Saint Catherine of Alexandria

Join us and discover the iconography of Saint Catherine of Alexandria with this painting.

By Santa Clara Museum

Anonymous artwork

Saint Catherine of Alexandria (XVIIth century) by Unknown artistSanta Clara Museum

Catherine of Alexandria was one of the most represented saints in New Granada. Her image circulated widely between the second half of the 17th century and the first decades of the 18th, especially in Santafé. 

With the figure of Saint Catherine, considered the mystical bride of Christ, it was sought to establish a model of behavior for those women who, after taking cloistered vows, lived in the Clarian precincts during the Colony. 

Her cult began in the East, around the 10th century. It later spread in Europe thanks to the crusaders. It was finally popularized in the West through The Golden Legend, although her story lacks evidence to support it. 

According to the author of the Legend, Jacobus de Voragine (1230-1298), Saint Catherine was born into a family of the Egyptian aristocracy. At an early age she decided to convert to Christianity after Christ appeared to her and took her as his fiancée. 

Catherine is usually represented as a young woman, as we see her in this portrait. 

The white tunic, the richly ornamented dark blue mantle and the delicate crown she wears evidence her noble origin. 

According to tradition, on a visit to Alexandria, Emperor Maxentius summoned his subjects to a ceremony in which he would offer sacrifices to pagan deities. Catherine heeded the emperor’s call, but challenged his authority, urging him to convert to Christianity. 

Such a gesture infuriated the ruler, who went, unsuccessfully, to a group of wise men who would refute Catalina. Then, Maxentius had her tied to a cogwheel, but it broke when it touched her body. Thus, the wheel became one of the attributes of this saint. 

To the left of the saint, an unusual scene in her iconography is depicted. In it, some soldiers flee the place after witnessing the breaking of the wheel of martyrdom. 

Finally, Maxentius ordered the beheading of Catherine, so on the lower left side of the image you can see the sword with which the woman’s life was ended. 

Catherine of Alexandria holds a palm in her left hand, an attribute that identifies her as a martyr. 


Saint Catherine of Alexandria 

Anonymous artwork 

Oil on canvas 

167 x 120 cm 

17th century 

Credits: Story

Créditos
MUSEOS COLONIAL Y SANTA CLARA

Dirección / Museum Director
María Constanza Toquica Clavijo

Curaduría / Curation
Anamaría Torres Rodríguez
María Isabel Téllez Colmenares

Administración de colecciones / Collection Management
Paula Ximena Guzmán López

Editorial / Editorial
Tanit Barragán Montilla

Divulgación y prensa / Communications
Jhonatan Chinchilla Pérez

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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