Motifs and Materials at the Kuala Lumpur Craft Museum

Presenting the Adiguru’s conscious mastery of the thematic between their motif & materials which have become the core of their artistic ideas.

Machine Embroidered Bolster (Chrysanthemum Motif) (2002) by Hajah Azizah Binti Mohamad Yusof: Master Craftsmen & Gold Thread Embroidery National Master Craftsman – 1995 & 2018Malaysian Handicraft Development Corporation

This pretty bolster is designed using an embroidery machine to produce a chrysanthemum flower motif on the fabric surface. The use of machinery makes the production of the product easier and faster to produce. For lovers of gold thread embroidery, the embroidery machine is affordable thus they are able to decorate every space with embroidery (tekat). The production of the embroidery machine is a new revolution in gold thread embroidery.

Machine Embroidered Groom’s Attire (Heavy Cloud Motif) (2002) by Hajah Azizah Binti Mohamad Yusof: Master Craftsmen & Gold Thread Embroidery National Master Craftsman – 1995 & 2018Malaysian Handicraft Development Corporation

 Embroidered groom’s attire

This dapper groom’s suit is machine-embroidered with flowers in heavy cloud motif at the lapels. The design work enhances the beauty of the tekat embroidery. Usually, this attire is worn by the groom during traditional Perak Malay Wedding.

Gold-thread Embroidered Cushion (Flora Motif) (1996) by Hajah Azizah Binti Mohamad Yusof: Master Craftsmen & Gold Thread Embroidery National Master Craftsman – 1995 & 2018Malaysian Handicraft Development Corporation

Embroidered cushion

Using gold thread with full flora motif, this beautiful embellished cushion is placed as decoration on the dais and in the bride’s bedroom along with other embroidered materials.

Embroidered Pillows (Flora Motif) (1996) by Hajah Azizah Binti Mohamad Yusof: Master Craftsmen & Gold Thread Embroidery National Master Craftsman – 1995 & 2018Malaysian Handicraft Development Corporation

Embroidered pillows

These embroidered pillows are used as side pillows on the dais during Malay weddings in Perak. It has a flora motif and decorated with beads which adds an aesthetic touch to the sides of the pillows.

Beta (Neckpiece) Small Flowers Motif (1996) by Negeri Sembilan Custom Clothing AccessoryMalaysian Handicraft Development Corporation

Beta (neckpiece) small flowers motif

The Beta is a neckpiece usually worn as additional ornament for the Malay bride in Negeri Sembilan or Perak states. Small metal flowers are often decorated onto the beta to enhance the beauty and uniqueness of the wearer. Today, the beta neckpiece is mostly used by traditional and cultural dancers.

Silver Handbag Carved (Star Anise & Six-burst flower motif) (1996) by Silver Craft Entrepreneur KelantanMalaysian Handicraft Development Corporation

The intricate beauty of the silver carvings is not only reflected on the art form or design, but also in the philosophy behind the motifs used. In silver crafting, the design element is the most important thing, especially to differentiate Malay design with other races. The design for this silver handbag features the star anise and six-burst flower motifs.

Decorative Shell (Flora motif) (2012) by Md Ghani Bin Mat: Batik Block Master Craftsmen - 2011Malaysian Handicraft Development Corporation

This decorative shell continues to provide aesthetic value with the addition of fine silver carving motif inspired by nature, flora and fauna.

Decorative Bird Shaped Congkak (Fern plant motif) (1996) by KIK Morak EntrepreneurMalaysian Handicraft Development Corporation

Inspired by nature, flora and fauna as well as geometric patterns, this contemporary congkak carved with plant motifs and patterns such as cape flower, Guri crab flower, pea tendrils and geometric shapes.

Beaded Shoe (Flora & Fauna motif) (2012) by J Manik (M) Sdn Bhd: Beaded Shoe ManufacturerMalaysian Handicraft Development Corporation

The beadwork patterns of this shoe is leaned towards flora and fauna inspired motifs such as carnation flower, roses, nature, phoenix, dragon, lion, chicken and others. Traditionally, the Baba Nyonya will wear this exquisite beaded shoes during festive seasons and a Nyonya lady takes pride in matching her beaded shoes with her outfit.

