Mahjabeen Bano

A teardrop on the cheek of Indian Cinema

By Cinemaazi

Curator: Anandana Kapur

Gomti ke Kinare (1972)Cinemaazi

You may know her as Meena Kumari

Yet, there are so many other ways to introduce Mahjabeen Bano. She was a breadwinner at 4. Also an actor, a singer, a poet, and a woman unlucky in love.      

Bheegi Raat Bheegi Raat (1965)Cinemaazi

Her pen name was Naaz


Today Meena Kumari is known for her ‘reel-life-meets-real-life’ story of tragic turns. In her time she was also famous for keenly studying Urdu. Self-taught and quite the bookworm, her moniker was not just Indian cinema’s ‘Tragedy Queen’ but also ‘Reading Mahjabeen’. 

Satta Bazaar (1959)Cinemaazi

Baby Meena

Aged 6, Mahjabeen began her career with filmmaker Vijay Bhatt’s Leatherface (1939). Born in colonized India, like many female actors then, she belonged to a Muslim family. She was however cast in several mythological hits like Shri Ganesh Mahima (1950), Lakshmi Narayan (1951) and Veer Ghatotkach (1952). 

Lal Haveli (1944)

"Talk to me" sings 'Baby Meena'

Baiju Bawra (1952)Cinemaazi

First winner of Best Female Actor: Filmfare Awards, 1954

It was Vijay Bhatt’s Baiju Bawra (1952) that ushered ‘Baby Meena’ into leading roles. The film ends with her drowning alongside her lover and the scene nearly caused her death. Nonetheless, she was catapulted to stardom and bagged the inaugural Filmfare trophy.

Zindagi Aur KhwabCinemaazi

Zindagi Aur Khwab (1961)

She never used glycerin and shed actual tears on screen. Her tumultuous personal life enhanced Meena Kumari’s sobriquet as a tragedienne. A nikaah with the older, married director Kamal Amrohi at age 19 led to parental rejection. Sadly, as she gained stardom, Amrohi grew controlling and abusive.

Miss Mary (1957)

Southern star Gemini Ganesan's Hindi debut in a comedy opposite Meena Kumari was a remake of a Telugu film. The film was a big hit and one of the few films in which Meena Kumari essayed comic roles.

Kohinoor (1960)Cinemaazi

Grappling with depression

Like Meena Kumari, her co-star Dilip Kumar aka ‘Tragedy King’, was also struggling with depression. A renowned psychologist suggested lighthearted roles to him as a cure. In Kohinoor (1960) both typecast actors regaled with excellent comic timing and fight sequences.

KajalCinemaazi

Filmfare for Best Actor in a female lead for Kajal (1954)

In films like Sharda (1957) and Kajal, she performed roles of sincere women faced with uncertain love and tall sacrifices with elan. Off-screen, the actor was socially reticent and her enigma grew. Meena Kumari’s fans eagerly followed stories about her life and emulated her style.

Sharda (1957)Cinemaazi

Expressive eyes accentuated with kohl

Her big bindi with a bun became all the rage along with her cotton sarees. Many copied her winged-eyeliner. With the actor Madhubala she also contributed to the craze for an Anarkali suit. Off-screen Meena Kumari dressed only in all-white after her marriage fell apart in 1964.

Gazal (1964)Cinemaazi

Gazal (1964)

Meena Kumari was once the highest paid female actor in Bombay. Her ability to steer films to success allowed her influence over the casting and outcome of films. At the peak of her career, she worked with actors Sunil Dutt, Rajendra Kumar and Dharmendra to help their careers along.

Sahib Bibi aur Ghulam (1962)Cinemaazi

Sole nominee for Best Female Actor: Filmfare, 1963

Also nominated for Main Chup Rahungi (1962) and Aarti (1962), Meena Kumari won Best Actor for Abrar Alvi’s Sahib Bibi aur Ghulam (1963). Yet, in her personal diary she wrote, “All day long...it is nothing else but Chhoti Bahu’s smiles, hopes, and tribulations…Oh! I am sick of it!” 

Bahu Begum (1967)Cinemaazi

Challenging popular portrayal of impossibly idealistic wives

In Sahib Biwi...Meena Kumari plays Choti Begum who turns to alcohol after her husband’s repeated rejections. Dabbing eau-de-cologne on her nostrils helped her achieve the inebriated look! The role proved ominous though. Soon, the 32-year-old grew addicted to brandy that was prescribed to cure her insomnia. 

Meena Kumari the Fan

All India radio presents 

Phool aur PattharCinemaazi

Loved but left behind

Film historians hint at a romance between Meena Kumari and Dharmendra. He was cast in the biggest hit of 1966, Phool Aur Pathar, at her behest. However, like Shanti in the film, Meena Kumari was exploited in real life. She died lonely and in penury.

Pakeezah Pakeezah (1971)Cinemaazi

Continued to act till her dying days

She was effortless as Nargis the tawaif/courtesan with-a-heart-of-gold in Pakeezah (1972). Though the film took 14 years to make because of her bitter split with director Kamal Amrohi. A dying Meena Kumari, however, completed the film when actors Nargis and Sunil Dutt mediated.

Pakeezah Pakeezah (1971)Cinemaazi

Tragic death makes film a hit

An ailing Meena Kumari’s footwork in Pakeezah was filmed with actor Padma Khanna. Yet, her feet were immortalized with the lines, “Aapke paon dekhe, bahut haseen hain, inhein zameen par mat utaariega, maile ho jaayenge”. Incidentally, this was her sixteenth and last film with Ashok Kumar.

Cinematic ode

"I saw your feet, they’re very beautiful. Don’t let them touch the ground, they’ll be soiled."

Mere ApneCinemaazi

Mere Apne (1971)

The directorial debut of Oscar winning poet and filmmaker Sampooran Singh Gulzar, ends with the accidental death of Anandi Devi, an old widow, who is exploited by city relatives. Cast in this role, Meena Kumari also dubbed for the actor playing her younger self.

Yahudi (1958)Cinemaazi

Career spanning 92 films




Aged 38, Meena Kumari succumbed to liver cirrhosis. 
Yet, her ethereal beauty and the unflinchingly clarity 
with which she saw the world live on.

“…Tu ne bhi hum ko dekha humne bhi tujhko dekhaa, 
tu dil hi haar guzra, hum jaan haar guzre.”
                                                     - Naaz | Meena Kumari | Mahjabeen Bano



Mahjabeen Bano (1933-1972)

“…We each saw the other
You lost your heart, I my life


  
             

Credits: Story

Bibliography
Meena Kumari the Poet: A Life Beyond Cinema. (2014). Trans Noorul Hasan. New Delhi: Roli Books 
 Meena Kumari. (1972). Vinod Mehta. New Delhi: Harper Collins Publishers. Tanha Chand. (1978). 
Meena Kumari Naaz. Compiled by S. S. Gulzar. New Delhi: Shama Book Depot. 
 Google Doodle (Aug 1, 2018). https://www.google.com/doodles/meena-kumaris-85th-birthday. Google Doodles Archive.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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