Studies of the head and forelegs of a lioness (1812 - 1814) by Théodore GéricaultThe J. Paul Getty Museum
'During the more than two years it took him to fill this sketchbook, Théodore Géricault demonstrated his continued interest in lions by making numerous sketches of these animals.'
Cavalry skirmish with four horsemen (1812–1814) by Théodore GéricaultThe J. Paul Getty Museum
'In Théodore Géricault's swiftly penciled scene of a cavalry skirmish, the bodies of both horses and riders dissolve into a succession of curves.'
Landscape with a row of trees (1812 - 1814) by Théodore GéricaultThe J. Paul Getty Museum
'Carrying his sketchbook with him on a walk in the country on a sunny day, Théodore Géricault captured this row of trees with their shadows.'
Cavalry skirmish (1812–1814) by Théodore GéricaultThe J. Paul Getty Museum
'Théodore Géricault developed the bodies, legs, and arms of both horses and riders with a swift series of circles and spirals. He simplified and compressed every feature down to its essentials.'
Studies of nude men in combat (1812 - 1814) by Théodore GéricaultThe J. Paul Getty Museum
'Sketches of men in battle appear throughout this and other sketchbooks by Théodore Géricault. As he used these notebooks to work out new ideas, he might have intended this sketch as an idea for a future project.'
Studies of a seated stag, a fawn, a goat head (1812 - 1814) by Théodore GéricaultThe J. Paul Getty Museum
'Théodore Géricault executed the fine pencil strokes that form the body of the seated stag with a studied elegance, making the drawing appear effortless.'
Group of three figures (1812 - 1814) by Théodore GéricaultThe J. Paul Getty Museum
'In this rapidly drawn sketch of a man carrying another figure with a child by his side, Théodore Géricault concentrated on each body's simple contours, eliminating any unnecessary details.'
Compositional studies (1812 - 1814) by Théodore GéricaultThe J. Paul Getty Museum
'Théodore Géricault divided this sheet into four sections that he then filled with various scenes, one of which is drawn over the head of a horse.'
Seated lion (1812 - 1814) by Théodore GéricaultThe J. Paul Getty Museum
'Occasionally, as Théodore Géricault traced the contours of a form, his pencil broke away from the overall shape into turbulent flutters.'
Riderless Racers at Rome (1817) by Théodore GéricaultThe Walters Art Museum
'In other variations on this theme, Géricault set the race in ancient, rather than contemporary, Rome.'
Three Lovers (about 1817–1820) by Théodore GéricaultThe J. Paul Getty Museum
'With a modern directness, Géricault captured the intensity and energy of human sexuality in a manner very different from the idealizing conventions of his age. Géricault 's expressive handling of line and paint accords with the passionate energy of the subject matter.'