The Progress of a Soul: The Progress of a Soul: (1895 — 1902) by Phoebe Anna TraquairNational Galleries Scotland: National
The Progress of a Soul is a series of four tapestries and is loosely based on Denys L'Auxerrois from Imaginary Portrait by the English critic and writer Walter Pater, though it is not considered a direct illustration.
Phoebe Anna Traquair, 1852 - 1936. Artist (Self-portrait) (1911) by Phoebe Anna TraquairNational Galleries Scotland: National
Instead they explore a recurring theme in Traquair’s practice; the concept of a soul’s journey from birth through the trials of life to ultimate salvation or redemption.
The Progress of a Soul: The Entrance (1895) by Phoebe Anna TraquairNational Galleries Scotland: National
In the first part, called The Entrance, Denys’ animal skin clothes are in harmony with the rich pattern of the natural world around him.
He is full of hope and enthusiasm, blissfully ignorant of life's realities. It’s been suggested that he might actually be singing as he plucks his lyre.
The Progress of a Soul: The Stress (1897) by Phoebe Anna TraquairNational Galleries Scotland: National
In the second panel called The Stress, Denys has grown older and is wiser to the challenges of life.
Nature is changed. The bright golden sun from The Entrance has disappeared into a swirling dark sky,
and the rabbit (left) now hangs lifeless in the mouth of a vulture, its blood dripping.
The Progress of a Soul: Despair (1899) by Phoebe Anna TraquairNational Galleries Scotland: National
In the third panel, Despair, an exhausted Denys, on the brink of death, hangs from the vine branches.
The briar thorns close to his feet refer to the crown of thorns placed on Christ at the Crucifixion, introducing Christian symbolism into an otherwise pagan scene.
The Progress of a Soul: The Victory (1902) by Phoebe Anna TraquairNational Galleries Scotland: National
In the final panel, The Victory, Denys is seen after death, reborn into eternal life.
He has been awoken with a kiss from a red haired, red winged angel, suggesting he has entered the realm of heaven.
National Galleries of Scotland