Gustav Johann Grunewald

Moravian University Professor of Drawing & Painting, 1836–1866

Buildings by a River (1860/65) by Gustav Grunewald (German-American, 1805–1878)Payne Gallery, Moravian University

Early Life

Gustavus Grunewald was born in 1805 in Gnadau, Germany, a Herrnhut Moravian religious community near Magdeburg.

View on Monocacy Creek at Bethlehem (1855) by Gustav Grunewald (German-American, 1805–1878)Payne Gallery, Moravian University

Move to Bethlehem

In July of 1831, Grunewald married fellow Gnadau Moravian, Maria Justina Lehman, and the couple moved to Bethlehem four months later.

The pair was officially admitted to the closed community of Bethlehem sixteen months later, in March of 1833, when they reapplied for membership and they purchased their own home, the Roder House, in December of 1836.

Niagara Falls with the Terrapin Tower (c. 1835) by Gustav Grunewald (German-American, 1805–1878)Payne Gallery, Moravian University

Niagara Falls

"Niagara from the Foot of American Falls" and "Table Rock, Niagara," together known as Niagara Falls, are widely considered to be the first great works completed by Grunewald during his time in the United States. 

Niagara Falls became a motif frequently used by Grunewald in his later works, with eleven variants of the original pair of paintings being produced between 1841 and 1854.

Delaware Water Gap (n.d.) by Gustav Grunewald (German-American, 1805–1878)Payne Gallery, Moravian University

Delaware Water Gap

Though Grunewald traveled as far as Niagara to capture the beauty and might of natural sites and phenomena, he was just as enamored with those he found closer to his home. The most notable of these local sites depicted by Grunewald was the Delaware Water Gap.

This landscape, titled Delaware Water Gap, was commissioned in 1835 by Charles F. Seidel, then principal of the Moravian Seminary for Young Ladies, as an outgoing gift to the school.

Pennsylvania Falls (1835/45) by Gustav Grunewald (German-American, 1805–1878)Payne Gallery, Moravian University

Pocono Mountains

Though Grunewald’s paintings of Niagara remain the most well-known of his depictions of waterfalls, he also discovered subject matter and inspiration in the forms of the waterfalls found in the Pocono Mountains.

The waterfalls depicted by Grunewald in these paintings remain unidentified, though they likely take inspiration from sites such as the Bushkill Falls and Dingmans Falls.

Waterfall and Cascade (1845/50) by Gustav Grunewald (German-American, 1805–1878)Payne Gallery, Moravian University

In his paintings, Grunewald exaggerated the size of these waterfalls to make them appear to be on an equitable scale to the famed Niagara Falls.

Similar to Niagara Falls, the sites which inspired the paintings "Pennsylvania Falls" and "Waterfall and Cascade" became recurring subjects in Grunewald’s work.

Art Class (Gustav Grunewald and pupils), Moravian Seminary, Bethlehem, PA (c. 1867) by Moravian Seminary for Young Ladies and Gustav GrunewaldPayne Gallery, Moravian University

Teaching at Moravian

After moving to Bethlehem, Grunewald took a position as an Instructor of Art at the Bethlehem Female Seminary (a historical predecessor to Moravian University) where he taught basic, intermediate, and advanced levels of drawing and painting.

In 1836, Gustav Grunewald was appointed Drawing Master of the Bethlehem Female Seminary, a title he retained until his retirement in 1866. Although Grunewald spent most of his life as a teacher in Bethlehem, he also gave private lessons to students as far away as New York City.

Scene on Bear Creek, Woods on Fire (1848) by Gustav Grunewald (German-American, 1805–1878)Payne Gallery, Moravian University

Bear Creek

The township of Bear Creek, located southeast of the city of Wilkes-Barre, was made accessible to Pennsylvanians living in the Lehigh Valley for the first time via an extension to the Lehigh and Susquehanna Railroad that connected the mainline rail to Bear Creek Village. 

Grunewald, who frequented this rail line, captured the unfortunate, recurring phenomenon of forest fires in the region following the advent of steam engine transportation in his "Scene in Bear Creek, Woods on Fire," seen here. 

Gustav Grunewald (c. 1860) by Gustav GrunewaldPayne Gallery, Moravian University

Photography

In the late 1850s, Grunewald began experimenting with the newly developed medium of photography. By 1860, it is reported that Grunewald was charging ten dollars for black-and-white photographic portraits, as well as photographic portraits painted in color. 

The First House of Bethlehem, Pennsylvania (1835/45) by Gustav Grunewald (German-American, 1805–1878)Payne Gallery, Moravian University

Landscapes of the Lehigh Valley

The works of Grunewald’s later life came to primarily feature landscapes of Bethlehem and the Lehigh Valley. Paintings such as “The First House in Bethlehem,” often served as historical remembrances of a time in the history of the region prior to Grunewald’s arrival. 

Bethlehem from the Monocacy Creek (after 1862) by Gustav Grunewald (German-American, 1805–1878)Payne Gallery, Moravian University

Departure from Bethlehem

Following the death of his wife in April of 1865, Grunewald returned to Germany. His desire to return to Germany has been attributed to newspaper reports of him being chronically ill, though what was ailing him remains unclear. 

View of Bethlehem and South Mountain (c. 1867) by Gustav Grunewald (German-American, 1805–1878)Payne Gallery, Moravian University

Final Days

Between 1867 and 1868, Grunewald was reported as having traveled to Austria, Italy, Switzerland, Tirol, and Germany, where he ultimately remained and settled. He died in Gnadenberg, Germany on January 8, 1878. 

Credits: Story

Created By
Saleh Abdussalam, Archives Assistant, Moravian University
Jan Ciganick, Adjunct Art Professor of Art History, Moravian University
Cory Dieterly, Archivist, Moravian University
Derrick Achey, Librarian, Moravian University

Sources
Blume, Peter F, and Allentown Art Museum. 1992. Gustav Grunewald : 1805-1878. Allentown, Pa.: Allentown Art Museum.

A special thank you to the Moravian Church Archives for permission to use several images from their collection.

Links
View the Payne Gallery Exhibition Calendar:
https://www.moravian.edu/art/gallery/exhibition


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Made possible by a generous gift from Joann Trotsky in honor of her parents Alexander and Elizabeth Trotsky.

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The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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