Venetian Views

The paintings of Gabriel Bella capture the essence of old Venice, in a style reminiscent of Canaletto’s photographic precision, yet with greater vigour and animation.

His works take us on a journey through the city’s most authentic and popular expressions, those rooted in the civic and religious life of the final days of the Republic.

Standing before his paintings feels like watching a spectacular documentary—67 large canvases narrating the institutions, rituals, and traditions of a truly unique community.

Bella does not limit himself to depicting places of power and worship; he also reveals the festive side of Venice—its games and traditions, moments of everyday life unfolding in narrow alleys (calli), small squares (campielli), palaces, and theatres.

In the 18th century, Venice thrived on a frenetic rhythm of public events—more than a hundred each year. The city has become a symbol of worldliness and of its legendary Carnival, and Bella portrays it in all its vibrant splendour.

There’s also the famous Parade of the courtesan in the Rio della Sensa, an exclusive area reserved for the elite of Venetian prostitution: elegant, sophisticated women, skilled in witty conversation and renowned for offering unforgettable pleasures.

Finally, in The Coronation of the Doge on the Scala dei Giganti, we witness the solemn moment in which the Doge, after taking his oath, is crowned by the oldest counsellor with the richly adorned ducal horn, symbol of his authority and greatness.

Every painting by Bella is a journey into the vibrant core of 18th-century Venetian life, portraying not only its traditions but also its emotions.