Spanish bullfighting

By Musée des Cultures Taurines

Musée des Cultures Taurines

Ainsi le taureau lâché en pâture est craint - Quand sa terrible corne devrait le porter à la séduction (traduit du latin) (1578) by Johannes StradanusMusée des Cultures Taurines

The origins of modern Spanish-style bullfighting

Bullfighting games have been organized since the 11th century in regions where wild bulls were known to exist. In Spain and Italy, noble hunts were transplanted to public squares to celebrate special events.

Charles Quint lançant un taureau dans la place de Valladolid, planche 10 La Tauromaquia (20ème siècle) by Francisco de Goya y LucientesMusée des Cultures Taurines

The chivalric bullfighting

In Spain, these fights involved horsemen, and their confrontations with bulls was intended to improve their military virtues of bravery, agility, and strength. They were restricted to the aristocracy and enjoyed their heyday between the 16th and 17th centuries.

Majo by AnonymeMusée des Cultures Taurines

The rise of bullfighting on foot

In the early 18th century, with the arrival of the Bourbon dynasty on the Spanish throne, who were not keen on these shows, the decline of the chivalric bullfighting gave way to the rise of the bullfighting on foot, which already existed among the masses. 

Portrait de Pepe Hillo ([ca] 1850) by Eugenio Lucas Y VelázquezMusée des Cultures Taurines

The end of the 18th century marked the emergence of modern bullfighting and the praising of the first great bullfighters, like Costillares, Pepe Hillo, Pedro Romero, while the first important breeding of Spanish fighting bulls (toros bravos) were established.

Scène de corrida (1846) by Louis Etienne Charles PorionMusée des Cultures Taurines

An iconic show of the 19th century Spain

Established in South America in the 16th century, bullfighting today is performed in Mexico, Peru, Colombia, Venezuela, and Ecuador. Portugal emerged as the true home of horseback bullfighting.



The bullfight also crossed the Pyrenees mountains: the first Spanish-style bullfight took place on August 1, 1853 in Bayonne.

Courses de taureaux dans les Arènes de Nîmes par la quadrille d'El Tato, le 10 mai 1863 (1863) by A. Deroy, C. Maurand, and JouvinMusée des Cultures Taurines

Nîmes, a major bullfighting center

While the first Spanish-style bull race was organized in the Nîmes amphitheater in 1853, it wasn't until 10 years later, in May 1863, that bullfighting really emerged. Since then, bullfights take place every year in the Roman amphitheater.

Arènes de Nîmes, 1960 (1960) by Velasco (Torerias) (Madrid) and SaavedraMusée des Cultures Taurines

Nîmes, première feria nîmoise, 30 mai - 2 juin 1952 by Imprimerie Barnier Nîmes and Alcade MolineroMusée des Cultures Taurines

In 1952, Nîmes launched its first feria, a bullfighting festival

Since the 1980s, the city has become a major player on the ferias calendar, thanks to its Pentecost and Grape Harvest fairs. 

Feria de Nîmes, Fêtes de Pentecôte, 23-24-25 mai 1953 (1853) by Paul AujoulatMusée des Cultures Taurines

Kina Perrier by Marle Mouillot and AnonymeMusée des Cultures Taurines

Today, Nîmes, also known as the French Madrid, is considered the most important French bullring due to its capacity (14,122 seats) and the number of bullfighting shows held there.

Arènes de Nîmes. Corrida du 17 septembre 2021. José María Manzanares fils (2021-09-17) by Christine NuelMusée des Cultures Taurines

Se positionnant vers l’avenir, les Arènes de Nîmes sont devenues le temple de l’alternative, cérémonie qui permet au jeune novillero d’accéder au rang de matador de toros.

Arènes de Nîmes. Corrida du 17 septembre 2021. José María Manzanares fils (2021-09-17) by Christine NuelMusée des Cultures Taurines

Bullfighting stars and fans

Bullfighters on foot like José Tomás, El Juli, José María Manzanares, Enrique Ponce, Sébastien Castella, Juan Bautista, Morante de la Puebla, Javier Conde, Miguel Ángel Perera, as well as bullfighters on horseback such as Pable Hermoso de Mendoza, Diego Ventura or the Frenchwoman Léa Vicens, are among the performers.

La foule devant la Mairie de Nîmes (titre factice) (20ème siècle) by Michel PradelMusée des Cultures Taurines

Highlights of life in Nîmes

The ferias attract an ever-growing public of aficionados, as well as tourists and onlookers who enjoy the festive atmosphere of the bodegas—wine bars where people can sing, dance, and party all night long.  The positive economic consequences are undeniable.

Projet d'affiche by Alain ClémentMusée des Cultures Taurines

Credits: Story

Réalisation : Musée des Cultures Taurines
Chef de projet : Camille Dubois
Conservation : Lisa Laborie-Barrière
Coordination : Isabelle Morfin, Gilles Raoux, Jean-Marie Mercier

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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