A journey through love, life and death, this virtual presentation explores the Mexican cultural tradition of honoring deceased loved ones each year on November 1 and 2. This exhibit features original works by California artists Francisco Franco, John S. Huerta, David Lozeau, Oscar Magallanes, and Rob-O of I Love Sugar Skulls.
A tradition both ancient and modern
Día de los Muertos, or Day of the Dead, is celebrated in Mexico and other countries with Latinx populations on Nov. 1-2 to remember loved ones who have passed on to the afterlife. Participants invite the dead to visit by creating altars with food and other offerings. Traditionally, they also gather at the cemetery (as shown in Oaxaca, Mexico), sharing songs, food and stories until the souls leave for the afterlife again. Dia de los Muertos has origins in both Aztec tradition and Catholicism. Today, celebrations take place across the U.S., and people of many backgrounds participate. Participants also use the celebration to show pride in their heritage, and sometimes to draw attention to current political and social issues. Each artist included here has found inspiration in Day of the Dead, creating a unique interpretation of the tradition.
Altar by Tequila Museo Mayahuel (2019-10-11) by Steven HellonCalifornia Museum
Altars are a crucial part of Día de los Muertos. Photos and items representing the dead are placed on the altar to welcome their spirits. Photos, books, or a favorite object may also be included to make the spirits feel welcome. The items selected make each altar a unique expression of the person being honored.
Dia de los Muertos in California
Culture and traditions are always growing. As each generation evolves and social and political contexts change, traditions adapt and reemerge in new forms. Since the 1970s, California Chicanx artists have embraced Dia de los Muertos traditions in personal and uniquely artistic ways.
Chevy Truck Float (1977) by Self Help Graphics & ArtOriginal Source: Self Help Graphics & Art
Mexican Americans in the Southwest carried on the tradition of visiting gravesites and building ofrendas in their homes for centuries. Then, starting in the 1970s, public celebrations of Día de los Muertos began appearing in Latinx communities of Los Angeles and San Francisco, with Sacramento and San Diego soon following.
Dia de los Muertos procession (1977) by Self Help Graphics & ArtOriginal Source: Self Help Graphics & Art
During the Chicano civil rights movement, artists at Self Help Graphics in East LA and at Galería de la Raza in San Francisco recreated the tradition. For them, it was a way to honor the dead as well as to protest and mourn during the Vietnam War. Workshops creating art for the celebration provided a means to resist oppression.
Artist David Lozeau (2015) by unknown photographerCalifornia Museum
San Diego artist David Lozeau has a quirky style that blends elements of Mexican folk art, 1950s cartoon animation, and tattoo design. Blending fine art technique with illustrative humor, he reveals his own unique perspective on life and death.
Band On The Run (2016) by David LozeauOriginal Source: David Lozeau
Band on the Run
David Lozeau
“This piece captures the whimsy that permeates the Dia de los Muertos celebration. I can almost hear the band members sharing stories about their uncles and grandmothers as they pedal through town on their way to perform at their family altar.” - David Lozeau
Tree Of Life (2015) by David LozeauOriginal Source: David Lozeau
Tree of Life
David Lozeau
“This piece is a nod to traditional Mexican folk art with the depiction of the Tree of Life, but also has a cheeky musical twist to it. I wanted to show that, while the musician has passed on, he is a part of the tree and forever passing on his song to the birds that inhabit it.” - David Lozeau
Artist John Huerta (circa 2019) by unknown photographerCalifornia Museum
Arizona native and longtime Sacramento resident John S. Huerta became interested in Dia de los Muertos art when his sister and mother passed away 20 years ago. His colorful and vibrant pieces depict his loved ones and people who have been sources of inspiration.
Phoenix (2012) by John S. HuertaOriginal Source: John S. Huerta
Phoenix
John S. Huerta
“My inspiration for this piece was being born and raised in Phoenix, Arizona and rising up from difficult situations. There is a Phoenix bird tattoo on her shoulder. I chose warm colors to represent the sun and ‘the valley of the sun,’ the Phoenix area.”
