Celebrating 15!

Rooted in Art: Trees in National Park Service Art Collections

Explore arboreal beauty through paintings from the National Park Service's museum collections

Green River Cliffs by Moonlight by Thomas MoranNational Park Service, Museum Management Program

Trees in art do more than look pretty; they capture seasonal essence, frame historic sites, and symbolize the conservation movement. From aesthetic depth to ecological documentation, these painted trees reflect a deep-rooted commitment to preserving America’s natural legacy.

Grand Canyon from Hermit Rim Road (1912) by Thomas MoranNational Park Service, Museum Management Program

Grand Canyon of Arizona on the Santa Fe

Thomas Moran's field sketches and paintings captured the majesty of Grand Canyon, Yellowstone, and other places in the West. His paintings helped inspire Congress to establish the National Park System in 1916. The original painting is dated 1912.

The Mountain of the Holy Cross, Colorado by Thomas Moran (artist) L. Prang & Co. (publisher)Original Source: National Park Service, Yellowstone National Park

The Mountain of the Holy Cross, Colorado

This piece was part of a 15 chromolithograph set of Moran paintings published by Louis Prang in 1874 for the country's centennial.

Sequoia National Park, California by Eugene KingmanOriginal Source: National Park Service, Museum Management Program

Sequoia National Park, California by Eugene Kingman

Born in Rhode Island, Kingman (1909-75) studied fine art and geology at Yale University. As a student, he won a commission from Horace M. Albright, director of the National Park Service, to paint scenes of several national parks.

Sequoia National Park, California by Eugene KingmanOriginal Source: National Park Service, Museum Management Program

The artist was greatly inspired by Western landscapes and the national parks and received many commissions during his lifetime.

View of Talus House by Helmut Naumer, Sr.Original Source: National Park Service, Bandelier National Monument

View of Talus House by Helmut Naumer (1907-90)

Talus House is located in Frijoles Canyon, near the Bandelier Visitor Center. These homes crumbled long ago, but the one captured in this pastel was reconstructed. As part of the Works Progress Administration Program (WPA), Naumer painted scenes in Bandelier National Monument and nearby pueblos.

Winter, St. Louis Creek by Dwight David EisenhowerOriginal Source: National Park Service, Eisenhower National Historic Site

Winter, St. Louis Creek by President Eisenhower

Eisenhower (1890-1961) completed this painting in the fall of 1955 while recovering from a heart attack at the Fitzsimmons Army Hospital in Aurora, Colorado. St. Louis Creek was one of Eisenhower's favorite fishing spots in Colorado, though the focus here is on the trees.

The Sheep Herder by Charles Paul GruppéOriginal Source: National Park Service, Cumberland Island National Seashore

The Sheep Herder by Charles Paul Gruppé

Gruppé (1860-1940) studied painting in Europe, but lived in Rochester, New York until the 1920s. Although the title refers to the sheep herder, the man and the sheep make up a small part of this dramatic painting, where the skeletal trees fan out against a yellowing, winter sky.

Woodland Scene at Dusk by Edmund Clarence MesserOriginal Source: National Park Service, Frederick Douglass National Historic Site

Woodland Scene at Dusk by Edmund Clarence Messer

Maine-born Messer (1842-1919) moved to Minnesota with his family. He went to Washington, DC in 1863 and entered the studio of Peter Baumgras. He painted American landscapes in oils and watercolours focusing on natural beauty, with people playing a minor role in the scene.

Morning, View on Smith's Island, Norwalk Bay, Connecticut (1863) by George Loring BrownNorth Carolina Museum of Art

Morning, View on Smith's Island, Norwalk Bay, Connecticut

Born in Boston, George Loring Brown (1814-89) spent much of his career in Europe, primarily in Italy, though he painted many notable American landscapes. The painting depicts the serene beauty of the New England coastline, highlighting Brown's signature luminous style and his ability to capture soft morning light filtering through the trees.

High Bridge, New York (1879) by Jasper Francis CropseyOriginal Source: National Park Service, Marsh - Billings - Rockefeller National Historical Park

High Bridge, New York by Jasper Cropsey

Cropsey (1823 - 1900) trained as an architect. He became interested in painting, joining the Hudson River School. Here he blends his architectural background with his signature romantic, autumnal style. He believed landscapes were the highest art form.