Beaded Shoe (Flora & Fauna motif) (2012) by Masni Bin Abdul Azizan: Beaded Shoe EntrepreneurMalaysian Handicraft Development Corporation

Beaded shoe

The ‘beaded shoe surface’ is an intricate beaded shoe produced traditionally by the peranakan baba nyonya for generations. It is decorated with tiny colourful beads and traditionally worn by the peranakan for special occassions. Crafting a pair of hand stitched beaded shoe is a time consuming and because of that it is more durable than others. The popular motifs used for the patterns were inspired by flora and fauna such as carnations, roses, nature, phoenix, dragon, lion, chicken and more. Each pattern produced is limited and will only be reproduced if there is demand.

Nyonya Kebaya (Gold Fish and Spider Web Motif) (2019) by Lim Swee Kim Nyonya: Embroidery Master Craftsmen – 2006Malaysian Handicraft Development Corporation

Nyonya Kebaya

This delicate piece of Nyonya Kebaya was created using the magic touch of Mrs. Lim Swee Kim who holds the title of Nyonya Embroidery Master Craftsman. The kebaya is made from a lighter and more transparent cotton voile fabric using a fine knotted thread. The gold fish and spider web motifs add to the aesthetic value of the kebaya. Women of all ages are drawn to the Nyonya Kebaya and they are often seen wearing it during special occasions such as weddings. The beautiful top is matched with a batik sarong to highlight the marriage of the two attires, as well as presenting the Baba and Nyonya culture.

Nyonya Kebaya (Peacock and Spider Web Motif) (2019) by Lim Swee Kim Nyonya Embroidery Master Craftsmen – 2006Malaysian Handicraft Development Corporation

Nyonya Kebaya

DescriptionThis delicate piece of Nyonya Kebaya was created using the magic touch of Mrs. Lim Swee Kim who holds the title of Nyonya Embroidery Master Craftsman. This Nyonya Kebaya uses cotton voile fabric which is commonly used to make Nyonya Kebaya. This plain fabric is transparent and light, made using a fine, knotted thread. The designs on the Kebaya comes alive with the intricate, colourful embroidery and decorated with peacock and spider web motifs. To finish off the elegant look, a batik sarong is worn to match the colours on the Nyonya Kebaya.

Keringkam Attire (Gold Flower Motif) (1995) by Keringkam Entrepreneur, SarawakMalaysian Handicraft Development Corporation

Keringkam attire

This traditional Keringkam Attire is worn by the women of Sarawak during special ceremonies such as weddings and festivals. It is sewn using gold thread with a gold flower motif on a piece of cotton cloth. The botanical design, as well as fine embroidery, adds a touch of luxury to the work of art.

Limar Technique Tied Sarong (Mangosteen base, Bamboo shoot and Chicken Claw motif) (2007) by Hajah Zainab @ Ngah Binti Mamat: Songket Master Craftsmen and National Master Craftsmen – 2002Malaysian Handicraft Development Corporation

Songket sarong

At the body of cloth, a scattered mangosteen base design is use. For the head of cloth, bamboo shoot and chicken claw motifs are used. This Songket sarong is worn by aristocrats, during weddings and custom ceremonies.

Siambitan Shawl (Kaliguan, Sugi (Miswak), Kinayuku and Linsot motif) (2007) by Hajah Pandian Binti Sulaiman: Siambitan Weaving Master Craftsmen – 2006Malaysian Handicraft Development Corporation

Siambitan shawl 

A weaved fabric which is part of the Iranun’s traditional attire is the Siambitan cloth. The womenfolk wears the Siambitan shawl over their clothes. The motifs for the Siambitan weaving symbolises the unique cultural elements of the Iranuns. Apart from that, the motifs also reflect the daily lives of the Iranun community.

