How? Find Out in the History Channels

with experts from Architecture, Art, Ecology, Economy, Philosophy, Politics, Science, and Technology

PART 1: ARCHITECTING DATA-SPACES

talks about digital spheres that play a crucial role in mediating our coexistence. It looks at how different models of society were thought of and brought together and results in a viable global system that promotes local ways of living, while thinking about them collaboratively.

(1) CODING, CHANGING, LEARNING from HISTORY CHANNELS, 2038 - The New Serenity by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

CODING, CHANGING, LEARNING

from HISTORY CHANNELS, 2038 – The New Serenity

Juliane Rotich, Still from History Channel by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

Juliana Rotich, Information Technology Expert

Some of the innovations that have scaled out of Africa, particularly East Africa, are participatory systems of governance that foreground crowdsourcing and bottom-up participation of citizens, and are not limited to election cycles.

Francesca Bria, Still from History Channel by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

Francesca Bria, Digital Policy Expert & Innovation Economist

Cities became the place for experimenting with sustainability and democracy by reclaiming control over data. Citizens became the ones who owned the data, using it to create a digital commons, which enabled new cooperative platforms.

Denis 'Jaromil' Roio, Still from History Channel by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

Denis "Jaromil" Roio, Open-Source Developer & Hacker

I'm happy we have an ethical code for media and information as a commons, which is not public. You shouldn't disclose all your data. Data now operates similarly to how Nobel prize winner Elinor Ostrom describes the management of commons like forests, land or water.

Vint Cerf, Still from History Channel by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

Vint Cerf, Internet Pioneer aka "Father of the Internet"

Critical thinking has saved us because we are paid attention to the information, asking: where did it come from? Who put it up here? What intent did they have? We live in a more rational society now than ever. 

(2) DATA VS. SPACE from HISTORY CHANNELS, 2038 - The New Serenity by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

DATA VS. SPACE

from HISTORY CHANNELS, 2038 – The New Serenity

PART 2: ARCHITECTING PROPERTY

deals with property beyond the idea of private ownership. Property concerns, of both land and living space, have always been a prerequisite for any debate about inclusion and accessibility. It is crucial to the question of how we will live together.

(4) PROPERTY DRAMA, AGAIN from HISTORY CHANNELS, 2038 - The New Serenity by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

PROPERTY DRAMA, AGAIN

from HISTORY CHANNELS, 2038 – The New Serenity

Suhail Malik, Still from History Channel by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

Suhail Malik, Reader in Critical Studies

Private property is no longer a viable condition in terms of both the environment and the human social system, which used to be dominated by markets. It's clear that the environmental destruction was a consequence of privatization. 

Diana Alvarez-Marín, Still from History Channel by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

Diana Alvarez-Marín, Architect & Scientist

We live in a decentralized and self-organized society. Of course not everybody is equal, not everybody is happy, not everybody has access to the same things. Still, we are more free in the sense that access is no longer defined by being born rich or in a certain place.

E.Glen Weyl, Still from History Channel by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

E. Glen Weyl, Economist & Principal Researcher at Microsoft

Having access to what belongs to everyone is much better than having absolute control over your own things. So we came up with a market based, decentralized mechanism for having common ownership, moving beyond the idea of socialists 💗 taxes and capitalists 💗 private property

Joanna Pope, Still from History Channel by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

Joanna Pope, Researcher in Ecocritical Theory

Universal Basic Services create different public goods, returning what capitalism had cut off from people. These services ensure that you have access to everything you need to live a good life. For example, social arrangements like co-housing cooperatives.

PART 3: ARCHITECTING (ECO)SYSTEMS

describes the moment when two myths of the modern era were finally exposed: first, the scarcity of finite resources, and second, exponential growth. Here we see the convergence and concurrence of economy and ecology in one cycle.

(5) (ECO)SYSTEMIC from HISTORY CHANNELS, 2038 - The New Serenity by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

(ECO)SYSTEMIC

from HISTORY CHANNELS, 2038 – The New Serenity

Mara Balestrini, Still from History Channel by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

Mara Balestrini, Human-Computer Interaction Expert

We couldn't change the system by speaking to highly entrenched and disconnected practices. To bring about the large scale change we needed, we had to articulate an (eco)system involving legal, economic, social, and technological dynamics.

