Nuestras Historias: Colonial Mexico

A common Mexican trait on either side of the U.S.–Mexico border is the passionate interest in Mexicanidad (Mexicanness) and what comprises Mexican identity. Perhaps this obsession to understand the concept of Mexicanidad comes from nearly five centuries of mestizaje – the interracial and cultural mixing that first occurred in Mesoamerica among Native Indigenous groups, European Spanish and enslaved Africans during the 1520s. By the 18th century, Mexican identity had developed. Mestizaje was the process that constructed it. The museum’s permanent collection showcases the dynamic and distinct Mexican stories in North America, and sheds light on why Mexican identity cannot be regarded as singular; its vast diversity defies any notion of one linear history. - Nuestras Historias destaca la colección permanente del museo, la cual expone las historias dinámicas y diversas de la identidad mexicana en Norteamérica. La exhibición muestra la identidad cultural como algo que evoluciona continuamente a través del tiempo, de regiones y de comunidades,  en vez de señalarla como una entidad estática e inmutable, exhibiendo para esto, artefactos mesoamericanos y coloniales, arte moderno mexicano, arte popular, y arte contemporáneo de los dos lados de la frontera EE.UU-México.  La gran diversidad de identidades mexicanas mostradas en estas obras desafía la noción de una sola historia lineal e identidad única. 

Virgen of Guadalupe (Our Lady of Guadalupe) by Miguel CabreraNational Museum of Mexican Art

The arrival of the Spanish (1519) in what is now Mexico not only resulted in the distribution of new ideas and technologies, but also an entire new understanding of the world that emerged from the encounter of three distinct cultural groups. Interracial families, primarily composed of the native Indigenous, enslaved Africans andSpanish conquistadors, were well documented in Colonial Mexico. The rapidly increasing Mestizo identity that spread as far north as the present day state of California was a prelude to the cultural negotiation, enculturation, and assimilation that would continue with Mexican descendants for another two hundred years in North America.

Untitled, The Holy Trinity (Sin título, La Santisima Trinidad), Joseph de Páez (also known as jose), 1759, From the collection of: National Museum of Mexican Art
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Untitled (Crucifice), Anonymous, From the collection of: National Museum of Mexican Art
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Untitled (Sin titulo), Anonymous, From the collection of: National Museum of Mexican Art
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La Purísima (The Immaculate Conception), Anonymous, From the collection of: National Museum of Mexican Art
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Sin título - El Niño Jesus, Anonymous, From the collection of: National Museum of Mexican Art
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Untitled - The King and His Conscience (Sin título - el rey y su conciencia), Anonymous, From the collection of: National Museum of Mexican Art
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Saint Luke the Evangelist (San Lucas Evangelista), Anonymous, From the collection of: National Museum of Mexican Art
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Saint James the Elder (Santiago Matamoros), Anonymous, From the collection of: National Museum of Mexican Art
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Credits: Story

NMMA remains true to our founding mission: To showcase the beauty and richness of Mexican culture by sponsoring events and presenting exhibitions that exemplify the majestic variety of visual and performing arts in the Mexican culture; to develop, conserve and preserve a significant permanent collection of Mexican art; to encourage the professional development of Mexican artists; and, to offer arts-education programs.

Exhibition Curator:
Cesáreo Moreno - Visual Arts Director / Chief Curator

Exhibition Information Coordinator:
Zarai Zaragoza - Visual Arts Intern, Summer 2017

Project Team:
Raquel Aguiñaga-Martinez - Visual Arts Associate Director / Registrar
Barbara Engelskirchen - Chief Development Officer
Rebecca D. Meyers - Permanent Collection Curator
Dolores Mercado - Associate Curator

Photo Credits:
Kathleen Culbert-Aguilar - Photographer
Michael Tropea - Photographer
Rocio Caballero
Lee Fatheree
Galeria de Arte Mexicano
NMMA staff
Michael Tropea
Shuzo Uemoto
Tom Van Eynde

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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