This story was created for the Google Expeditions project by ePublishing Partners, now available on Google Arts & Culture
Verona was the setting for two other Shakespeare plays, "The Taming of the Shrew" and "Two Gentlemen of Verona". Located at the foot of Mounte Lessini, Verona was founded by ancient tribes and became a Roman colony in the first century B.C.E.
Despite the fact that Shakespeare did not likely ever visit Italy, let alone Verona, the city offers tourists “Juliet’s Balcony,” and one can almost imagine the Capulet ball happening in a palace as magnificent as the Villa Zambonina, just a short drive away.
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Verona, Today
Today, this major tourist city of Northern Italy is famous for its art, its fairs and festivals, its operas, and its churches and theaters, many of which date to Roman times.
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Ponte Pietra
Like so many cities, Verona straddles a river, and therefore requires bridges that span it. On either side of the water, you can see the stone dikes built over the last several centuries, the source of this particular bridge’s name, which translates as “Stone Wall Bridge.”
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The Stone Wall Bridge
Verona’s oldest bridge, the Ponte Pietra was completed in 100 B.C.E. to provide access to the east bank suburbs. The left bank’s stone arches were destroyed during World War II and rebuilt in 1957, using their original materials.
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The Adige River
In some places the Adige river is shallow enough to walk across. From the Alpine mountains, the Adige enters the Po lowland, and spills into the Adriatic Sea. This fly-fishing fellow may catch one of the river’s barbed gill trout.
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San Giorgio in Braida
Across the Ponte Pietra is this 16th-century church, [Dome] among Verona’s most beautiful. Its bell tower remains from a monastery built 500 years before. The façade is white marble, and statues of St. George and St. Lorenza Guistiniani guard the door.
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City of Verona
Located by Mounte Lessini, Verona was founded by ancient tribes and became a Roman colony in the 1st century B.C.E. Today, it’s famous for its art, fairs, festivals, operas, churches and theaters, many dating to Roman times.
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Ponte di Castelvecchio
Better known as the Scaliger Bridge, was named for its builder, Cangrande II della Scala, Lord of Verona from 1332 - 1359. The bridge was built to provide della Scalla with an escape route across the Adige from his castle in the event of a rebellion against his tyrannical rule.
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Nicknamed Can Rabbioso (“Raging Dog”), della Scala amassed a great fortune by impoverishing Verona and was likely poisoned by his own brother.
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Ponte di Castelvecchio’s Towers and Arches
Like the Ponte Pietra, this bridge was destroyed by the German army during WWII, and later reconstructed. Flanked by 2 pentagonal towers, its three arches, made from white marble and red bricks, give it a length of 120 meters.
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Museo di Castelvecchio
If you could peer beyond the bridge, you’d see the Castelvecchio (Italian for “Old Castle”). Its towers and and merlons pierce Verona’s skyline. Today it’s the Castelvecchio Museum, which houses sculpture, statues, paintings, weapons, goldworks, and bells from around Verona.
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Basilica di San Zeno Maggiore
This minor basilica is famous for being the site of Romeo and Juliet’s marriage since it is adjacent to a Benedictine abbey, possibly home to Friar Laurence. You can see the basilica’s bell tower, a 62-meter-high building completed in 1178.
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A Grove of Sycamore
In Act I of Romeo and Juliet, Benvolio tells Romeo’s mother that he saw Romeo “underneath a grove of sycamore / That westward rooteth from the city’s side.” The bard possibly used the sycamore as a pun to express Romeo’s lovesickness.
Inside the Basilica di San Zeno Maggiore
A basilica is a large, important Catholic church that has been given special ceremonial rights by the Pope.
Destroyed and rebuilt
A smaller version of this church was built soon after St. Zeno’s death in 380, but like so many buildings in Verona, it was destroyed and damaged by wars and earthquakes. The Basilica di San Zeno Maggiore was rebuilt and remodeled, lastly in 1398.
In the Shape of a Cross
The central church has a nave, a transept, the crosswise section that creates the cross-shape common in Romanesque and Gothic Catholic churches, and aisles divided by columns with alternating tops. The priest performs Mass in an area called the presbytery.
Saint Zeno
In the basilica’s crypt, a sarcophagus holds Saint Zeno’s body, who in death wears a silver mask. Hailing from Africa, Zeno became Verona’s bishop around 362 BC. The church’s bronze doors depict the miracles of Zeno, patron saint of fishermen.
The Works of Art
The Basilica di San Zeno Maggiore’s paintings depict Old and New Testament themes and stories, extolling the life of Jesus Christ. The church has many bas reliefs, a sculpture in which the forms and figures project slightly from the background.
The Ceiling
In 1387, Abbot Ottonello De’Pasti ordered the rebuilding of the church’s apse, the semicircular part of the presbytery with the painted altarpiece. The apse’s wooden ceiling resembles a ship’s keel and is made of coffers, sunken panels in different shapes.
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The Verona Arena
Still in use today, this classic Roman amphitheater is famous for the large-scale opera performances given here. In ancient times, nearly 30,000 people traveled from afar to attend the ludi (shows and games).
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Today, for safety purposes, the maximum attendance is 15,000. The arena was originally built outside the city’s walls, but in the third century, Emperor Gallienus relocated the walls to include and protect it.
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Entertainment at the Arena
The Arena was built in the 1st century A.D. by emperors who employed “bread and circuses”— appeasing the masses with superficial entertainment. For almost 400 years, crowds were entertained by bloody carnage of various sorts, including gladiator games.
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The Remaining Four
After Emperor Honorius prohibited gladiator games in 404 A.D., the Arena stood empty for centuries. Several earthquakes in the 12th century destroyed the original building, still, these four arches remain, suggesting the the splendor—and horrors—of the arena’s glory days.
The Stage
Outstanding acoustics make the Verona Arena a favorite venue for summertime operas and acts including Alicia Keys, Pearl Jam, Radiohead, and Sting, filling the same arena that once saw gladiator battles and venationes, showdowns between humans and fierce exotic animals.
The Seats
Admission tickets to general seating on the stone steps are cheaper than tickets for padded chairs on the bottom tiers and floor level. Candles are distributed to all audience members and when they’re lit at sunset, it’s a magical sight.
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Verona Today
Verona has been designated a UNESCO World Heritage Center because is has developed progressively and uninterruptedly over two thousand years, incorporating artistic and architectural elements from each successive period.
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Today’s Verona is a vibrant cultural and business center. Since it serves as the crossroads for the Military Ridge State Bike Trail and the National Ice Age Trail, you’ll always see lots of bikes and cyclists along the city streets.
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Piazza delle Erbe
A Roman forum bustled on this site, and today, the open-air market, Piazza delle Erbe, is the heart of Verona, where you can visit restaurants, enjoy gelato, and purchase souvenirs. La Casa di Guilietta (Juliet’s fictional house) is close by.
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The Torre dei Lamberti
In the Middle Ages, Verona was dotted with towers, symbols of noble families’ wealth. One of the surviving towers is the Torre dei Lamberti, built by the powerful Lamberti family in 1172. Its dominant clock was added in 1779.
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The Domus Mercatorum
During the Middle Ages, this edifice housed the Casa dei Mercanti, the merchant’s guild, and was rebuilt in brick and stone in 1301. The merlons along the roof are wide enough to shelter a soldier, recalling the days of battlements.
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The Oldest Fountain
Above the merchants’ tents, the Square’s most ancient monument, the Madonna Verona, is barely visible. This Roman sculpture dates back to 380 A.D. Sculptures and statues dot the city, depicting Greek gods and goddesses, Roman soldiers, and Catholic saints.
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