Scene from Kabuki plays : Jiraiya Goketsu Monogatari (嘉永5年7月改印 1852 米良・渡辺印) by Utagawa KunisadaKeio University Library
"The Tale of Jiraiya Goketsu" is an entertainment novel published in serial form from the late Edo through the early Meiji period. The main character "Jiraiya" uses his power to defeat his enemies.
The chivalrous outlaw Jiraiya battles his nemesis Orochimaru using sorcery.
“Senso-Sennin” is the spirit of a toad. Jiraiya receives the gift of sorcery at Mt. Myoko in Echigo Province.
This is Jiraiya’s wife Tsunade. She has supernatural powers and uses “slug sorcery” to battle Orochimaru alongside Jiraiya.
At the feet of Sennin is a toad with a skull in its mouth.
At the feet of Jiraiya, Tsunade’s slug.
At the feet of Tsunade, a snake symbolizing Orochimaru.
The toad is said to be vulnerable to the snake, with the snake vulnerable to the slug, while the slug is vulnerable to the toad.
These are the so-called “Three Binds.”
This triptych painting bluntly expresses the narrative of The Tale of Jiraiya Goketsu. Just like modern manga, we can imagine that it offered great entertainment to the commoners of Edo.
Jiraiya Riding a Frog (4/1/1866) by Tsukioka YoshitoshiLos Angeles County Museum of Art
The Jiraiya motif appears in various Ukiyo-e paintings. Here he appears riding a toad.
Jiraiya en violen (1862) by Kunisada (I), UtagawaRijksmuseum
Jiraiya’s frequent depiction in prints of Kabuki actors can be attributed to his popularity in Kabuki programs.
(Ehon shōsetsu) Jiraiya gōketsu monogatari (1890 (Meiji 23); May) by Artist: Utagawa Fusatane ?Smithsonian's National Museum of Asian Art
This is an illustration from a reader, "The Tale of Jiraiya Goketsu," dating from the latter part of the Meiji Era. The caption says “Jiraiya will vanquish the enemy of the Toad Sennin, the Giant Snake.”
NARUTO / the cover of vol.1 (2000-03-03) by (C) Masashi Sugumoto Scott / Shueisha and (C)岸本斉史 スコット/集英社Keio University Library
The figure of Uzumaki Naruto, the main character of NARUTO is depicted using “toad ninjutsu” on the cover of the first volume of the NARUTO manga serialized in Shonen Jump
Here, we have an excellent example of the continued resonance of this story from its initial popularization in the Edo period through to modern manga.
Ukiyo-e paintings in this exhibition will be included in the "George S.Bonn Collection of Ukiyo-e in the Meiji period".
About George S.Bonn Collection of Ukiyo-e in the Meiji period
Reference:
Yukiko Sato. Yojutsu Tsukai no Monogatari (妖術使いの物語). Kokushokankokai, 2009.9.
Specters, Ghosts, and Sorcerers in Ukiyo-e (江戸妖怪大図鑑). Ota Memorial Museum of Art, 2014.7.
Egao Mizugaki, et al. Jiraiya Goketsu Tan (児雷也豪傑譚). 1-2. Kokushokankokai, 2015.7
Juzo Suzuki. Ehon to Ukiyoe : Edo Shuppan Bunka no Kosatsu (絵本と浮世絵 : 江戸出版文化の考察). Revised and enlarged edition, Perikansha, 2017.10
Masashi Kishimoto. NARUTO. 1-72. Shueisha, 2000-2015.