Alessandro Magnasco: 6 works

A slideshow of artworks auto-selected from multiple collections

By Google Arts & Culture

The Entombment of Christ (c.1725-27) by Magnasco, AlessandroDulwich Picture Gallery

'It has been attributed to a variety of painters in the past, including Agostino Carracci, Andrea Sacchi and Salvator Rosa, of whom Magnasco was a follower. Magnasco was a Genoese painter who favoured dramatic landscapes, forcefully rendered, often featuring furious storms.'

Christ and the Samaritan Woman (1705–1710) by Alessandro MagnascoThe J. Paul Getty Museum

'Against the sober classical ruins, Alessandro Magnasco gave the scene an expressive urgency with his characteristically agitated drapery and rapidly sketched, attenuated musculature.'

Bacchanal (Between 1720 and 1730) by Alessandro Magnasco and Clemente SperaThe Pushkin State Museum of Fine Arts

'A first class example of the creative collaboration between Magnasco and Clemente Spera, a well-known master of "ruin- painting".'

The Triumph of Venus (about 1720–1730) by Alessandro MagnascoThe J. Paul Getty Museum

'His collaborator Clemente Spera probably painted the architectural views.'

Bacchanale (about 1720–1730) by Alessandro MagnascoThe J. Paul Getty Museum

'Magnasco made this painting and its pendant, The Triumph of Venus, in Milan early in his career. His collaborator Clemente Spera probably painted the architectual ruins.'

Hermit in the Desert (1700 - 1740) by Magnasco, AlessandroMuseo Lázaro Galdiano

'The small canvas Hermit in the Desert by Magnasco, "il Lissandrino", presents the painter`s unmistakable sketchy and nervous style, showing stylised figures of monks, bandits or beggars immersed in rugged landscape with cloudy skies and unreal spluttering lights.'

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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