The tamboril or pacara earpod tree, an iconic tree at Inhotim, especially loved for its majestic aspect and leafy crown, observes the creation and development of our Institute throughout the years, offering shelter and inspiring plants, animals, employees, and visitors. The trees have the ability to change the surroundings by adding organic matter to the soil with the fall of their leaves or through the action of their shade, which increases the dampness of its surroundings and reduces temperatures. With the tamboril, things are no different: its shade is a place of rest, and the trunk is home to tens of other plants known as epiphytes, for they live on top of trees. When its fruits are ripening, the time comes for the pionus to make a fuss as it eats the seeds still soft from inside the typical black, twisted, crescent-shaped fruits. One can easily realize that trees are fantastic beings, full of ecological roles and stories to tell. Yes, this is not an exclusive attribute of the tamboril, and that’s why the exhibition “From Tamboril to Brauna: Talks with Tree Lovers” seeks to gather knowledge around some of the most precious trees of the botanic collection of Inhotim, so that, by knowing more about these majestic beings, we can contribute to their preservation.
Cecropia hololeucaInhotim
The silver leaves of this species of embaúba stand out in any forest. For a few years now, this feature arouses great interest of Pedro Nehring, landscape designer at Inhotim, who started to add it to the Shade and Fresh Water Garden from 2020 on. The Botanical Garden team at Inhotim undertakes an effort to collect seeds and produce seedlings of this native endemic tree to the Atlantic Forest, an effort that starts by monitoring matrix trees spread throughout the Institute to collect its fruits.
Cecropia hololeuca (leafs)Inhotim
The next step takes place inside the Botanical Laboratory at Inhotim, where the seeds are extracted and go through an acid treatment. Such a procedure is a simulation of what happens in nature: when the fruits of embaúba are eaten by birds, bats, and primates, the gastric acid of these animals “awake” the dormant seeds. After germinating, the seeds proceed to the nursery greenhouse, where they are kept until their actual transfer to the gardens. Such was the procedure experienced by the embaúba shown in the picture – a tree of merely one year old and 1.5 meter high.
Cecropia hololeuca (detail)Inhotim
Like others of its kind, this young embaúba will grow. Its long, hollow trunk could be home to an Aztec ant colony, in one of the most famous ecological relationships of co-operation: a tree that offers shelter and ants that protect against attacks by herbivores.
Cariniana estrellensisInhotim
This giant can grow to over 45 metres in well-preserved forests. A tree of this size is capable of pumping around 1,000 litres of water out of the ground and into the air, in a single day. The tree's roots are sophisticated and extremely intelligent suckers. The trunks function as tubes that help pump water to the leaves. By transpiring, trees make the air more humid, transforming the surrounding climate and increasing environmental comfort.
Cariniana estrellensis (detail)Inhotim
For this reason, a tree can be considered an air-conditioning system of nature, and a forest is capable of producing aerial streams. A major tree like this might be home to several animals, like the rufous-fronted thornbird, who found a place to settle his home in this jequitibá.
Cedrela fissilisInhotim
In the Jardim Sombra e Água Fresca, the cedar is a relic of a perhaps a little distant forest past. In the recent past, the forest gave way to pasture and pastures gave way to gardens. The history of Inhotim is based on the transformation of the landscape, which over the years has fostered a journey of many goals and uses. Today, the cedar and Inhotim meet, where one offers enchantment and grandeur and the other offers a safe place to live.
Plinia caulifloraInhotim
“Behind the school lay the jabuticabeiras.
We do study, indeed. But after,
hey folks: let’s steal jabuticaba.
Jabuticaba you have to eat by the tree.(...)”
Carlos Drummond de Andrade (Fruta-furto [Fruit-pilfering])
The childhood antics told by this poet from Minas Gerais are also the memories of many Brazilians.
The Brazilian grapetree is one of the most popular native trees in Brazilian backyards, at various periods and in various regions. Native to the Atlantic Rainforest, the consumption of this fruit is a legacy of the indigenous peoples.
Plinia cauliflora (detail)Inhotim
The jabuticaba occupies a special place in the tables of Minas Gerais. Other than its natural consumption, the fruit is the basis for jams, sauces, liqueurs, juices, and other preparations. An hour and a half from Inhotim is the land of jabuticaba – the city of Sabará. Sabará has been producing jabuticabas since the colonial period, and is famous for the ancient practice of renting trees to visitors. By paying a certain amount to the owner, you can eat as much as you want and even take some home if you wish.
Mangifera indicaInhotim
The mango tree was introduced in the city of Belém back in 1780 by the Italian architect and naturalist Antonio Landi. Faced with the social situation of the time, a “landscape policy” was developed in the city’s urban space. For this reason, it became known as “the city of mango trees,” and even the local soccer arena was nicknamed “Mangueirão” [Big Mango Tree]. The mango tree is also famous in domestic backyards for its ornamental qualities, in addition to making shade and producing tasteful fruits.
Mangifera indica (detail)Inhotim
Sword-mango, coconut-mango, pink-mango, manguito, Tommy Atkins mango… These are just a few among more than 1,500 mango varieties. The mango is one of the most important commercial cultures in the world in terms of production, marketing, and consumption. Brazil is among the main mango-producing countries in the world, and most of its production is destined to local consumption. Mangos can be consumed in natura or used to make ice-creams and other sweet preparations.
