Asymmetrical Objects

Kallat’s work has been engaged with questions about sustenance, life cycles, historical events and natural phenomena. 'Aquasaurus' was installed at the same location where in the 1870s,  the skeleton of a whale procured by the Museum was mounted.

Nai’s works engage in complex processes and protocols of creation, recalling ethics of fabrication that appears mostly lost in the frenzy of mass-scale production, hence inviting the audience to reflect on the extraordinary potential of art to renew and rethink the mundane.   

Devasher creates imagined worlds in her work evoking both wonder and awe. Spheres is somewhere between reality and fiction. Shot on-site at the Mt. Aso caldera in Japan, the site is re-imagined; we seem to be looking inside some form of hollowed-out space, a sphere or cylinder.

With Shadows 3, Gupta enquires into blurred relationships between different entities. In the projection, the viewer becomes an active participant in the unfolding narrative where fragments of the aftermath from an environment under rampage, begin to re-enter our lives.

The Walker references ideas around mythology, difference and otherness. Made using found objects this sculpture appears as an archaeological excavation as well as a mutated being arriving from the future. Playing on this pull between the past and future this walker serves as a constant reminder of the whirl of our contemporary existence.