Stand Up Black Britain [Part Two]

TRENCH presents a soundtrack centred on the strength within the Black British struggle, starring a selection of some of the most important songs from the homegrown community…

Bashy on set at his "Black Boys" video shoot (2009) by Laura BrosnanTRENCH

Stand Up Black Britain

When it comes to the Black British struggle, the history is long. But one thing that’s kept us bound together, throughout the years, is music...

Kojey Radical - "Footsteps"

Directed by long-time collaborators THE REST, on "Footsteps", Radical speaks on his position as a poet in the music industry, his hopes and the struggles of his surroundings.

Ms. Dynamite & Akala - "Get Up, Stand Up"

Released in 2002 as a hidden track, featuring Ms. Dynamite and her younger brother, Akala, "Stand Up" gives an early insight into his mind and a precursor of what was to come later in his own discography over the next 20 years. 

Blak Twang - "So Rotten"

Released in 2002 by Lewisham rapper, Blak Twang (and boasting a remix from The Street), "So Rotten" was based around the riddim "Politics" by Jahmali on Penthouse Records.

Bashy - "Black Boys"

Released in 2007, "Black Boys", produced by Naughty Boy, paid homage to rap and grime pioneers, and is credited as an important moment in Black British males finding an identity of their own.

Enny featuring Amia Brave - "Peng Black Girls"

Looking at the depiction of Black women in the media directly inspired ‘Peng Black Girls’, Enny and Amia Brave's breakout hit from 2020. Jorja Smith unsurprisingly jumped on the remix.

Swiss feat Sharifa - "Cry"

This heart-warming hood classic, released in 2005, by So Solid Crew member Swiss, actually features a cheeky sample of Michael Jackson's 1979 single, "It's The Falling In Love" 

Che Lingo - "My Block"

Taken from his album, The Worst Generation, "My Block" is inspired by Julian Cole, a teenager paralysed in Bedford in 2013 following a violent arrest by the police. The song aims to spread aware of institutionalised racism and police brutality.

Ray BLK feat Stormzy "My Hood"

A celebration of inner city life and estate living, "My Hood" is a love letter to Ray's South London home. 

Estelle - "1980"

In the song, which samples Tony Orlando and Dawn's "Lazy Susan", Estelle talks about her childhood in London. Now a certified anthem for Gen X & Y. 

Children Of Zeus - "Still Standing"

FKA Twigs - "Home With You"

FKA Twigs captures the plummet into self-consciousness on “home with you,” from her album 'MAGDALENE'.

George The Poet & Bodhi - "My City"

Producers Bodhi reworked a spoken word performance of George The Poet's "My City" - a bittersweet ode to London living - into a smooth piece of house in 2014. 

Shae Universe feat Kojey Radical "Royalty"

Little Simz feat Cleo Sol - "Woman"

A sonic discussion on women's lives in different countries, Simz penned "Woman" as a thank you to all the women who inspired her.

Kano feat Popcaan - "Can’t Hold We Down"

With an initial focus on heritage, his connection to Jamaica and meeting collaborator Popcaan, the second part of the video features Kano’s own family members. 

Joan Armatrading - "Taking My Baby Up Town"

"Taking My Baby Up Town" is a song about a couple who are shouted at in the street but keep walking arm in arm and since its release in 1978 has become a gay pride anthem. 

The Real Thing - "Children of the Ghetto"

Written as part of a trilogy in and about Liverpool 8, on Stanhope Street, which connects Toxteth to the docks. Many years later it became a huge hit for Phil Bailey of Earth, Wind and Fire, Courtney Pine and later, Mary J Blige.

Heather Small - "Proud"

Cleo Sol - "Know That You Are Loved"

This song, from 2021, has Cleo Sol reassure the listener that they are loved, regardless of their own self-perception, promoting self-acceptance and the significance of unconditional love from others.

Credits: Story

Words by TRENCH
Photography by Laura Brosnan [Frank Archives]
Commissioned by TRENCH

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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