Mangasia: A Timeline

From early 16th Century to today, we travel the world to explore a timeline of manga around Asia.

Tales of Asian Heroes (2018/2018) by Valerio E. BrambillaBarbican Centre

16th Century Korea

A real 16th-century Korean outlaw was famous for stealing from wealthy, corrupt aristocrats, much like England’s Robin Hood. Later, as Hong Gil Dong, he would become a cultural icon, celebrated in novels, movies and comics on both sides of a divided Korea.

Gazu Hyakki Yagyō (The Illustrated Night Parade of a Hundred Demon) (1776/1776) by Toriyama SekienBarbican Centre

1776 Japan

Toriyama Sekien compiled the first bestiary, a visual inventory cataloguing Japan’s otherworldly creatures.

The Laughing Demon from One Hundred Ghost Stories (Hyaku monogatari) (1831/1831) by Hokusai KatsushikaBarbican Centre

1814 Japan

Hokusai Katsushika chooses the term ‘Manga’ for the title of his sketchbooks.

Originally Chinese in derivation, the term ’manga’ was repurposed in 1814 by Hokusai Katsushika to denote his lively sketchbook drawings, which he claimed were made by ‘a brush gone wild’.

Illustration of the Arrival of the Emperor at Shinbashi Station Following a Victory (1895/1895) by Kiyochika KobayashiBarbican Centre

1868 Japan

When Japan opened to international trade in 1868 artists began imitating the West’s forms and styles – like exaggerated caricatures, and organising stories in sequential panels.

Radha Krishna (1895) by Raja Ravi VarmaVictoria Memorial Hall, Kolkata

1894 India

European trained artist Raja Ravi Varma issued affordable oil portrait prints of characters from the Ramayana as lighter-skinned, sentimentalised ideals of their conventional selves influencing modern Indian culture and more recent adaptations.

Illustrated History of Taiwan (1931/1931) by Kunishima SuibaBarbican Centre

1895 Taiwan

In 1895, an expansionist Japan defeated China, and, despite some resistance, annexed Taiwan as its first overseas colony.

Tokyo Puck (1908/1908)Barbican Centre

Early 20th Century

With modernisation, new technologies and mass media the popular press expanded through Asia, introducing humorous magazines, often modelled after Britain’s Punch and America’s Puck.

Cartoons of Journey to the West (1945/1958) by Zhang GuangyuBarbican Centre

Early 20th Century China

China’s unique palm-sized booklets, known as ’lianhuanhua’ or ’images in a chain’, started to be produced in the early twentieth century.

The Bicycle (2014/2014) by Cheah SinannBarbican Centre

1941 – 1942

Japan’s wartime occupations of the Philippines and Singapore provide the backdrops for the Filipina mischief-making tomboy Suicide Suzy and a Singapore street urchin who bonds with a Japanese soldier in The Bicycle.

Rampokan (2012/2012) by Peter Van DonganBarbican Centre

1945 – 1948 Indonesia

Indonesia’s war of Independence and revolution marked end to Dutch administration of Indonesia. In two-part novel Rampokan Dutch comic artist Peter Van Dongan illustrates the story of Dutch Soldier Johan Knevel during Indonesia’s war for independence and explores the history of his own ancestral roots.

I Too Have Seen Lahore (2013/2013) by Mohit Suneja and Salman RashidBarbican Centre

1947 India and Pakistan

The partition of India and Pakistan in 1947 - I Too Have Seen Lahore, a short comic by Salman Rashid tells the story of a Pakistani survivor’s experiences of how one armed group, rather than retaliate in response to the slaughter of their fellow Muslims, accepted an elder’s plea to grant his Sikh families safe passage through east Punjab.

