Tales of Asian Heroes (2018/2018) by Valerio E. BrambillaBarbican Centre
16th Century Korea
A real 16th-century Korean outlaw was famous for stealing from wealthy, corrupt aristocrats, much like England’s Robin Hood. Later, as Hong Gil Dong, he would become a cultural icon, celebrated in novels, movies and comics on both sides of a divided Korea.
Gazu Hyakki Yagyō (The Illustrated Night Parade of a Hundred Demon) (1776/1776) by Toriyama SekienBarbican Centre
1776 Japan
Toriyama Sekien compiled the first bestiary, a visual inventory cataloguing Japan’s otherworldly creatures.
The Laughing Demon from One Hundred Ghost Stories (Hyaku monogatari) (1831/1831) by Hokusai KatsushikaBarbican Centre
1814 Japan
Hokusai Katsushika chooses the term ‘Manga’ for the title of his sketchbooks.
Originally Chinese in derivation, the term ’manga’ was repurposed in 1814 by Hokusai Katsushika to denote his lively sketchbook drawings, which he claimed were made by ‘a brush gone wild’.
Illustration of the Arrival of the Emperor at Shinbashi Station Following a Victory (1895/1895) by Kiyochika KobayashiBarbican Centre
1868 Japan
When Japan opened to international trade in 1868 artists began imitating the West’s forms and styles – like exaggerated caricatures, and organising stories in sequential panels.
Radha Krishna (1895) by Raja Ravi VarmaVictoria Memorial Hall, Kolkata
1894 India
European trained artist Raja Ravi Varma issued affordable oil portrait prints of characters from the Ramayana as lighter-skinned, sentimentalised ideals of their conventional selves influencing modern Indian culture and more recent adaptations.
Illustrated History of Taiwan (1931/1931) by Kunishima SuibaBarbican Centre
1895 Taiwan
In 1895, an expansionist Japan defeated China, and, despite some resistance, annexed Taiwan as its first overseas colony.
Tokyo Puck (1908/1908)Barbican Centre
Early 20th Century
With modernisation, new technologies and mass media the popular press expanded through Asia, introducing humorous magazines, often modelled after Britain’s Punch and America’s Puck.
Cartoons of Journey to the West (1945/1958) by Zhang GuangyuBarbican Centre
Early 20th Century China
China’s unique palm-sized booklets, known as ’lianhuanhua’ or ’images in a chain’, started to be produced in the early twentieth century.
The Bicycle (2014/2014) by Cheah SinannBarbican Centre
1941 – 1942
Japan’s wartime occupations of the Philippines and Singapore provide the backdrops for the Filipina mischief-making tomboy Suicide Suzy and a Singapore street urchin who bonds with a Japanese soldier in The Bicycle.
Rampokan (2012/2012) by Peter Van DonganBarbican Centre
1945 – 1948 Indonesia
Indonesia’s war of Independence and revolution marked end to Dutch administration of Indonesia. In two-part novel Rampokan Dutch comic artist Peter Van Dongan illustrates the story of Dutch Soldier Johan Knevel during Indonesia’s war for independence and explores the history of his own ancestral roots.
I Too Have Seen Lahore (2013/2013) by Mohit Suneja and Salman RashidBarbican Centre
1947 India and Pakistan
The partition of India and Pakistan in 1947 - I Too Have Seen Lahore, a short comic by Salman Rashid tells the story of a Pakistani survivor’s experiences of how one armed group, rather than retaliate in response to the slaughter of their fellow Muslims, accepted an elder’s plea to grant his Sikh families safe passage through east Punjab.
Maki’s Whistle (1960/1960) by Miyako MakiBarbican Centre
1950s Japan
Post war baby boom fuelled prominence of genres in manga - ‘shōnen’ for boys and ‘shōjo’ for girls
Gekiga Baka tachi! (1979/1983) by Masahiko MatsumotoBarbican Centre
1950s Japan
Rise of ‘gekiga’ - In Japan a fresh generation reflected the darker spirit of the times and aimed their more dramatic manga at their own generation. Their ‘gekiga’ (dramatic pictures) would invade and forever transform Japan’s mainstream.
Wraparound cover of Redondo Komix - Magic Bilao (1964/1964) by Alfredo P. Alcala and Amado S. CastilloBarbican Centre
1950 and 60s Phillipines
Fifties and sixties saw the Golden Age of anthology ‘komiks’ in the Phillippines, their serials were widely read and adapted into hit movies.
The Female Sniper (1956/1956) by Su QifengBarbican Centre
1966-76 China
After the Cultural Revolution (1966-1976) the popular ‘lianhuanhua’ culture was banished but booklets were still produced as a tool for Chairman Mao’s propaganda machine spreading approved dramas about proletarian exemplars.
Amar Chitra Kotha in Mangasia exhibition at Pallazzo delle Esposizioni (1971/1978) by Amar Chitra KothaBarbican Centre
1967 India
Much-loved publishing house Amar Chitra Katha is founded.
First release of Amar Chitra Katha (Immortable Picture Stories) in India which became the country’s most successful locally created comic books.
Viva! Volleyball 2 (1970/1970) by Ide ChikaeBarbican Centre
1970s Japan
Numerous female artists working on ‘shōjo’ manga developed a means to reveal their characters’ innermost thoughts that were not always evident from a character’s face. Their solution was to decorate the background around the head with expressionistic effects. They also developed a symbolic language using flowers to express a wide array of sentiments and moods.
Dokudami TenementBarbican Centre
1970s Japan
The popularity of ‘gekiga’ led to the explosion of ‘seinen‘ comics for men such as the edgy urban comedy Dokudami Tenement, about “a left-behind man, late off the starting line of life” by Fukutani Takashi.
Zodiac Woman: Poets Narcissus (1973/1974) by Miyako MakiBarbican Centre
1980s Japan
1980s saw the development of ‘josei’ manga, aimed at late teenagers and young adults, and ‘redikomi’, or ‘Lady Comics,’ for adult women.
80s Taiwan Diary, vol. 2 (2015/2015) by Sean ChuangBarbican Centre
1980’s Taiwan
Sean Chuang is a part of Taiwan’s first generation to grow up in the early 1980s, an era which witnessed the gradual lifting of martial law and a widening choice of popular culture. He affectionately recalls and recreates this period in his cartoon diaries.
History of Korea Volume 2 (1999/1999) by Cha HyeongsamBarbican Centre
1991 North Korea
North Korean authorities starts producing picture books known as “kurimchaek”.
The River of Stories (1994/1994) by Orijit SenBarbican Centre
1994 India
Controversial plans for the largest dam on India’s Narmada river demanded mass displacements of indigenous locals, an environmental organisation commissioned artist Orijit Sen in 1994 to report on their case, in what became the first Indian graphic novel.
The Ivory Comb (2012/2012) by Nguyen Quang SangBarbican Centre
2012 Vietnam
B.R.O. Comics publishes a manga version of Nguyen Quang Sang’s 1966 story about a Viet Cong soldier, The Ivory Comb.
Umbrella Revolution (2014/2014) by Siu HakBarbican Centre
2014 Hong Kong
Umbrella Revolution
Tribute to Joshua Wong, one of the youngest student leaders of the sit-in street protests that defined the 2014 Umbrella Revolution.
Mangasia: Wonderlands of Asian Comics is a Barbican International Enterprises exhibition, curated by Paul Gravett, touring globally. Mangasia presents a vivid journey through the art of Comics and visual storytelling across Asia. From its historical roots to the most recent digital innovations, the exhibition looks to popular Japanese ‘Manga’ and beyond, highlighting key creators, characters and publications.
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