4 Ways to Re-Imagine Maasai Beadwork

The innovative translation of Maasai beadwork to contemporary artwork, in Arusha, Tanzania

Traditional Maasai Disks (2020) by Sidai DesignsProject FUEL

Innovating Maasai Beadwork

A popular souvenir, Maasai beadwork has undergone design innovations which has made it popular in the international markets, in turn benefiting and economically empowering its makers.  

Koko Sadera and Nemasi (2020) by Sam VoxProject FUEL

For years, the Maasai tribe practised pastoralism—livestock was their only source of income. The sustenance of each family would depend upon milk from their cows and goats as well as the sale of their livestock. 
But climate change has impacted the pasture land. Faced with drought and unproductive dry lands, Maasai communities turned inward, to women, and looked to re-purpose one of their most celebrated traditions—beadwork.

Maasai earrings (2020) by Sam VoxProject FUEL

One outfit that is bringing new design innovations to Maasai beadwork is Sidai Designs based in Arusha, Tanzania. Sidai Designs works in collaboration with a number of Maasai women to create handmade, contemporary jewelry and accessories. 
Their mission is to preserve an age-old African beading tradition, work to create sustainable jobs and economic opportunities for Maasai women, and produce unique pieces that blend beading customs with a contemporary aesthetic.

Orkuma Bottle (2020) by Sidai DesignsProject FUEL

#1. Beaded Glass Bottle

Inspired by traditional Maasai talking sticks, these Orkuma bottles are one such products that features contemporary Maasai designs with beadwork. ⁠  

Orkuma Bottles (2020) by Sidai DesignsProject FUEL

These glass bottles are hand-blown in Tanzania by people with disability, and then beaded by Maasai women. ⁠  

Spears adorned with Maasai beadwork (2020) by Sidai DesignsProject FUEL

#2. Spears and Arrows

Spears are one of the the most precious possession of a Maasai warrior. They are used for defending cattles and community against predators. Artefacts like spears have also been re-designed with intricate beadwork.  

Arrows adorned with Maasai beadwork (2020) by Sidai DesignsProject FUEL

Arrows with beadwork. The black and white design seen here is inspired by the Maasai proverb a Maasai without culture is like a zebra without stripes.  

Mobiles, redesigned with Maasai beadwork (2020) by Sidai DesignsProject FUEL

#3. Mobiles

Mobiles are made from pieces of Maasai walking stick, which have been wrapped with beading - using thread that once belonged to a grain sack that was pulled apart and rolled into “kiroba” for beading. This is a traditional method of beading used by the Maasai.  

Mobiles, redesigned with Maasai beadwork (2020) by Sidai DesignsProject FUEL

The spiral-shaped pendant seen here is called Surutia. Traditionally, this pendant is commonly worn by married Maasai women.  

Disks inspired Wall hangings (2020) by Sidai DesignsProject FUEL

#4. Wall Hangings

Traditional disk sets are worn by Maasai girls and women on special occasions. The disk sets have been reimagined as wall hangings.  

Disks inspired Wall hangings (2020) by Sidai DesignsProject FUEL

These wall hangings are beaded onto leather, featuring cowrie shells among the intricate beadwork, and the leather is cut by hand.⁠  

Credits: Story

Project FUEL would like to thank Sidai Designs for creating this exhibit and the Maasai community in Monduli, Arusha for opening their hearts and home for this research. 

Images and Products by Sidai Designs

Sidai Designs works in collaboration with a number of Maasai women to create handmade, contemporary jewellery and accessories. Derived from the Kimaasai word, ‘Sidai’, means ‘good’ or ‘beautiful’. Their mission is to preserve age-old African beading tradition, work to create sustainable jobs and economic opportunities for Maasai women, and produce unique pieces that blend beading customs with a contemporary aesthetic. They are based in Arusha, Tanzania. 

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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