Bixa orellanaInhotim
Annatto is a plant famous for providing seeds that are widely used by indigenous communities. This use is described by Pero Vaz de Caminha in his letter written in April 1500: ‘Some of them brought some green hedgehogs from trees that, in colour, looked like chestnut trees, although they were much smaller. And they were full of small red grains, which, when crushed between their fingers, made a red dye, which they wore. And the more they got wet, the redder they got.'
Bixa orellana (detail)Inhotim
The pigment contained in the fruits is prized for its red color. The body painting used in dances, rites, and parties is a recurring practice among several ethnic groups. The annatto paint is also very important to protect the skin against the sun and insects.
Crescentia cujeteInhotim
The popular name coité comes from Tupi and stands for “vessel” or “pot.” That’s because the calabash tree bears a fruit with a very stiff rind that is used as a container. The unripened fruits can be consumed cooked or in soups; the ripened fruits, on their turn, use only the rind to produce handicrafts and kitchen utensils.
Crescentia cujete (detail)Inhotim
Calycophyllum spruceanumInhotim
Fast growing, the pau-mulato is used to make lampposts, firewood, and charcoal. But it is in landscaping that this Amazonic species really stands out. The smooth, bronze-colored trunk is a popular choice for the formation of alamedas (trees arranged side by side in a row), which are widely used in Inhotim's landscaping. As its bark peels over the year, it also takes on different colors, further increasing its ornamental value. It is a good choice for the planting in central flower beds, as long as there is no electric wiring overhead.
Calycophyllum spruceanum (detail)Inhotim
Dalbergia nigraInhotim
The quality of the wood of Dalbergia nigra is already present in its popular name. Jacarandá comes from the Tupi term iakarandá, meaning “the one with a stiff head.” This name is common to several plants that provide excellent wood for furniture or other fine woodworks. The beautiful wood is used for luxury joinery and to make musical instruments, like pianos. Commercially known for more than 300 years, it is one of the most valuable wood species occurring in Brazil.
Dalbergia nigra (detail)Inhotim
Paubrasilia echinataInhotim
Subject to exportation since colonial times, the intense and disordered harvesting caused a major decline of the species’ population, which is currently threatened with extinction. Such is the reality of several species of fine woods. Therefore, sustainable exploitation, appropriate handling, and effective conservation are essential to protect the species. Although broadly cultivated, and despite being the symbol tree of Brazil, it is still little known by Brazilians.
Paubrasilia echinata (detail)Inhotim
Action plans to preserve the brazilwood should consider different climate change scenarios. A 2019 study indicated a gradual reduction of the climatically appropriate area in and outside protected regions. Not only brazilwood will suffer from climate change, which is why our society needs to rethink the means of production and consumption, so that we can maintain as much biodiversity possible, and the viability of the human species.
Zeyheria tuberculosaInhotim
Zeyheria tuberculosa (detail)Inhotim
Zeyheria tuberculosa (detail)Inhotim
Another way to protect species is through 𝘦𝘹 𝘴𝘪𝘵𝘶 collections. These conserve the germplasm of species, which in the case of trees, can be a piece of tissue or a seed. At Inhotim's Botany Laboratory, two cold rooms store seeds from native trees, including ipê seeds. Despite being a very hardy pioneer species, it is threatened with extinction due to intense exploration. So, to ensure its protection, it is essential to keep it in collections like this one.
Melanoxylon braunaInhotim
Mastering knowledge about the production of a plant species is a way of ensuring its protection. Studies along these lines are being carried out at Inhotim to help conserve the brauna. This Atlantic Forest tree is known for the quality and durability of its wood, as well as its amazingly beautiful flowers. It has rarely been recorded in the wild, which puts it at risk of extinction. Knowing the best way to propagate this species is one way to protect it and use it sustainably.
Melanoxylon brauna (seeding)Inhotim
Melanoxylon brauna (seeding)Inhotim
Antonio Grassi – Presidente Institucional
Henrique Cunha – Vice Presidente Executivo
Allan Schwartzman - Diretor Artístico
Felipe Paz - Gerente Executivo
Lorena Vicini - Gerente de Comunicação
César Timóteo - Gerente de Educação
Andreza Marinho - Gerente de Financeiro
Arthur Castro - Gerente de Jardim Botânico
Cristiano Maciel - Gerente de Operações
Eduardo Silva - Gerente de Compras
Paulo Soares - Gerente Técnico
Raquel Murad - Gerente de RH
EXPOSIÇÃO NO GOOGLE ARTS AND CULTURE
Paisagista: Pedro Nehring
Curador Botânico: Juliano Borin
Gerente de Jardim Botânico: Arthur Castro
Coordenadora do Jardim Botânico: Sabrina Carmo
Bióloga do Jardim Botânico: Nayara Mota
Analista Ambiental: Bárbara Sales
Projeto: Juliano Borin, Sabrina Carmo, Nayara Mota e Bárbara Sales
Fotos: João Marcos Rosa
Textos: Nayara Mota, Juliano Borin, Bárbara Sales e Sabrina Carmo
Áudios: Harri Lorenzi – Engenheiro Agrônomo, autor de uma série de livros sobre Botânica e fundador do Instituto Plantarum
Arthur Castro – Gerente do Jardim Botânico do Inhotim
Juliano Borin - Curador Botânico do Instituto Inhotim
Laís Diniz Silva - Educadora do Instituto Inhotim
Walter Silva - Viveirista
Pedro Nehring - Paisagista do Instituto Inhotim
Projeto Digital: Pedro Dillan
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