Gilberto Gil as a role model

The artist always had an important role in the careers of many musicians who took inspiration on him for their own paths.

By Instituto Gilberto Gil

Text: Ricardo Schott, journalist and musical researcher

Gilberto Gil e músicos durante show em Braga (2021-11-05)Instituto Gilberto Gil

Gilberto Gil talks about how his bands formed throughout his career
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“Picking musicians is necessarily an affinity, not always established right away, before an encounter happens. It isn’t always a choice like: ‘I want that one in my crew.’ Sometimes, it happens by chance. 

Gilberto Gil e banda durante show em Braga (2021-11-05)Instituto Gilberto Gil

Celso Fonseca got here referred by someone and then referred Serginho Chiavazzoli when he left the band. It turns out that Serginho turned into one of the strings instrumentist more intimately connected to my style. 

Gilberto Gil e banda durante show em Braga (2021-11-05)Instituto Gilberto Gil

My son, Bem, came due to a commitment to his education,” jokes Gil.

Gilberto Gil e o baixista Arthur Maia nos bastidores de show da turnê Unplugged (Junho de 1995)Instituto Gilberto Gil

Arthur Maia

Bassist Arthur Maia, who passed in 2018, played with Lulu Santos, Ney Matogrosso, Lobão, Marina Lima. He recorded solo albums and made history in Brazilian music with his Cama de Gato band. His enviable portfolio included a time in the Culture Secretary of Niterói City, where he lived.

Gilberto Gil e o baixista Arthur Maia dividem o palco na gravação do DVD Fé na Festa (2010-02-10)Instituto Gilberto Gil

Yet ask any MBP fan what is Arthur most famous for and the answer will certainly be: as Gilberto Gil’s bassist, with whom he went up on stage for decades, playing historic concerts, such as Tropicália 2, sided with Caetano Veloso.

Gilberto Gil, Gustavo Di Dalva e Arthur Maia na turnê do álbum Quanta em Tubingen, na Alemanha (1997)Instituto Gilberto Gil

Gil himself, in a text he wrote for the release of Sonora, Maia’s solo album, in 1996, made a point of saying he that regarded his friend as one of the greatest bassists of the world.

O baixista Arthur Maia durante show da turnê do álbum QuantaInstituto Gilberto Gil

Arthur, who also had a rock band with drummer Pedro Gil (Egotrip, in the late 1980s), son of Gilberto Gil, used to be asked to stay closer to the audience, so that he could play longer solos in songs like Palco.

Gilberto Gil, Gustavo Di Dalva, Arthur Maia e Leonardo Reis na turnê do álbum Quanta em Tubingen, na Alemanha (1997)Instituto Gilberto Gil

In a 2010 interview, Arthur recalled that, though he had been playing with Gil for two decades, the two would still exhaustively rehearsal the greatest hits and get ready for novelties in the concerts and deepen their knowledge of the material.

He used to suggest to new musicians that they should greatly enjoy rehearsal times: “A musician ought to like rehearsing.”

Gilberto Gil e Arthur Maia em show da turnê Quanta (1998)Instituto Gilberto Gil

Arthur, who was posthumously honored by Gil in the celebrations of Niterói’s 446 years, in November 2019, is one of the musicians that have regarded Gil’s as a role model, an artist who works compositions exhaustedly and love rehearsals and the road.

Gilberto Gil participa do show O Tempo e a Música, de Arthur Maia (2012-05-10)Instituto Gilberto Gil

In the picture, Gilberto Gil in a special appearance in a bassist’s concert, in 2012.

Out of the first wave of musicians that played with Gil, there are names that, more than being associated with him, have turned into co-creators of the Tropicália movement. Guitar player Lanny Gordin, a Chinese based in Brazil, is one of them. His distorted sound lent a revolutionary and rocker touch to recordings by Jair Rodrigues, Eduardo Araújo, Antonio Carlos e Jocafi, Silvinha, Gal Costa, Caetano Veloso, and Gilberto Gil himself (in the eponymous 1969 album).