Paul Seidler from Terra0, Still from History Channel by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

Paul Seidler for Terra0, Augmented Self-Owned Forrest

The main takeaway of this experiment is that distributed technology allows nonhuman actors to engage successfully in relationships built on contracts. This resulted in legal structures that could allow rivers to become legal persons and forests to become corporations. 

Caroline Nevejan, Still from History Channel by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

Caroline Nevejan, Chief Science Officer City of Amsterdam

For centuries ownership was everything. One square city meter had a huge value. Unless you put a tree on it, in which case the economic and legal value plummetted. Now, concepts like multi-species urbanism and multiplicity give nature both a voice and a value.

Mitch Joachim, Still from History Channel by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

Joachim Mitchell, Architect & Co-Founder of Terreform ONE

Years ago, biodiversity was on a massive decline. Still, it wasn't enough to save these creatures. Design against extinction means creating ways to keep them alive – in our cities, facades, in vehicles, and in the energy and waste systems, increasing biodiversity.

Cedric Libert, Still from History Channel by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

Cédric Libert, Architect

What has changed? Instead of many nations, we see ourselves as a whole and work together as a planetary population that inhabits one livable spaceship: the Spaceship Earth, as Buckminster Fuller said. We are in this together!

PART 4: ARCHITECTING COMPLEXITY

relates to architecture as an optimistic discipline that deals with the built environment's consequences on possible futures. Architecture today sees itself as a process that does not end with construction, but rather takes into account all life cycles.

(6) (ECO)SYSTEMS from HISTORY CHANNELS, 2038 - The New Serenity by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

(ECO)SYSTEMS

from HISTORY CHANNELS, 2038 – The New Serenity

Daniel Schönle & Ferdinand Ludwig, Still from History Channel by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

Ferdinand Ludwig & Daniel Schönle, Architects & Baubotaniker

It was hard work to flip this around. But de-centering humans and putting them in perspective to other species, helped us think in much longer rhythms: not only until after the next election, but even long after our life cycles. 

Earthrise, taken on December 24, 1968, by Apollo 8 astronaut William Anders by © Public Domain2038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

Sabine Oberhuber & Thomas Rau, Economist & Architect

Through this picture, people realized that Earth is a closed and finite system. We understood that everything is limited in space and in time; especially our needs and their possible answers. We understand that architecture is a only temporary response to a temporary need. 

Suhail Malik, Still from History Channel by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

Suhail Malik, Reader for Critical Studies

Architects don't build in space, they build in time (configurations). We should not only think about the practicalities of what will happen next, but about the consequences of our work and how it generate new results, feeding back into the system.

Diana Alvarez-Marín, Still from History Channel by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

Diana Alvarez-Marín, Architect & Scientist

However, being able to think architectonically does not imply that we stopped building. We certainly still do that, but since architectonics is abstract and operational, the building aspect is just one of its possible renders. Architecture remains as relevant as ever.

Earthrise, taken on December 24, 1968, by Apollo 8 astronaut William Anders by © Public Domain2038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

Sabine Oberhuber & Thomas Rau, Economist & Architect

At some point we realized that sustainability actually only optimizes the status quo and will thus never lead to a systematic change. Circular economy, on the other hand, does not optimize a dysfunctional system, but designs a new one along an axis of responsibility.

(3) COMPLEXITY from HISTORY CHANNELS, 2038 - The New Serenity by © 20382038 German Pavilion at the 17th International Architecture Exhibition — La Biennale di Venezia

COMPLEXITY

from HISTORY CHANNELS, 2038 – The New Serenity

Credits: Story

2038 is a non-profit company with the goal to promote architectural discourse across disciplinary boundaries. 2038 talks to experts from various fields and shares their views and opinions, in partly edited form. 2038 does not claim the approaches, contents and theses of the experts and does everything to quote and name them correctly and in detail. Should this exceptionally not be the case, just write us an email (press@2038.xyz) and we will immediately update the information accordingly.
___
Text / Concept / Realisation: Olaf Grawert, Angelika Hinterbrandner and Jonas Janke
Editing: Michaela Friedberg

© 2038
2038.xyz

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
Explore more
Related theme
From Bach to Bauhaus
Art, sights and history brought to you by over 160 institutions in Germany
View theme

Interested in Visual arts?

Get updates with your personalized Culture Weekly

You are all set!

Your first Culture Weekly will arrive this week.

Home
Discover
Play
Nearby
Favorites