Parte 3 - Construções Sensíveis: A experiência Geometrica Latino Americana na Coleção Ella Fontanals-Cisneros

By Centro Cultural Banco do Brasil Rio de Janeiro

This is an exhibition developed especially for Brazil, forming a subtle tribute to the ‘Arte Agora III, América Latina: Geometriasensível’, exhibition, that was on display at the Museum of Modern Art in Rio de Janeiro in 1978, but which was destroyed by a tragic fire. Many of the artists presented at that historic event are present here, as a representation of the pioneering trends in the region, now displayed together with contemporary artists who are pointing the way forward for abstraction today.

Galerias Construções Sensíveis - CCBB RJCentro Cultural Banco do Brasil Rio de Janeiro

Kinetic

Kinetic and optical art stand side by side in the visual studies that place the viewer at the center of the aesthetic experience. The search for movement activates a new dimension of the work of art, abandoning its static condition as a painting or sculpture. The integration of understandings arising from different fields of art, science and technology expands the conceptual substrata of the work and challenges one’s perception.

Galerias Construções Sensíveis - CCBB RJ, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Galerias Construções Sensíveis - CCBB RJ, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Galerias Construções Sensíveis - CCBB RJ, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Boceto para Coloritmo n. 52 y n.49, Aejandro Otero, 1960, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more

From the coloritmos of Alejandro Otero, to the graphics of Jesús Rafael Soto and the visual studies of Julio LeParc, the works present different paths for representing or provoking the sensation of movement.

Coloritmo # 41, Aejandro Otero, 1959, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more

Otero finds meaning in his work, true chromatic sheet music, through a deep-rooted understanding of avant-garde music.

Element Mouvement Surprise Element Mouvement Surprise, Julio Le Parc, 1966, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more

he subtlety of the movement that starts with the spectator’s perception is transformed into moving works of art in the mobile objects created by Julio Le Parc.

Element Mouvement Surprise Element Mouvement Surprise, Julio Le Parc, 1966, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Element Mouvement Surprise Element Mouvement Surprise, Julio Le Parc, 1966, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Element Mouvement Surprise Element Mouvement Surprise, Julio Le Parc, 1966, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Formes Virtuelles par Déplacement du spectateur Formes Virtuelles par Déplacement du spectateur, Julio Le Parc, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Formes Virtuelles par Déplacement du spectateur Formes Virtuelles par Déplacement du spectateur, Julio Le Parc, 1966, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Formes Virtuelles par Déplacement du spectateur Formes Virtuelles par Déplacement du spectateur, Julio Le Parc, 1966, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Formes Virtuelles par Déplacement du spectateur Formes Virtuelles par Déplacement du spectateur, Julio Le Parc, 1966, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Formes Virtuelles par Déplacement du spectateur Formes Virtuelles par Déplacement du spectateur, Julio Le Parc, 1966, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Galerias Construções Sensíveis - CCBB RJ, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more

The language of music also stimulates Soto’s thinking in relation to kinetic art, and is assimilated into the structure of his work, in the form of vibrations or notations.

Galerias Construções Sensíveis - CCBB RJ, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Vilos Vilos, Gustavo Pérez Monzón, 2018, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Vilos Vilos, Gustavo Pérez Monzón, 2018, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Vilos Vilos, Gustavo Pérez Monzón, 2018, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Hilos Hilos, Gustavo Pérez Monzón, 2018, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Hilos Hilos, Gustavo Pérez Monzón, 2018, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Galerias Construções Sensíveis - CCBB RJ, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Dibujo Sin Papel 79/3, Gego, 1979, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Dibujo sin papel No. 77/16 Dibujo sin papel No. 77/16, Gego, 1977, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Dibujo sin papel No. 77/16 Dibujo sin papel No. 77/16, Gego, 1977, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Boceto para escultura en el edificio del Banco Industrial de Venezuela Boceto para escultura en el edificio del Banco Industrial de Venezuela, Gego, 1961, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Boceto para escultura en el edificio del Banco Industrial de Venezuela Boceto para escultura en el edificio del Banco Industrial de Venezuela, Gego, 1961, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Blue sliding (south), Marco Maggi, 2011, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Mosaic Progression three, Marco Maggi, 2003, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Objeto Ativo, Willys de Castro, 1959, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Horizonte Inestable, Alexandre Arrechea, 2018, From the collection of: Centro Cultural Banco do Brasil Rio de Janeiro
Show lessRead more
Credits: Story

Continue sua vista:
Sala 1
Sala 2
Sala 4

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
Google apps