And, even more than Lanny, Os Mutantes would be forever engraved with all they learned from Gilberto Gil during the rehearsals of “Domingo no parque” and along the elaboration of the album from 1968, comprising classics such as “Procissão” and “Domingou.” Thanks to the work with the Bahia-born artist, brothers Arnaldo and Sergio Dias Baptista realized it was possible to sound both Brazilian and international, and to sing in Portuguese. Rita, a fan of Gil’s, would collaborate with him again in the concert-album Refestança (1977) and would sign a text in the LP booklet saying she considered Gil a “wizard.”

Gilberto Gil e Pepeu Gomes no show 20 Anos-Luz (1985-11)Instituto Gilberto Gil

Pepeu Gomes

Pepeu Gomes, who would be up on the stage with Gil in the concert Barra 69, in Bahia, just before Gil and Caetano leaving for exile, had his professional lived changed by Gil.

Gilberto Gil e Pepeu Gomes durante show na década de 1990Instituto Gilberto Gil

He was a bassist of the group Os Leif’s, when Gil presented him with the compilation album Smash Hits, by Jimi Hendrix. He found the American guitar player to be an idol. “I heard the album so many times that I went to bed a bassist and woke up a guitar player,” he said. That was thanks to Hendrix and to Gil, who acted as a connection.

Gilberto Gil em show da turnê O Eterno Deus Mu Dança (1989)Instituto Gilberto Gil

Chiquinho Azevedo em show da turnê do álbum Refazenda, de Gilberto Gil (1975)Instituto Gilberto Gil

Chiquinho Azevedo

A name that would be immortalized by Gilberto Gil’s side was drummer and percussionist from Rio de Janeiro, Chiquinho Azevedo.

The musician played with Gil and Gal in the concert the Bahia-natives performed in London in 1971 (released in CD by the record label Discobertas) and toured Brazil with Gil and musicians such as Moacir Albuquerque (bass) and Dominguinhos (accordion) in the concert Refazenda (1975).

Gilberto Gil e o menino da música Chiquinho AzevedoInstituto Gilberto Gil

It was during this tour that Chiquinho rescued a kid from drowning in Recife. The musician will be forever linked to Gil, as the Bahia-born has told this history in the song Chiquinho Azevedo.

Gilberto Gil e e o guitarrista Celso Fonseca no show 20 Anos-Luz (Novembro de 1985)Instituto Gilberto Gil

Celso Fonseca

Celso Fonseca, guitar player and songwriter, also became a famous Gil squire after the 1980s. At 24 years old, he premiered in Gil’s band and, as soon as in 1982, recorded the album Um Banda Um.

Gilberto Gil e o guitarrista Celso Fonseca nos bastidores do Free Jazz Festival de São Paulo (1995-10-22)Instituto Gilberto Gil

He also co-produced O Eterno Deus Mu Dança album, in 1989. It took him a few years for him to uncover his singer and songwriter vocation, and he hit the charts in 1986 with “Sorte,” a partnership with Ronaldo Bastos in the voices of Gal Costa and Caetano Veloso.

Celso Fonseca, guitarrista de Gilberto Gil, em show na década de 1980 (1986)Instituto Gilberto Gil

He also worked on MTV Unplugged, in partnership with Arthur Maia.

Gilberto Gil e Sérgio Chiavazzoli durante o show Eletracústico no Tom Brasil em São Paulo (Abril de 2005)Instituto Gilberto Gil

Sérgio Chiavazzoli

Another name connected to Gil’s work is Sérgio Chiavazzoli, an experienced guitar player, violinist, and mandolinist, who had played before with singers such as Oswaldo Montenegro prior to joining Gil’s band, and had been a music teacher.