Maki’s Whistle (1960/1960) by Miyako MakiBarbican Centre

1950s Japan

Post war baby boom fuelled prominence of genres in manga - ‘shōnen’ for boys and ‘shōjo’ for girls

Gekiga Baka tachi! (1979/1983) by Masahiko MatsumotoBarbican Centre

1950s Japan
Rise of ‘gekiga’ - In Japan a fresh generation reflected the darker spirit of the times and aimed their more dramatic manga at their own generation. Their ‘gekiga’ (dramatic pictures) would invade and forever transform Japan’s mainstream.

Wraparound cover of Redondo Komix - Magic Bilao (1964/1964) by Alfredo P. Alcala and Amado S. CastilloBarbican Centre

1950 and 60s Phillipines

Fifties and sixties saw the Golden Age of anthology ‘komiks’ in the Phillippines, their serials were widely read and adapted into hit movies.

The Female Sniper (1956/1956) by Su QifengBarbican Centre

1966-76 China

After the Cultural Revolution (1966-1976) the popular ‘lianhuanhua’ culture was banished but booklets were still produced as a tool for Chairman Mao’s propaganda machine spreading approved dramas about proletarian exemplars.

Amar Chitra Kotha in Mangasia exhibition at Pallazzo delle Esposizioni (1971/1978) by Amar Chitra KothaBarbican Centre

1967 India

Much-loved publishing house Amar Chitra Katha is founded.

First release of Amar Chitra Katha (Immortable Picture Stories) in India which became the country’s most successful locally created comic books.

Viva! Volleyball 2 (1970/1970) by Ide ChikaeBarbican Centre

1970s Japan

Numerous female artists working on ‘shōjo’ manga developed a means to reveal their characters’ innermost thoughts that were not always evident from a character’s face. Their solution was to decorate the background around the head with expressionistic effects. They also developed a symbolic language using flowers to express a wide array of sentiments and moods.

Dokudami TenementBarbican Centre

1970s Japan

The popularity of ‘gekiga’ led to the explosion of ‘seinen‘ comics for men such as the edgy urban comedy Dokudami Tenement, about “a left-behind man, late off the starting line of life” by Fukutani Takashi.

Zodiac Woman: Poets Narcissus (1973/1974) by Miyako MakiBarbican Centre

1980s Japan

1980s saw the development of ‘josei’ manga, aimed at late teenagers and young adults, and ‘redikomi’, or ‘Lady Comics,’ for adult women.

80s Taiwan Diary, vol. 2 (2015/2015) by Sean ChuangBarbican Centre

1980’s Taiwan

Sean Chuang is a part of Taiwan’s first generation to grow up in the early 1980s, an era which witnessed the gradual lifting of martial law and a widening choice of popular culture. He affectionately recalls and recreates this period in his cartoon diaries.

History of Korea Volume 2 (1999/1999) by Cha HyeongsamBarbican Centre

1991 North Korea

North Korean authorities starts producing picture books known as “kurimchaek”.

The River of Stories (1994/1994) by Orijit SenBarbican Centre

1994 India

Controversial plans for the largest dam on India’s Narmada river demanded mass displacements of indigenous locals, an environmental organisation commissioned artist Orijit Sen in 1994 to report on their case, in what became the first Indian graphic novel.

The Ivory Comb (2012/2012) by Nguyen Quang SangBarbican Centre

2012 Vietnam

B.R.O. Comics publishes a manga version of Nguyen Quang Sang’s 1966 story about a Viet Cong soldier, The Ivory Comb.

Umbrella Revolution (2014/2014) by Siu HakBarbican Centre

2014 Hong Kong

Umbrella Revolution

Tribute to Joshua Wong, one of the youngest student leaders of the sit-in street protests that defined the 2014 Umbrella Revolution.

Credits: Story

Mangasia: Wonderlands of Asian Comics is a Barbican International Enterprises exhibition, curated by Paul Gravett, touring globally. Mangasia presents a vivid journey through the art of Comics and visual storytelling across Asia. From its historical roots to the most recent digital innovations, the exhibition looks to popular Japanese ‘Manga’ and beyond, highlighting key creators, characters and publications.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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