The Magic Curve

This furniture repeats variations of its parts; it is shaped by the multiplication of a curve, an idea related to a series in industrial production. This balance with symmetrical sides corresponds to a patent from 1906, from the Ventura Feliu factory, called the “assembly curve”, and which its craftsmen called the “eel curve”. 

One curved piece can fit inside another curved piece, so that together they form a reinforced structure. These complementary pieces form one unit: a seat, a backrest, etc. The sofa shows this idea with “encircled circles”, where the curve functions by enclosing the space.

Linear continuity can be real or simulated. For the former, the intention is to use the minimum number of pieces, saving material, while in the latter there is a rhythmic intention in the construction of the object. This is evident in the high chair, where the curve of the arms continues to the feet at the front.

With its shape, the curve can have a supportive nature. In both the umbrella stand and the rocking chair, the curve of the legs provides support. 

Its apparently fragile form contains an architectural principle that gives it solidity. This can be seen in the beech chair, which has capitals on the rear legs, and lateral and spiral reinforcements in the backrest.

With its shape, the curve can delimit space at the same time as its repetitive space can close it, creating a structure that is both protective and welcoming. The curve of the cradle’s feet marks the space for the swing of the basket, whose protective rungs are formed by curved pieces. 

Synonymous with movement, the curve is applied to many solutions offering dynamism and ergonomics. This can be seen in the chair, where the usual anti-aesthetic lateral reinforcements between the backrest and the chair are replaced by a single curved, continuous piece. What’s more, separation of the two curves of the backrest give better support for the back. 

Simplification is made manifest in space: there is nothing simpler than a curve. The chair responds to the idea of maximum simplicity and functionality with the fewest possible pieces of wood. 

Thanks to its shape, the curve can provide glimpses or be opaque, if we add complementary materials. The headboard and foot of this wooden bed, while very structural, are also fairly diaphanous and only hide the front of the bed base and mattress.