Live Projects (2021): Suspicious Footprints

The pavilion, entitled Suspicious Footprints, acts as a space to relay the information about the Live Projects exhibition. In a suspicious space wrapped with temporary fences, visitors will observe everything in a suspicious manner. Although the space serves to provide information, it does not aim to deliver them in an efficient manner. In order to absorb information, one has to linger. 

Using living plants as a building material, we intend to show the flow of energy circulating between the ground and the air. In this way, the dichotomous relationship between the bottom and the top, the individual and the group is broken down. Our pavilion facilitates an experience of simultaneity that is both the bottom and the top, the individual and the group. 

The Kathouse champions a timely return of gatherings, proposing an architectural celebration of the city, people, cats and all other beasts. The Kathouse is a space of performance, a space given to the spoken word during the day and the moving image in the evenings.

It is an imagination of Eulji-ro without the megastructure, erased from our vision. The four viewpoints at the staircase along the walkway each represent dierent degrees of resolution.

The installation is a tribute to Sewoon Plaza’s history, craftspeople, and collective resilience. The materials of electrical cable conduits, cable ties, and tape are commonly sold on the site. The traditional Korean knot "Jeongja Maedeup" was employed to interlink individual components into a durable net.

Daydream Chambers, located at this intersection, is a barrier between the city and nature on the bridge connecting the Sewoon Shopping Center and the Daerim Shopping Center, lightly transforming the space under the canopy into a loosely partitioned room for the pandemic era.