-John S. Huerta
Amor IV (2013) by John S. HuertaOriginal Source: John S. Huerta
Amor
John S. Huerta
“My inspiration for this piece was Frida Kahlo, with her electric personality and creative spirit. She is a big inspiration in my life with her expressive works. I feature people in my art who have inspired me. I enjoy most the spiritual connections we have with one another.”
- John S. Huerta
Artist Rob-O (2018) by unknown photographerCalifornia Museum
Sacramento artist Rob-O began to embrace Día de los Muertos traditions after his mother passed away. He loves to inspire young people, and he offers workshops that not only teach how to make a sugar skull, but also help to preserve Mexican traditions.
DIA by Rob-O Sugar Skull Artist (2019) by Rob-O of I Love Sugar SkullsOriginal Source: Rob-O of I Love Sugar Skulls
DIA
Rob-O
Sugar skulls are popular symbols of Dia de los Muertos. This celebration piece embodies the Aztec culture with the complex headdress, colorful chestpiece and signature sugar skull style of artist Rob-O. A total of 97 individual pieces make up this massive work measuring 48” wide.
MIJA by Rob-O Sugar Skull Artist (2010) by Rob-O of I love Sugar SkullsOriginal Source: Rob-O of I Love Sugar Skulls
MIJA
Rob-O
This massive, 35 lb. work of art is a version of a traditional sugar skull with the royal icing and crown of roses. "When Mija joins the celebration, you can’t help but feel the spirit of this amazing holiday. It brings me great joy to share her with the community."
- Rob-O
Artist Francisco Franco (circa 2015) by unknown photographerCalifornia Museum
Chicano artist and professor Francisco Franco has been painting professionally for over 20 years. Also an accomplished muralist, Franco’s work adorns many public and private spaces across Northern California.
La Catrina (2011) by Francisco FrancoOriginal Source: Francisco Franco Studios
La Catrina
Francisco Franco
Franco depicts Frida Kahlo and references Catrina, a high-society skeleton in a 1910 etching by José Guadalupe Posada.
"The painting is a reminder that all is transient, as she smiles because she knows life is short and should be lived fully, not taken too seriously. For Death smiles at us; all we can do is smile back.”
– Francisco Franco
Frida de los Muertos (2018) by Francisco FrancoOriginal Source: Francisco Franco Studios
Frida de los Muertos
Francisco Franco
"The Day of the Dead message of embracing both life and death is presented by Frida's enigmatic gaze as she removes the mask of death. Contrasting symbols of wealth, ephemerality and death invite you to join her in contemplating life’s vanity; the transience of life and the certainty of death."
– Francisco Franco
Artist Oscar Magallanes (2019) by unknown photorgapherCalifornia Museum
Oscar Magallanes is based in southern California and leads a collective that creates art to address social inequities. His art is influenced by his upbringing in one of LA’s Mexican American barrios. Created in an era of rising xenophobia, his recent work confronts fear of the “other.”
Flores Para Juarez (2012) by Oscar MagallanesOriginal Source: Oscar Magallanes
Flores Para Juarez
Oscar Magallanes
“The piece pays homage to women murdered in Juarez, Mexico since the 1990s. I hoped to raise awareness of one of the worst humanitarian crises in North America. Juarez is just south of El Paso, Texas, with most killings due to drug cartels fighting over control of a port of entry supplying the demand for illicit drugs from the U.S.” – Oscar Magallanes
Self Portrait as a Deer (2012) by Oscar MagallanesOriginal Source: Oscar Magallanes
Self Portrait As A Deer
Oscar Magallanes
“Asked to create an exhibit centered around Dia de los Muertos, I decided to create the works from a worldview that does not separate humans from nature. I titled the series Animism and sought to pay homage to the nature that lay buried under the city concrete and to draw the connection between us and the native flora and faunae.”
– Oscar Magallanes
Special thanks to the California Museum team, Self Help Graphics & Art, and the participating California artists:
David Lozeau
Francisco Franco
John S. Huerta
Oscar Magallanes
Rob-O of I Love Sugar Skulls
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