Max Dupain on Assignment

A Selection of the Commercial Work of Eminent Australian Photographer Max Dupain

Boys playing cricket at the beach (1946) by Max DupainNational Archives of Australia

Selling a nation

Max Dupain’s photographs from the 1940s for the Department of Information were used by the Australian Government to promote Australia’s way of life – its fine weather, outdoor activities, cultural pursuits, modern cities and quality education.

North Terrace, Adelaide (1947) by Max DupainNational Archives of Australia

Skiers at Charlotte Pass, Mount Kosciusko (1946) by Max DupainNational Archives of Australia

Sailing boat 'Gazelle' on Hobart waterfront (1947) by Max DupainNational Archives of Australia

Violinist (1971) by Max DupainNational Archives of Australia

Winthrop Hall (left), University of Western Australia (1946) by Max DupainNational Archives of Australia

Exterior of BHP blast furnace (1969) by Max DupainNational Archives of Australia

Showcasing industry

Many of the following photographs were commissions by the Department of Trade during the 1960s and 1970s. Images such as these were used in promotional material aimed at attracting international trade and investment in Australia. Max Dupain’s photographic commissions from the 1960s reveal his strong interest in industrial subjects.

Exterior of Munmorah Power Station (1969) by Max DupainNational Archives of Australia

Store of steel angle bars, McPherson's Ltd (1970) by Max DupainNational Archives of Australia

Exterior of Pyneboard factory (1977) by Max DupainNational Archives of Australia

Workers standing by a large tree, recently felled, in a karri forest (1946) by Max DupainNational Archives of Australia

Workers sawing a large tree in a karri forest (1946) by Max DupainNational Archives of Australia

Cutting sugarcane by hand (1968) by Max DupainNational Archives of Australia

Sydney Opera House (1972) by Max DupainNational Archives of Australia

Engaging with architecture

Max Dupain’s commercial career was dominated by his architectural assignments. His modernist approach – his interest in light and shade, strong lines and unusual angles – made him the photographer of choice for many architects. His commissions ranged from the new Sydney skyscrapers to office interiors, from cultural institutions to small domestic projects.

Sydney Opera House (detail) (1969) by Max DupainNational Archives of Australia

Art Gallery of New South Wales (1971) by Max DupainNational Archives of Australia

Contemporary house interior (1971) by Max DupainNational Archives of Australia

National Carillion (1970) by Max DupainNational Archives of Australia

Australian Academy of Science (1968) by Max DupainNational Archives of Australia

Credits: Story

This exhibit draws from 'Max Dupain on Assignment', a larger exhibition developed by the National Archives of Australia in 2007, drawing on the government photographic collections held in the Archives. The exhibition toured Australia until 2013.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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