Gilberto Gil e músicos no estúdio de gravação do álbum Kaya N'Gan Daya (2001)Instituto Gilberto Gil

As a part of Gil’s musicians team, he had key roles, such as elaborating arrangements for albums like Fé na Festa, from 2010, in addition to being in Gil’s band in the album Kaya N'Gan Daya, in 2002, the one that took artist and his musicians to Jamaica.

In the picture, Gil and the band that accompanied him in the album in honor to his idol, Bob Marley, recorded in Kingston.

Gilberto Gil e sua banda na passagem de som, antes da gravação do DVD Fé na Festa (2010-02-10)Instituto Gilberto Gil

It has been quite a ride for a musician who had been among the founders of his hometown Niterói’s first musical truck.

Gilberto Gil, Gustavo Di Dalva e Arthur Maia na turnê do álbum Quanta em Tubingen, na Alemanha (1997)Instituto Gilberto Gil

Gustavo Di Dalva

Bahia-born Gustavo Di Dalva is a gifted percussionist, present in Gil’s projects since the 1990s, when he played in some tracks of the double album Quanta.

Gilberto Gil, Gustavo di Dalva, Leonardo Reis e Jorginho Gomes durante show da turnê do álbum QuantaInstituto Gilberto Gil

The musician is the son of Bahia-born percussionist Tony Mola, and started playing in carnival at age of 11, having played with Timbalada, Banda Reflexu’s, and other groups from Bahia.

In albums like Eletracústico, from 2004, he shared the work with other percussion masters, such as Marcus Suzano, in addition to having been up in stages all over the world with the Bahia-born songwriter. Gil even wrote the release for Gustavo’s first solo album, Globacidade (2019).

Bem Gil em show de Gilberto Gil na Bélgica, pela turnê internacional do álbum OK OK OK (2019-07-24)Instituto Gilberto Gil

Bem Gil

More recently, his guitar player son, Bem Gil have become an example of musician that took advantage of the artist’s lessons to grow in the profession.

In the quality of his father’s producer, he worked with Gil to design the album OK OK OK (2018), helping him to transform a set of songs into an album.

Gilberto Gil com Flora, Bem e Preta Gil para a divulgação da segunda temporada do programa Amigos, Sons e Palavras, exibido pelo Canal Brasil (2019-06-17)Instituto Gilberto Gil

Bem’s arrival in his father’s work brought more people to the band: Bruno di Lullo, for instance, a bassist that had played with Bem in the band Tono, and is now part of Bem’s personal projects.

Gilberto Gil em show da turnê portuguesa do álbum OK OK OK, no Centro Cultura de Belém, em Portugal (2019-07-19)Instituto Gilberto Gil

Gilberto Gil, Bruno Di Lullo, Bem Gil, José Gil, Domenico Lancellotti, Nara Gil e Danilo Andrade em show da turnê OK OK OK no Ceará (2018-12-09)Instituto Gilberto Gil

Credits: Story

Exhibit credits

Text and research: Ricardo Schott
Editing: Chris Fuscaldo
Assembly: Patrícia Sá Rêgo
Copyediting: Laura Zandonadi

General credits

Editing and curating: Chris Fuscaldo / Garota FM
Musical content research: Ceci Alves, Chris Fuscaldo, and Ricardo Schott
MinC content research: Carla Peixoto, Ceci Alves, Chris Fuscaldo, and Laura Zandonadi
Photo subtitles: Anna Durão, Carla Peixoto, Ceci Alves, Chris Fuscaldo, Daniel Malafaia, Gilberto Porcidonio, Kamille Viola, Laura Zandonadi, Lucas Vieira, Luciana Azevedo, Patrícia Sá Rêgo, Pedro Felitte, Ricardo Schott, Roni Filgueiras, and Tito Guedes
Data editing: Isabela Marinho
Acknowledgments: Gege Produções, Gilberto Gil, Flora Gil, Gilda Mattoso, Fafá Giordano, Maria Gil, Meny Lopes, Nelci Frangipani, Cristina Doria, Daniella Bartolini, and all photographers and characters in the stories
All media: Instituto Gilberto Gil

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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