Great Basin—the arid lands east of the Sierra Nevada and west of the Rocky Mountains—the Native population was never large.
Karok lidded baskets by Elizabeth Hickox (Karok)Smithsonian's National Museum of the American Indian
In an environment where food sources were often found at great distances and travel was by foot, Great Basin Indians developed technologies that sustained their way of life well into the late 19th and early 20th centuries.
In the 21st century, the contest for water and the development of appropriate, sustainable technologies continues to define life in California and the Great Basin.
Kwakwaka'wakw (Kwakiutl) chief's headdress representing a killer whale with a raven on its back (1930-1940) by Chief Willie Seaweed (Willie Siwid [Siwiti]/Chief Hilamas/The One Able To Set Things Right/Smoky Top/Kwaxitola), Kwakwaka'wakw (Kwakiutl)Smithsonian's National Museum of the American Indian
Northwest Coast
For more than 10,000 years, Native peoples of the Northwest Coast have enriched their communities by exchange.
From Yakutat Bay in Alaska to the Columbia River in Washington state, Native fishermen and sea hunters traveled north and south by water and east into the interior over mountain passes to trade commodities such as oolichan oil, dentalium shells, copper, and mountain goat wool. In a region of great natural resources, this economy enabled Northwest Coast peoples to develop comfortable and sophisticated societies marked by social ranking, elaborate ceremonial life, and spectacular art.
Encountering the Russians, French, Spanish, English, and Americans who arrived in the 18th century, experienced Native traders were quick to exchange local otter and other furs for guns, iron tools, and new materials used to create innovative styles of ceremonial regalia.
Tlingit button blanket with killer whale design (1920-1930)Smithsonian's National Museum of the American Indian
As the fur trade declined and tourism began to increase, Native people produced objects to appeal to foreign tastes.
Inuit amauti or tuilli (woman’s parka) (1890/1925)Smithsonian's National Museum of the American Indian
Arctic/Subarctic
Along the coast of the Arctic Ocean and Bering Sea—from Siberia, across Alaska and Canada, and east to Greenland—Yup´ik, Unangan, and Inuit peoples live in the most forbidding environment on earth.
Their ability to survive depends upon their understanding of land, ocean, ice, and sky, and of animal behaviors—knowledge gained over thousands of years. For millennia, families exchanged goods and shared feasts and ceremonies with neighboring bands.
In the Subarctic—from Labrador to interior Alaska—Innu, Cree, Athapaskan, and other Native peoples’ hunted caribou and other game, fished, and preserved meat and hides. These proved to be marketable skills with French and English traders and trading companies. In the 1800s, people of mixed French and Native ancestry established distinct Métis communities in the region and created an exquisite new style of floral beadwork.
The objects in this exhibition were largely collected by George Gustav Heye (1874–1957), a New Yorker who quit Wall Street to indulge his passion for American Indian artifacts. Over time, Heye gathered some 800,000 pieces from throughout the Americas, the largest such collection ever compiled by one person. In 1916, he established the Museum of the American Indian–Heye Foundation, which opened to the public in upper Manhattan in 1922. Heye left behind a singular collection, which was transferred in 1989 to the Smithsonian Institution, becoming part of the National Museum of the American Indian. Today, the objects in Heye’s collection are being reinterpreted by the descendants of the people who made them, providing American Indian perspectives on the Native past and present.
To learn more, visit the Infinity of Nations online exhibition, and visit the National Museum of the American Indian in New York, NY, to see many of these objects and others in person.
You are all set!
Your first Culture Weekly will arrive this week.