Gilberto Gil and Luiz Gonzaga

Gilberto Gil's admiration for Luiz Gonzaga grows as he shares the stage with his idol.

Dominguinhos, Luiz Gonzaga e Gilberto Gil no show 20 Anos-Luz (Novembro de 1985)Instituto Gilberto Gil

De onde vem o baião
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His Early Influences

Gilberto Gil grew up in two Bahian cities, Ituaçu and Salvador, and came to admire a lot of Brazilian artists through hearing them live on stage, on the radio, or—in his teenage years—on television. 

His early influences were musicians from his native northeastern Brazil. These included Luiz Gonzaga, an accordion player from Pernambuco State who was considered the king of Northeastern baião music, and the Bahian guitarist João Gilberto.

Dominguinhos, Luiz Gonzaga e Gilberto Gil no show 20 Anos-Luz (Novembro de 1985)Instituto Gilberto Gil

From Fan to Idol

Gilberto Gil's first Brazilian idol was Luiz Gonzaga, an accordion player from Pernambuco known as the King of Baião. Gil was still a boy when he first heard Gonzaga's accordion on the radio in Ituaçu. After Gil’s family moved back to Salvador, his mother took him to see Gonzaga perform in one of the city's squares.

Dominguinhos, Luiz Gonzaga e Gilberto Gil no show 20 Anos-Luz (Novembro de 1985)Instituto Gilberto Gil

The sound of the accordion—an instrument typical of northeastern Brazil—resonated very strongly in the young boy and he started having lessons to learn how to play it. Dominguinhos, the accordion player in Gonzaga's band, accompanied Gil on the recording of Eu Só Quero Um Xodó and went on to appear on stage with him sometimes. 

Dominguinhos, Luiz Gonzaga e Gilberto Gil no show 20 Anos-Luz (1985)Instituto Gilberto Gil

And Dominguinhos went from being a fan of Gil to being his musical partner, cowriting Lamento Sertanejo (Forró de Dominguinhos) with him for the Refazenda album. 

Dominguinhos, Luiz Gonzaga e Gilberto Gil no show 20 Anos-Luz (Novembro de 1985)Instituto Gilberto Gil

A landmark encounter took place in 1985 when Gil, Gonzaga, and Dominguinhos performed together at Gil: 20 Anos Luz, a concert the Bahian lyricist and poet Waly Salomão staged in São Paulo to celebrate Gil's 20-year career in music. 

Gilberto Gil com o músico Dominguinhos no ensaio para o show Gil: 20 Anos-luz (Novembro de 1985)Instituto Gilberto Gil

Gilberto Gil no show comemorativo Gil: 20 Anos-luz (Novembro de 1985)Instituto Gilberto Gil

 In 1984, Gil recorded a cover version of Gonzaga and Zé Dantas' Vem Morena for his album Raça Humana.

Gilberto Gil e Cícero Assis em show do álbum As Canções de Eu, Tu, Eles (2000)Instituto Gilberto Gil

In 2001, 12 years after Gonzaga's death, Gil celebrated the King of Baião's work in his album As Canções de Eu Tu Eles—the soundtrack for the film Eu Tu Eles (Me You Them)—by including six forró and baião classics that Luiz Gonzaga cowrote with his various partners. 

Gilberto Gil e Dominguinhos em show na década de 1970, 1978, From the collection of: Instituto Gilberto Gil
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Credits: Story

General credits

Editing and curation: Chris Fuscaldo / Garota FM 
Research - music: Ceci Alves, Chris Fuscaldo, Laura Zandonadi and Ricardo Schott 
Research - Ministry of Culture: Carla Peixoto, Ceci Alves and Chris Fuscaldo 
Subtitles: Anna Durão, Carla Peixoto, Ceci Alves, Chris Fuscaldo, Daniel Malafaia, Fernanda Pimentel, Gilberto Porcidonio, Kamille Viola, Laura Zandonadi, Lucas Vieira, Luciana Azevedo, Patrícia Sá Rêgo, Pedro Felitte, Ricardo Schott, Roni Filgueiras e Tito Guedes 
Data editing: Isabela Marinho and Marco Konopacki
Gege Produções Review: Cristina Doria
Acknowledgements: Gege Produções, Gilberto Gil, Flora Gil, Gilda Mattoso, Fafá Giordano, Maria Gil, Meny Lopes, Nelci Frangipani, Cristina Doria, Daniella Bartolini e todos os autores das fotos e personagens da história
All media: Instituto Gilberto Gil 
*Every effort has been made to credit the images, audios and videos and correctly tell the story about the episodes narrated in the exhibitions. If you find errors and/or omissions, please contact us by email atendimentogil@gege.com.br

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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