Sisal Historical Archive and Museum

This is the story of a dream that took shape during one of the darkest periods in history, the Second World War, and came true with the birth of Sisal in the post-war period.

By Museimpresa

Sisal Historical Archive and Museum

SISAL - Sport Italia newspaper – no. 1, 1 May 1946, page 1 (1946) by SisalMuseimpresa

The dreamer was Massimo Della Pergola

A sports journalist who found refuge in Switzerland to escape racial persecution and began to imagine a project for the post-war period during his period of internment in the Pont de la Morge labour camp: To support the recovery of Italian sport.

SISAL - Totocalcio Betting Slip no. 3, 1946 (1946) by SisalMuseimpresa

Revolutionary simplicity

His idea was as simple as it was revolutionary: A small piece of paper, the betting slip, and three symbols – 1X2 – that would give life to Totocalcio, football pools based on predicting the outcome of football matches.

SISAL - Totocalcio. Data and statistics on the first half of the 1946-47 championship (1947) by SisalMuseimpresa

Three men and a project to carry out

The idea came to life on 3 September 1945, when Massimo Della Pergola and partners Fabio Jegher and Geo Molo founded Sisal. The first Totocalcio competition was launched a few months later, when the football championship was already underway. 
It was 5 May 1946.

SISAL - Totocalcio Betting Slip no. 34, 1947 (1947) by SisalMuseimpresa

The betting slip

Participating was simple: You filled out the betting slip with predictions for the Sunday matches, paying 30 lire - the price of a drink! - and waited for the results.

SISAL - Sport Italia newspaper – no. 2, 8 May 1946, page 1 (1946) by SisalMuseimpresa

Twelve

To win, you had to guess the outcome of 12 matches.
There was also an additional prize category for those who guessed 11 correct results.

SISAL - Sport Italia newspaper – no. 1, 1 May 1946, page 1 (1946) by SisalMuseimpresa

Growth

In addition to supporting the growth of Sisal, the collection of bets throughout the country made it possible to generate significant funds to be allocated for the reconstruction of Italian sport and its infrastructure.

SISAL - Point of sale, 1947 (1947) by Fotocronache OlympiaMuseimpresa

A dream comes true

Bars, restaurants, laundries and barbers became places where you could purchase the betting slip and enter the pools. Thus, the betting points of sale were born!

A dream that would revolutionize the fate of Italian sport and the habits of Italians came true and became a reality” said Massimo Della Pergola.

SISAL - Sport Italia newspaper – no. 1, 1 May 1946, page 1 (1946) by SisalMuseimpresa

Official newspaper of the competition

Sisal launched Sport Italia, a weekly publication printed on yellow paper to set it apart from other sports newspapers. Its four pages featured not only the winning bets for Sunday, but also articles by famous sports journalists, including Massimo Della Pergola.

SISAL - Checking the slips in Bologna (1946)Museimpresa

Checking the betting slips

Between Sunday evening and Monday morning, thousands of people took part in checking the betting slips as “scrutineers”. An army of auxiliaries - students, unemployed people, pensioners and war veterans - who thus found an opportunity to supplement their income in the difficult post-war period.

SISAL - Supplement of the newspaper Sport Italia - Play Totip (1952) by Carlo Dinelli, graphic designer and illustratorMuseimpresa

Totip is born

On 7 July 1948, Totocalcio was nationalized and Sisal no longer managed it. However, the 1X2 formula and the betting slip remained a winning recipe that was used for a new game based on horse racing predictions.

SISAL - Point of sale of the day, Novara (1971)Museimpresa

Totip and horse racing

Thanks to Totip, the world of horse racing, previously reserved for the more affluent, became much more popular in Italy.
Through a well-organized distribution network and effective communication, betting was made accessible to a much wider audience.

SISAL - Totip poster, jockey on horseback, 3 categories of winners (1953) by Carlo Dinelli, graphic designer and illustratorMuseimpresa

Carlo Dinelli and Sisal

With the contribution of artist and graphic designer Carlo Dinelli, a communication plan was drafted with posters and billboards to promote the new game in points of sale.

SISAL - Sport Italia newspaper - no. 90, 10 December 1948, page 1 (1948) by SisalMuseimpresa

Totip and Sport Italia

While maintaining a multi-sports character, the weekly newspaper Sport Italia began to allot more space to horse racing.

SISAL - Boxer Francesco Damiani by Fotocronache OlympiaMuseimpresa

Popularity

Over the years, Totip promoted and supported various sports, including boxing and rallying. The name of the game became so popular that it almost completely replaced Sisal in the collective imagination.

SISAL - Drivers Miki Biasion and Tiziano Siviero, Sanremo Rally (1983)Museimpresa

SISAL - Poster "Totip. Happy and successful: I'm betting my beard" (1981) by P&TMuseimpresa

First television commercials

Funny advertising campaigns were also created. Among these, a series of commercials in which a group of friars, led by Fra’ Simone, entered the pools was particularly successful.

SISAL - Sketch of SanremoTotip, play Totip and vote for Sanremo betting slips (1983) by P.T. NeedhamMuseimpresa

Totip and the Sanremo Festival

Totip even arrived at the Sanremo Festival. In the 1980s, viewers could vote for their favourite singers using the betting slip. Thanks to Sisal’s distribution network and scrutineers, votes were collected and verified throughout Italy quickly and accurately.

SISAL - Totip Green Horse Poster (1988-1989) by Grafiche Alma S.p.A.Museimpresa

This story 

This is the story of a dream that came true thanks to determination, creativity and passion for sport, a story that has marked the Italian sporting and cultural landscape.
 
For further information:
corporate.heritage@sisal.it

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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