View of State Street, Albany, John Wilson, 1848, From the collection of: Albany Institute of History & Art
This particular artwork was created using one point perspective, and that can be identified by how everything seems to be heading toward the center of the horizon.
Panoramic Bird's Eye View of Colorado Springs, Colorado City and Manitou, Colo. 1882., Henry Wellge, 1882, From the collection of: Amon Carter Museum of American Art
This particular artwork is an example of aerial perspective as the mountains gradually become more hazy.
Coming from the Mill, LS Lowry, 1930 - 1930, From the collection of: The Lowry
This is a good example of overlapping.
Harbor Scene with St. Paul's Departure from Caesarea, Jan Brueghel the Elder, 1596, From the collection of: North Carolina Museum of Art
Multipoint perspective is clearly used in this painting.
Doubt-Blue Column., Yang, Dae Won, 양대원, 2007, From the collection of: Korean Art Museum Association
A Two-Point Perspective piece.
Water-1, Koh, Myung Keun, 2003, From the collection of: Korean Art Museum Association
This is a perfect example of a piece that clearly has isometric perspective.
Building-30, Koh, Myung Keun, 2007, From the collection of: Korean Art Museum Association
This is an example of Transparency, and it is slightly hard to recognize what is in front of what.
Mama, There's Three Duppy on da porch, Danny Simmons, 2006, From the collection of: SCAD Museum of Art
This piece is an example of positive and negative space.
Pine Tree Mt. 4, Lee, Gil Rae, 2009, From the collection of: Korean Art Museum Association
Both of the sculptures in the photograph are example of positive and negative space in sculpture.
The Cup We All Race 4, John Frederick Peto, ca. 1900, From the collection of: de Young museum
This is an example of amplified perspective.
The hot sands, Mustapha, Algiers, Charles Conder, 1891, From the collection of: Art Gallery of New South Wales
This painting creates a sense of size and space because of how small the man at the ledge appears compared to the pot in center view of the piece.
Large Composition with Harry Folding Napkin, Michael Smither, 1968, From the collection of: Auckland Art Gallery Toi o Tāmaki
This is an example of Exaggerated Size because of how large the baby appears compared to the two other figures in the painting.
Credits: All media
This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.
