Detail of the foundation's façade by Querini Stampalia FoundationFondazione Querini Stampalia
The Fondazione Querini Stampalia is a layered architectural masterpiece, grafting 20th century works onto the historical 16th century home. The building itself is a palimpsest, revealing layers of history and architectural innovation.
Detail of Scarpa Area (1959/1963) by Carlo ScarpaFondazione Querini Stampalia
The Querini Stampalia Foundation preserves a precious collection of 20th-century architectural drawings by Carlo Scarpa, Valeriano Pastor, and Mario Botta.
Ground Floor by Mario BottaFondazione Querini Stampalia
Following the digitization, the Foundation obtained funding from the Ministry of Culture for the cataloging and promotion of the 371 drawings: 90 by Scarpa, 45 by Botta, and 236 by Pastor.
Detail (1959/1963) by Carlo ScarpaFondazione Querini Stampalia
Since the Second World War, the three architects have contributed decisively to the transformation of the Querini, redefining historic spaces and creating new rooms that balance innovation and respect for the architectural context.
Bridge (1959/1963) by Carlo ScarpaFondazione Querini Stampalia
Between 1959 and 1963, Carlo Scarpa, commissioned by Giuseppe Mazzariol, oversaw the restoration and redesign of the ground floor of the Palazzo.
Carlo Scarpa's Bridge (1959/1963) by Carlo ScarpaFondazione Querini Stampalia
Scarpa Garden (1959/1963) by Carlo ScarpaFondazione Querini Stampalia
His intervention focuses on three main nuclei: the bridge and the entrance, the conference room in the Portego and the garden, which become symbols of his ability to blend ancient and modern.
Carlo Scarpa's Garden (1959/1963) by Carlo ScarpaFondazione Querini Stampalia
Exhibition setup by Valeriano PastorFondazione Querini Stampalia
In the 1980s, Valeriano Pastor initiated a major functional reorganization of Palazzo Querini Stampalia, creating new museum installations and structural interventions.
First floor of the Library by Valeriano PastorFondazione Querini Stampalia
He designed a staircase that became a central element of the distribution system, an entrance with a gate inspired by Scarpa, but reinterpreted with his own materials—Istrian stone, brick, and metal—and a suspension bridge with a copper roof, connecting two buildings.
Design of the Querini Stampalia bronze initials by Valeriano PastorFondazione Querini Stampalia
His work consolidates the Foundation's vocation as a modern European cultural center, in the wake of Scarpa's legacy.
Detail of the Querini Stampalia Foundation logo (1983/1997) by Valeriano PastorFondazione Querini Stampalia
Exhibition setup: Five architectures by Mario BottaFondazione Querini Stampalia
In the 1990s, Mario Botta completed the redevelopment by working on the new wing on the ground floor.
Ground Floor by Mario BottaFondazione Querini Stampalia
It aims to preserve Scarpa's work from regulatory adjustments, operating in continuity with his language through essential lines and material contrasts (stone and metal, black and white, grey and red).
Design drawing of the staircase (1994/2013) by Mario BottaFondazione Querini Stampalia
He is responsible for the redesign of the entrance onto Campo Santa Maria Formosa and the progressive creation of new spaces for the public: a renovated entrance, an auditorium, a reception courtyard, a café, and a bookshop.
Particular of the staircase (1994/2013) by Mario BottaFondazione Querini Stampalia
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