Identity unknown, about 50 CE
Portrait of a Mummified Young Woman (about 50 CE) by Once known artistThe Toledo Museum of Art
Though her Identity is not known, this portrait suggests a well-to-do family. Her portrait was meant to preserve her image into the afterlife.
Beatrice Portinari, about 1265-1290
Salutation of Beatrice (1880 - 1882) by Dante Gabriel RossettiThe Toledo Museum of Art
Beatrice Portinari was the daughter of a wealthy Florentine banker and married into the Bardi family. She died young at about 25. Her legacy lives on through Dante’s writings, including The Divine Comedy, as his muse─despite the fact they barely met.
Queen Elizabeth I, 1533-1603
Queen Elizabeth I carefully managed her public image. This official portrait, copied many times, exemplifies her strategic approach to power. Her sharp intellect helped define her long and powerful reign.
Elizabeth of Valois, 1545–1568
Elizabeth of Valois (about 1559) by François ClouetThe Toledo Museum of Art
The daughter of King Henri II of France, Elizabeth was only 14 at the time of her wedding to Spain's King Philip II. Their marriage was part of peace negotiations ending 60 years of war between France and Spain.
Marie Sophie de Courcillon, 1713–1756
Holding a book titled Histoire universelle (Universal History), Sophie Marie is perhaps intended to symbolize the muse of learning. She was the Duchess of Rohan by marriage and praised for being a cultured woman who held fashionable gatherings of intellectuals at the Hôtel de Soubise in Paris.
Maria Lucrezia, 1735-1776
This young woman was a nun at the Augustinian convent of San Gaggio in Florence. Despite being the daughter of nobility, Bartolomeo Corsini and Vittoria Altoviti, Lucrezia lived a cloistered life until passing away in 1776.
Isabella Teotochi Marini, 1760–1836
Isabella Teotochi Marini (1792) by Élisabeth-Louise Vigée-Le BrunThe Toledo Museum of Art
A divorced woman (shocking at the time!) and a celebrated writer living in Venice, Marini also ran a lively literary salon that was frequented by English Romantic poet Lord Byron.
Artist: Élisabeth Vigée-Lebrun, 1755-1842
The artist of the previous painting, Vigée-Lebrun was one of the most successful portrait painters of the 1700s, particularly noted for her portraits of women. In 1783, because of her friendship with Marie-Antoinette, she was grudgingly accepted into the Royal Academy.
Alice Ozy, 1820–1893 (born Justine Pilloy)
A well-known Music Hall actress in Paris, Ozy also became a famous, wealthy courtesan, She counted among her ardent admirers such French luminaries as artist Gustave Doré, writer Victor Hugo, and Louis-Napoléon Bonaparte (Napoleon III).
Fanny Waugh Hunt, 1833-1866
Fanny Waugh Hunt (1866/1868) by William Holman HuntThe Toledo Museum of Art
Fanny Waugh Hunt died before her husband had completed her portrait. The painting was begun in Florence, Italy, during late summer of 1866, where Fanny posed for Hunt behind a chair that concealed her pregnancy. Fanny died two months later of complications from the delivery.
Victoria Dubourg (1868 - 1869) by Edgar DegasThe Toledo Museum of Art
Dubourg was a successful still life painter who specialized in flowers. However, Parisian women artists still faced tremendous challenges, with many of their fellow male artists (even, at times, Dubourg’s own husband, painter Henri Fantin-Latour) often dismissing their talent.
Florence Scott Libbey, 1863-1938
Edward Drummond and Florence Scott Libbey co-founded and endowed the Toledo Museum of Art . After her husband’s death in 1925, Florence gave the funds to build the Peristyle Theater and the School of Art and Design, a project that employed more than 3,000 during the Great Depression.
Sophie Ilarinovna Demidoff, 1871-1953
Sophie Ilarinovna Demidoff, 1871-1953
Russian aristocrat and fashion-setter Sophie Ilarinovna, wife of Prince Elim Demidoff, is elegantly portrayed here by John Singer Sargent. After losing family estates post-Russian Revolution, she lived in Greece, leaving a legacy as a symbol of Russian nobility and grace.
American Gothic (Ella Watson) (1942) by Gordon ParksThe Toledo Museum of Art
Ella Watson, 1883–1980
Watson worked as a janitor for the U.S. State Department. She was living in an apartment in Washington, D.C., raising her adopted daughter and grandchildren as a single parent. Her image became symbolic of racial inequalities in the nation's capital and the nation at large.
Toledo Museum of Art
Toledo, Ohio
www.toledomuseum.org
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