Celebrating our shared past, present, and future
Dating back centuries, the stories and traditions of the peoples of Kenya are some of the most fascinating in the world. They have enriched the country through social, economic, political and cultural activities, each with their own unique stories. Today, 44 communities are officially recognized by the government, and are classified into three linguistic groups: the Bantu, the Nilotic and the Cushitic speakers. The National Museums of Kenya holds objects telling the stories of the communities, which represent the country's ethnic diversity and vibrant cultures. Many of the cultural practices are still embraced today, but have been influenced by the changes in society. This exhibit celebrates the country’s rich heritage through the Borana community.
A look into the history and culture of the Borana
The Borana community is the largest sub-ethnic group of the Oromo-speaking people. They are a Cushitic linguistic group in Kenya. Other Oromo communities in Kenya include the Gabra, Orma and the Sakuye. The name Borana means 'free', in reference to their nomadic nature.
Milk ContainerNational Museums of Kenya
Migration and settlement
The Borana migrated from southern Ethiopia to Northern Kenya, where they mainly live in Marsabit and Isiolo Counties.
Camel seatNational Museums of Kenya
Travelling long distances by camel
Camel seats like this were used by children when the community was travelling long distances.
AnkletsNational Museums of Kenya
Religious beliefs
Before the spread of Islam, the Borana believed in a monotheistic communication through intermediary priests (Qalla). They believed that objects such as trees, springs, and rocks had spirits. Today, some Borana are Muslims while others are Christians.
Social and political structures
The Borana were ruled by 43 Abba gada after migrating into Kenya. These leaders were the defenders of Borana identity, symbolized by the guutu – a braided tuft of hair on the top of the head, and a 'kalacha' worn on the forehead. The Borantiti (council of elders) had a moral dimension of peaceful well being and respect for a common law.
ShortsNational Museums of Kenya
Respected elders wore white shorts
This is a pair of shorts (formerly white in color) made of cotton cloth. It was worn by a respected village elder.
Borana Woman by Joy AdamsonNational Museums of Kenya
Women occupied a senior position
The Borana were polygamous and the eldest wife in every family occupied a senior position. Women had the responsibility to build houses - portable, traditional round grass huts called 'dasse' - and relocate from place to place.
Borana Elder by Joy AdamsonNational Museums of Kenya
The roles of the men
The Borana boy would start hunting wild animals - elephants, lions, rhinos and buffalos - in his late teens. He would gain special status if he killed an animal. A man who had accomplished many acts of bravery and wisdom had more chances of being chosen as the leader of the age group. A leader was admired and respected by all.
Ivory armletsNational Museums of Kenya
Ivory armlets of wealth
These armlets were worn by men as a sign of the wealth of their cattle herd. A man without cattle was called Qolle guutu hiikhan, “a destitute whose hair is unbraided”.
Due to this, he would not be able to perform his social obligations, marry, or participate in rituals. In effect he lost his identity as a Borana. A person cannot be Borana by birth alone, since becoming stockless can deny that identity.
Wall HangingsNational Museums of Kenya
Marriage the Borana way
This decorative wall hanging (solala) was made by the mother of a young man who was about to be married. Once married, he would hang it in his new home.
Borana BrideNational Museums of Kenya
A Borana bride
The Borana marriage was preceded by several stages and long negotiations. The girl’s parents would, for example, organize a meeting (Kadda) to examine the conditions of the marriage.
Arrow (1974)National Museums of Kenya
Men took care of cattle
The arrow (lawe) was used to shoot a cow in the neck from a distance when blood was needed for drinking. First, the neck of the cow was tied with leather rope (gardi) then an arrow was shot into the flesh using a bow, going approximately one centimeter deep. The blood was collected in an okhole and mixed with milk.
Plough hookNational Museums of Kenya
Ploughing the fields
This is a plough hook (wagal) made of iron by a blacksmith. The iron was heated in fire until it was red hot, then hammered into shape. It was used by men to hold the plough stick and metal plough in position.
Warrior BowNational Museums of Kenya
Ribs for cutting grass
These ox ribs (chiruacha) were cut from the left side of the rib cage because they were considered to be sharper than the ones on right side.
Milk containerNational Museums of Kenya
Containers for storing milk and meat
These two containers were made from plant reeds and smeared with cow dung to make them air tight and waterproof.
ContainerNational Museums of Kenya
Grains storage
Container used to store grains. This container is sisal woven and smeared inside. It was placed in a holder to facilitate easy carriage.
Recreation
The Borana involved themselves in different activities during their leisure time.
Tobacco PouchNational Museums of Kenya
Sniffing tobacco
This container and pouch were used to keep tobacco and soda (magadi). The tobacco container was made of a horn and partially covered with animal skin. The tobacco pouch was made from goat scrotum.
StrawNational Museums of Kenya
Communal beer for sharing
These sieves were made by a blacksmith and used by old men for drinking beer from a communal pot.
SeedsNational Museums of Kenya
Board games
These seeds are from the Muk Sadega tree and were used by men to play a traditional board game.
Celebrating Kenya's communities today
Many of the cultural practices of the Borana are still embraced today, but have been influenced by the changes in society. The heritage and culture of the Borana community, along with the more than 44 communities in Kenya, continues to fascinate and inspire. The National Museums of Kenya invites everyone to celebrate the intangible cultural heritage of all communities which makes up this great nation.
Learn more about the National Museums of Kenya by visiting our website.
Exhibit Curator: Philemon Nyamanga, Cultural Heritage Department. pnyamanga@museums.or.ke
Photography and Creative Direction: Gibson Maina and Muturi Kanini. Gibs Photography
Exhibit Layout: Hazel V. Sanaipei .Agnes, Mbaika Kisyanga, and Barnabas Ngei.
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