Depictions of horses from the Yale Center for British Art collection
Study of a Grey Horse, Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800), ca. 1800, From the collection of: Yale Center for British Art
Head and Shoulders of a Cart Horse, James Ward, 1769–1859, British, undated, From the collection of: Yale Center for British Art
Landscape with Horse and Oxen Cart, Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771), 1770 to 1780, From the collection of: Yale Center for British Art
Golding Constable's Black Riding-Horse, John Constable, 1776–1837, British, between 1805 and 1810, From the collection of: Yale Center for British Art
Stout Man on a Bucking Horse, Paul Sandby RA, 1731–1809, British, undated, From the collection of: Yale Center for British Art
Head of a Grey Arabian Horse, Martin Theodore Ward, 1799–1874, British, between 1820 and 1830, From the collection of: Yale Center for British Art
Old horses with a dog in a stable, George Morland, 1763–1804, British, ca. 1791, From the collection of: Yale Center for British Art
Plough Horses, Peter DeWint, 1784–1849, British, undated, From the collection of: Yale Center for British Art
Horses Grazing: a Grey Stallion Grazing with Mares in a Meadow, Francis Calcraft Turner, active 1782–1846, British, 1830, From the collection of: Yale Center for British Art
Horses in a Thunderstorm, Thomas Woodward, 1801–1852, British, 1823, From the collection of: Yale Center for British Art
Favourites, the Property of H.R.H. Prince George of Cambridge, Sir Edwin Henry Landseer, 1802–1873, British, 1834 to 1835, From the collection of: Yale Center for British Art
The Old Water Mill, George Morland, 1763–1804, British, 1790, From the collection of: Yale Center for British Art
Portrait of a Man on Horseback, John Wootton, 1682–1764, British, ca. 1740, From the collection of: Yale Center for British Art
Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles, George Stubbs, 1724–1806, British, undated, From the collection of: Yale Center for British Art
An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank, Formerly attributed to James Seymour, 1702–1752, British, unknown artist, nineteenth century, ca. 1730, From the collection of: Yale Center for British Art
Grey Shooting Pony, Probably the Property of Johnston King, with a Groom, Thomas Woodward, 1801–1852, British, 1835, From the collection of: Yale Center for British Art
Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer, John Ferneley, 1782–1860, British, 1827, From the collection of: Yale Center for British Art
Labourers, George Stubbs, 1724–1806, British, 1781, From the collection of: Yale Center for British Art
Broodmare with Foal, and a Terrier, Benjamin Marshall, 1768–1835, British, 1822, From the collection of: Yale Center for British Art
A Clydesdale Stallion, John Frederick Herring, 1795–1865, British, 1820, From the collection of: Yale Center for British Art
William Massey-Stanley driving his Cabriolet in Hyde Park, John Ferneley, 1782–1860, British, 1833, From the collection of: Yale Center for British Art
Portrait of Reformer, Blucher, Tory and Crib, the Property of Rowland Alston, Esq., M.P., James Ward, 1769–1859, British, 1835, From the collection of: Yale Center for British Art
The Midday Meal, James Ward, 1769–1859, British, ca. 1835, From the collection of: Yale Center for British Art
Gray Mare and a Chestnut Foal, John Frederick Lewis, 1804–1876, British, 1846, From the collection of: Yale Center for British Art
Harvest, John Frederick Herring, 1795–1865, British, 1857, From the collection of: Yale Center for British Art
The Blacksmith's Shop, Henry Bernard Chalon, 1771–1849, British, between 1810 and 1820, From the collection of: Yale Center for British Art
A Stage Coach Outside of the Entrance of an Inn, Thomas Rowlandson, 1756–1827, British, undated, From the collection of: Yale Center for British Art
Coach in a Thunderstorm, Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771), ca. 1795, From the collection of: Yale Center for British Art
The Turn Rice-Plough, Sussex, Robert Polhill Bevan, 1865–1925, British, ca. 1909, From the collection of: Yale Center for British Art
Three Hunters in a Rocky Landscape, Sawrey Gilpin, 1733–1807, British, 1775, From the collection of: Yale Center for British Art
Credits: All media
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