Agricultural magazine, detail by Agricultural magazineFondazione Querini Stampalia
In the 1760s, Venice was not only the city of regattas and carnival, but also the beating heart of printing, even if the book trade and the printing industry were then going through a phase of crisis.
Despite the difficulties, Venetian publishing remains dynamic, refining communication techniques. The periodical press renews itself and seeks to capture the attention of an ever-widening public, perceptively perceiving the changes of the times.
Frontispiece Curious and useful almanac for use in Venice (1770) by Antonio GrazioFondazione Querini Stampalia
Before modern journalism, information came through simple but effective forms such as "letters of notice," "detailed tales," and "printed posters", precursors of newspapers between the 16th and 17th centuries.
Originally, journalism was done by hand, literally: early "newspapers" were handwritten and spread
predictions, almanacs, satirical essays, and news of public interest, often related to economics or
administration.
Detail Engraving of a Mercury (magazine) by Querini Stampalia FoundationFondazione Querini Stampalia
Around 1560-1563, weekly "notices," also known as "broglietti," were launched in Venice. So popular for their price that they begin to be called "gazettes".
In the 17th century, "mercuri" appeared alongside notices: lively and immediate tales that not only informed but also entertained and offered food for thought on the events of the time.
Frontispiece of Galleria di Minerva (1724) by Di Almorò AlbrizziFondazione Querini Stampalia
In these two centuries, prominent figures emerge in Venice’s publishing scene. One of them is Girolamo Albrizzi, a bold publisher who, together with his son Almorò, transforms his printing and publishing business into a key reference point for Venetian literary society.
Giornale of Letterati d'Italia (1710) by Gio. Gabbriello ErtzFondazione Querini Stampalia
He is credited with successful publications such as the "Pallade veneta," the "Galleria di Minerva," and the "Giornale veneto de' letterati."
But he is not the only one to make his mark. In 1710, three great intellectuals - Scipione Maffei, Antonio Vallisnieri and Apostolo Zeno - started the "Giornale de' letterati d'Italia," an ambitious publishing project that was launched in Venice.
Gazzetta Veneta (1760) by Gazzetta VenetaFondazione Querini Stampalia
A few years later, Gasparo Gozzi with his “Gazzetta veneta” (1760-1761) depicts Venetian society in a style akin to Goldoni’s realism, giving more emphasis to the role of women in public social life.
Prices of goods at Rialto on 5 February 1760 in the Gazzetta Veneta (1760) by Gazzetta VenetaFondazione Querini Stampalia
In this climate of cultural ferment, interest in periodical publications, both Italian and foreign, grows. Ideas ran fast between the pages and opinion journalism took hold, reflecting the social, ideological and cultural transformations of the time.
Distinctive Report (1680) by Felice GalloFondazione Querini Stampalia
Toward the end of the 18th century, the political press began to make its way, marking the beginning of a new and important season for information.
Photographs by Adriano Mura
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