Rungus Cloth (Striped Motif) (2008) by Rubangki Binti Mabok: Rungus Weaving Master Craftsmen – 1990Malaysian Handicraft Development Corporation

Rungus cloth 

This woven cloth features high traditional values based on the technique and motif used to produce it. Rungus weaving uses cotton thread and traditional colours include black, red, yellow and white. The colours yellow and white are used for the design and stripes. The design for this cloth is created so that the stripes are arranged accordingly.

Mugah Cloth (Eight-burst Flower Motif) (2008) by Sabnah Binti Abdullah: Mugah Weaving Master Craftsmen – 2002Malaysian Handicraft Development Corporation

Mugah cloth 

This woven cloth is used as a traditional costume during grand ceremonies or weddings. The traditional costume for the Iranun tribe is made from a special woven cloth or Mugah cloth. The  design or motif on the cloth reflects the lifestyle and culture elements of the people. For this woven cloth, the motif used is the eight-burst flower to produce a decorative design.

Sugu Thorn Basket (2006) by Mah Meri Indigenous WeaverMalaysian Handicraft Development Corporation

This Sugu Duri Basket is used for storage of betel leaves, areca nut, lime and gambir to keep their freshness intact. Betel nut chewing habit is widely prevalent among the native for it will clean the mouth and suppresses appetite. This basket can also be used during rituals and ceremony especially wedding receptions and as a jewellery storage for women.

Apok Basket (2006) by Mah Meri Indigenous WeaverMalaysian Handicraft Development Corporation

Apok basket

Apok Basket is used to preserve the freshness of betel leaf, areca nut, lime and gambir. Betel nut chewing is common among the natives who generally believed it to be a mouth freshener and to stave off hunger. This basket is extensively used for rituals and events mainly in weddings.

Reed Wind Instrument with Geometry motif (1997) by Isa Bin Samad: Serunai Master Craftsmen – 1997Malaysian Handicraft Development Corporation

A traditional musical group were play in the royal palace consist of traditional musical instrument including drum, gong, rebat and one of perfect compliment is serunai. It has seven hole on the upper side and one hole in the bottom. It's body was hand made carved and ornamented with intricate detailing and painting but it's produces a beautiful sound. It was played for a special occasion in the royal palace

Serunai (1997) by Isa Bin Samad: Serunai Master Craftsmen – 1997Malaysian Handicraft Development Corporation

Serunai is a perfect complement to the traditional musical group where it consists of seven holes on the upper part and one hole in the bottom. This instrument not only produces beautiful sounds but it is hand carved and ornamented with intricate detailing and painting.

Ilang Machete (2012) by Johnny a/k Barangan: Ilang Machete Master Craftsmen – 2012Malaysian Handicraft Development Corporation

This heritage weapon is very important in the culture of the Iban community as it is also considered a symbol of the legendary Ibanese warrior and was once used for enemies decapitation. In the Ngajat Dance, the weapon becomes a mandatory accessory for the male dancer paired with the Ibanese Traditional outfit, shield or armorsuit.

Gayang (Bajau Machete) (2018) by Jamawid Bin Haji Soh: Bajau Machete Master Craftsmen – 2012Malaysian Handicraft Development Corporation

Gayang (bajau machete)

This medium-sized machete is used in daily activities such as meat cutting and slaughtering chickens. Special motifs inspired by rooster head or Serimpak design were carved into the wooden handle using a hand carved technique.

Blessing Basket (Sia) Two Layer (2011) by Ishak Bin Kassim: Rattan Weave Master Craftsmen – 2011Malaysian Handicraft Development Corporation

Sia basket

Made of split rattan, this basket is useful as a food storage, wedding gift tray and beautiful as a gift or souvenir.