Light In the Forest by Julian Alden WeirOriginal Source: National Park Service, Weir Farm National Historic Site

Light In the Forest by Julian Alden Weir

In this unsigned nightscape, Weir (1852-1919), captured the moon rising through a tree east of his Branchville, Connecticut home. The painting is a focus for the delicate interplay of light filtering through a dense tree canopy and is characteristic of his atmospheric style,

View of Mountains on Mount Desert from Bowditch Point by Elizabeth CurtisOriginal Source: National Park Service, Acadia National Park

View of Mountains on Mount Desert from Bowditch Point

Elizabeth Curtis (1865-1953) studied with John Twachtman and William Merritt Chase at the Art Students League. Known for her landscapes, portraits, and domestic indoor scenes, she frequently painted rural American landscapes, capturing shifting seasonal light with soft, dappled brushwork.

American Crocodile by Walter Alois WeberOriginal Source: National Park Service, Everglades National Park

American Crocodile by Walter Weber

Weber (1906-1979) was a scientific illustrator and painted diorama backgrounds for exhibits. This painting shows the crocodile in front of the mangrove trees of the Everglades. He realistically captured the tangled, arching "walking roots" characteristic of red mangroves.

Arlington House by Benson J. LossingOriginal Source: National Park Service, Arlington House, The Robert E. Lee Memorial

Arlington House by Benson Lossing

Lossing (1813-91) was a well-known 19th century author and illustrator. He visited Arlington House in 1853 at the invitation of George Washington Park Custis. He wrote an article about his visit for the September 1853 issue of Harper's Monthly.

Fairfax Court House, Virginia by William Henry JacksonOriginal Source: National Park Service, Scotts Bluff National Monument

Fairfax Court House, Virginia by William Henry Jackson

Jackson (1843-1942) documented life during the American Civil War. The painting depicts the historic Fairfax County Courthouse, an iconic structure that served as a frequent backdrop for skirmishes and troop movements during the American Civil War.

Adobe House by Warren Eliphalet RollinsOriginal Source: National Park Service, Hubbell Trading Post National Historic Site

Adobe House by Warren Eliphalet Rollins

Rollins (1861-1962) was the first artist to have a formal exhibition in the Palace of the Governors in Santa Fe, New Mexico. He spent decades sketching and painting indigenous pueblo communities and adobe structures across New Mexico and Arizona, capturing the region's warm clay tones and deep blue skies.

Picket Guard Near Falmouth, VA, March 17, 1863 by William McIlvaine, Jr.Original Source: National Park Service, Gettysburg National Military Park

Picket Guard Near Falmouth, VA, March 17, 1863

William McIlvaine, Jr. (1813-67). After graduating from the University of Pennsylvania, he studied art in Europe. The artist served in the 5th New York Infantry during the American Civil War. While in the service,  he found time to paint fine watercolors of Union Army camp life.

Hidden Lake by Sam VinikoffOriginal Source: National Park Service, Big Cypress National Preserve

Hidden Lake by Sam Vinikoff

Vinikoff (1919-2010), an English-born artist, moved to Miami with his wife and two daughters in 1957. He opened a tailor shop, painting in his spare time. He captured the beauty of the Everglades and the Big Cypress Swamp for over 30 years and became known as "The Everglades Artist."

Beaver Hut on the Missouri River by Carl Bodmer (also known as Karl Bodmer)Original Source: National Park Service, Gateway Arch National Park

Beaver Hut on the Missouri by Karl Bodmer

A skilled painter, printmaker, draughtsman and hunter, Bodmer (1809-93) accompanied explorer Prince Maximillian zu Wied-Neuwied on his Missouri River expedition of 1832 - 1834. The artist is best known for his detailed and refined recording of the American West. 

Mariposa Grove, Base of Sequoia Gigantia by Christian "Chris" JorgensenOriginal Source: National Park Service, Yosemite National Park

Mariposa Grove, Base of Sequoia Gigantia

Originally from Norway, Christian Jorgensen (1860-1935) settled in California.  He trained at the San Francisco School of Design. He visited Yosemite in 1899 and decided to make it his summer home. He often chose to paint in watercolor which lent itself well to his habit of painting en plein air.

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