Physical Beauty, Venus

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This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.

Aphrodite, later known as Venus was the goddess of love, beauty, sex, fertility, and prosperity. Yet, it is her representation of beauty that she is most well known for. Painters and sculptors have personified her, embodied her and epitomized her. The way Venus has been represented has changed with the current fashion of the time in which she was depicted.                                                                                                                     In contemporary society, a woman’s looks, her body type and how she presents herself are all scrutinized by the media. A woman’s figure and appearance has been assessed, altered, and contorted for idealized beauty throughout time, starting in ancient Greece. The idealized form of beauty has shifted from the medieval depictions of naked women, to the full figures of Rubens and then back to a slimmer figure as time progressed.                                                                                                                                           Throughout the artistic movements of known history, the female form has been a central theme to recreate through painting and sculpture. The following works are representations of the female form throughout history in the depiction of Venus.

Dmitri Kessel, 1969, From the collection of: LIFE Photo Collection
The Venus De Milo was sculpted in Ancient Greece between 130 – 100 BC. Her beauty and grace have stood the test of time. The statue is above average size, standing at 6'8" tall. She was found missing her arms and the plinth she stood on.
The birth of Venus, Sandro Botticelli, 1483 - 1485, From the collection of: Uffizi Gallery
The Birth of Venus was a commissioned work that depicts a fully grown Venus. Her figure is soft and feminine with long flowing hair, this motif is representative of virginity. A valued trait in women from this period.
Venus, Lorenzo Costa the Elder, ca. 1515–1518, From the collection of: Museum of Fine Arts, Budapest
This Venus representation of beauty is similar to The Birth of Venus in that she is fully grown, naked, with loose hair. The somewhat flaccid figure depicts natural state of someone who would not have had to work.
Venus, Lucas Cranach the Elder, 1532, From the collection of: Städel Museum
The lax form continues throughout the Renaissance with Lucas Cranach the Elder’s rendition of Venus. Here her hair is tired back and jewelry adorns her, adding to her physical appeal.
Venus and Cupid, Paggi, Giovanni Battista, before 1581?, From the collection of: Dulwich Picture Gallery
The body of Venus is mostly hidden but what we can see is a widening girth and a larger figure overall. Here the ideal of beauty is coming in line with wealth and prosperity, another attribute of Venus.
Venus, Mars and Cupid, Rubens, Sir Peter Paul, Early to mid-1630s, From the collection of: Dulwich Picture Gallery
Rubens is known for his full figured beauties. Here Venus has a voluptuous figure, displaying the shift in beauty away from the slimmer woman.
The Triumph of Venus, François Boucher, 1740, From the collection of: Nationalmuseum Sweden
In the Triumph of Venus there is a mix of forms, some still echoing Rubens and some starting to slim down once again.
Venus with the Apple, Bertel Thorvaldsen, 1813/1816, From the collection of: Thorvaldsens Museum
Once again the ideal form for a woman is slim. Venus with the Apple has the curves of a womanly figure yet not so pronounced as the Rubens.
African Venus, Charles-Henri-Joseph Cordier, 1851, From the collection of: The Walters Art Museum
The African Venus has been included in this exhibition because society has to remember that there is no one style or form of beauty, that the white woman is not the standard but just one form among many.
Sliced Images 'The Birth of Venus', Park, Chan Girl, 2010, From the collection of: Korean Art Museum Association
The sliced Birth of Venus shows that beauty does not have a clear face or form. She has been pieced together from different parts to create a whole image.
Credits: All media
This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.
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