Fine Woven Mat (2018) by Hajah Kelsom Binti Abdullah: Weave Master Craftsmen - 2018Malaysian Handicraft Development Corporation

Fine woven mat

This fine woven mat has an array of intricate motifs where the berembang flower is incorporated into the top and bottom parts, while the centre part is filled with hearts and feet motif and the side borders feature motif of the eight-burst flower, triangular fishing net tip, jasmine cape flowers, canine paw print, sandpaper vine flower and bamboo shoots.

Fine Woven Mat Emerald Green (Hearts and Feet motif) (2018) by Hajah Kelsom Binti Abdullah: Weave Master Craftsmen - 2018Malaysian Handicraft Development Corporation

Fine woven mat

This neatly finished emerald green mat with hearts and feet motif and symmetry pattern is used as a decorative piece and floor covering.

Crescent Moon Kite with Water Spinach motif (2017) by Samat Bin Man: Wau Craft Mastermen – 2018Malaysian Handicraft Development Corporation

Wau bulan

One of the popular traditional games in Malaysia is Wau Bulan and it was made with a great decorative piece. To make it more different and look distinctive, it is crafted in illuminous colors and bold patterns. It is normally decorated with water spinach leave and vine plants motifs as a background.

Crescent Moon Kite (2017) by Samat Bin Man: Wau Craft Mastermen – 2018Malaysian Handicraft Development Corporation

Crescent moon kite

Wau Bulan is one of the popular traditional games in Malaysia and makes a great decorative piece. To make it more distinctive, it is crafted in vibrant colors and bold patterns. It is normally decorated with water spinach and vine plants motifs.

Batik Block (Hibiscus Flower) (2012) by Md Ghani Bin Mat: Batik Block Master Craftsmen - 2011Malaysian Handicraft Development Corporation

Batik block 

This flower web batik block is produced by a very skilled master craftsman in Kelantan. This batik block is more refined and unique with the hibiscus flower motif and other additional elements. The mould of this batik block used a combinatiom of thin yellow copper and zinc metal.

Batik Block (Hibiscus Flower motif) (2012) by Md Ghani Bin Mat: Batik Block Master Craftsmen - 2011Malaysian Handicraft Development Corporation

Batik block

This batik block is more refined and unique with the hibiscus flower motif and other additional elements. The fine artwork demonstrates high levels of artistic and creative side of the craftsman.

Chained Tiger Ancestor Sculpture (2006) by Pion Anak Bumbung: Sculpture / Mask Carving Master Craftsmen – 2006Malaysian Handicraft Development Corporation

According to Mah Meri beliefs, the sculpture is carved to appease the spirit of the tiger that was caught and killed in the Iron Goddess trap. The tiger’s spirit will kill the hunter using the same trap. Thus, the indigenous people would first obtain the blessing of this spirit before they set up an iron wire trap.

Crocodile Ancestor Mask (2006) by Gaji Anak Adam: Mah Meri Mask Carver – 2006Malaysian Handicraft Development Corporation

Crocodile ancestor mask

The spirit of the crocodile is the story of three children who were forced to go fishing by their stepfather. Unfortunately, they failed to get any fish and were scolded by their stepfather and did not get any food for the day. One of them went out fishing alone and after seven days, he plunged into the river and became a crocodile. As a crocodile, he vowed to destroy human beings who have made mistakes and committed sin.

Iban Pottery (2006) by Andah a/k Lembang: Iban Pottery Master Craftsmen - 2006Malaysian Handicraft Development Corporation

Nuan

Iban pottery or Nuan is a heritage craft from Iban community in Sarawak and the making process is utilising  similar technique in Malay Peninsular. Nuan pot is mainly used in festive seasons, worship rituals and funeral ceremony.This pot is also used as a dye container for yarn producing Pua Kumbu textile.

Iban Pottery (2006) by Andah a/k Lembang: Iban Pottery Master Craftsmen - 2006Malaysian Handicraft Development Corporation

Iban pottery

The production of Iban pottery is believed to contain spiritual elements as it used primarily for official Ibanese ceremonies. This Ibanese pottery is made traditionally and reflect the tribe’s uniqueness as it incorporates the Iban community living.

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