Color in japanese art

User-created

This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.

Fifty-Three Stations of the Tokaido Hoeido Edition “Yui (Satta Pass)”, Utagawa Hiroshige, 1833, From the collection of: Shizuoka city Tokaido Hiroshige Museum of Art
the reason i chose to put this art piece in because it is a beautiful landscape piece
No. 57, Grounds of Kameido Tenjin Shrine (from One Hundred Famous Views of Edo), Utagawa Hiroshige (Japanese, b.1797, d.1858), 1856, From the collection of: Cincinnati Art Museum
this art piece shows color shading greatly and uses negative space greatly
Genji Crossing the Oi River, Utagawa Yoshitora, 1862, From the collection of: Museums Victoria
i chose this art piece because the artist uses color to bolden the people in the front of the painting
Genji Excursion to Enoshima Island, Toyohara Kunichika, 1863, From the collection of: Museums Victoria
this art piece uses color to have the male character have more detail as to make him more important in the piece
Genji Viewing Snow From a Balcony, Toyohara Kunichika, 1867, From the collection of: Museums Victoria
this art piece uses color to make the person the most important part of the painting
The Imperial Guard Defeats the Enemy in Hard Fighting at Jilong on the Island of Taiwan, Migita Toshihide, Meiji Period, dated 1895, From the collection of: The Patricia & Phillip Frost Art Museum
this painting uses color to create a difference of the two groups in the conflict
Japanese Woodblock, Unknown, 1603, From the collection of: Berkshire Museum
the artist uses color to show the difference between the more official man on the horse and the country side men with swords
Beauty under Cherry Blossoms, Hosoda Eishi, Japan, Edo period (1615-1868), From the collection of: University of Michigan Museum of Art
the artist uses color to have the women in the picture be the most important part
Woodcut, Katsushika Hokusai, 1806-01-01/1806-12-31, From the collection of: Museum of Far Eastern Antiquities, Stockholm
i chose to put this art piece in the gallery because the artist uses color greatly to show the difference in importance for the characters and background.
The Demon Omatsu Murders Shirosaburō in the Ford, Tsukioka Yoshitoshi, Japanese, 1839 - 1892, 1885, From the collection of: Philadelphia Museum of Art
the artist uses color to show the difference in character the female is wearing red to show her violence and the male is wearing green and is the victim
Japanese Woodblock, Unknown, 1603, From the collection of: Berkshire Museum
the artist uses color to show that the man in the middle is the main focus as a shogun fighting many enemy samurai
Our Army Crushes the Manchu Army at Asan, Yoshu Chikanobu, Meiji Period, dated 1894, From the collection of: The Patricia & Phillip Frost Art Museum
the artist uses color to show the difference between the two sides of the conflict having one group being organized with black and red while the other group is mis-matched with there colors
Late Autumn, Uemura Shoen, Showa period, dated 1943, From the collection of: Osaka City Museum of Fine Arts
the artist uses color to show the peacefulness during the time of the year
Important Art Object Dancers, Unknown, Edo period (17th century), From the collection of: Suntory Museum of Art
the artist uses color in good compliments with balance between the blue and red
Under the Wave off Kanagawa (Kanagawa-oki nami-ura), also known as the Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai, published by Nishimuraya Yohachi (Eijudō), about 1830 (Tenpō 1) - 1831 (Tenpō 2), From the collection of: Museum of Fine Arts, Boston
i chose to put this piece in the gallery because it is a wonderful painting using many different tones of blue
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