music in mythology - Justin Boulay

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This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.

         Music has worked its way through mythology throughout the ages. The purpose of this gallery is to exemplify those instances in art; marrying the three art forms: visual art, music, and mythology. The meandering nature of music in mythology has shaped cultures, like a river shaping a canyon, from the dawn of time and continues to do so.

Faience figurine of a lute-player, Egyptian workshop, -0300/-0200, From the collection of: Benaki Museum of Greek Civilization
This piece is a figurine made of faience, a type of ceramic, playing the lute. This piece is well balanced utilizing organic shapes, such as the muscles of the musician, as well as the geometric shape of the strings themselves and the fretboard of the lute. The green-blue color of the faience is typical of the medium.
The Harp of Erin, Thomas Buchanan Read (American, b.1822, d.1872), 1867, From the collection of: Cincinnati Art Museum
This painting depicts the Queen of the Lonely Isle, an Irish myth surrounding the King of Erin, playing the harp. This piece depicts a sense of space through the use of depth; the queen in the foreground, the sea in the mid ground and the sky in the background. We can see movement in this painting as well with waves crashing against the rock and her dress blowing in the wind.
Venugopal: Krishna with the flute, Unknown, 1800 AD - 1900 AD, From the collection of: National Museum - New Delhi
This sculpture depicts Krishna, of the Hindu faiths, playing the flute. Texture is prevalent with this piece as it is carved from wood and the grain is clearly visible. There is an emphasis in this piece on the head, with the headdress catching the viewers eye, and the flute which seems to be made from a different material.
(Main View), From the collection of: The J. Paul Getty Museum
Although the painting doesn't depict the musical aspect, the story of this painting, Pan and Syrinx leads to the musical quality. Depicting Pan the satyr and Syrinx the wood nymph who later becomes reed pipes, better known as the Pipes of Pan, or even a syrinx. There is a sense of unity and proportion in this piece with nature and the nude image of man blending together and all sizes and shapes working together.
Sculptural ceramic ceremonial vessel that represents a drum placer ML002223, Moche style, 1 AD - 800 AD, From the collection of: Museo Larco
This ceramic figurine portrays a ceremonial Peruvian drummer. There is a clear sense movement as the drummer is posed in the middle of actually beating his drum. There is an interesting use of proportion with his head being slightly larger than his body and his body being slightly wider than would be deemed normal.
Hercules and Omphale, Luigi Garzi, about 1700–1710, From the collection of: The J. Paul Getty Museum
In this painting, Hercules and Omphale, we can see Hercules playing a drum as he tries to woo Omphale. Omphale seems completely disinterested even though the entire court, including the cherubim, are enjoying Hercules’ music. The painting is vibrant with color, organic shapes and a great sense of space. We can see the subjects in the foreground and the line of trees in the background lead our eyes off into the distance.
Attic Red-Figure Skyphos: Flute Player and Youth, Unknown, ca. 440-410 B.C., From the collection of: Indianapolis Museum of Art at Newfields
This clay pot is a classic example of Greek pottery called a skyphos. It features a boy playing what appears to be an aulos, or Greek double flute. The subject himself shows straight, vertical lines, while the skyphos shows curved lines and is a great example of a cylindrical form.
(Main View), From the collection of: The J. Paul Getty Museum
In this piece, entitled Mythological Scene, we again see Pan, the satyr, up to his lustful tricks. Pan is considered a master of wind instruments so it’s fitting that we actually see the syrinx, or Pipes of Pan, in his hands. This seems to lead the viewer to think that he has already had his encounter with Syrinx. We can see the organic shapes of the nude form and the trees & fruit, as well as movement through the piece as our eyes are brought to the distant village.
Attic Red-Figure Kalpis, Eucharides Painter, about 480 B.C., From the collection of: The J. Paul Getty Museum
This kalpis, a clay pot used for carrying water, features two nude males; one playing the aulos seemingly for the other male. There is great emphasis on the the male on the right with his regal looking cloak and it’s doubly emphasized by the aulos player almost bowing to the other. There are cracks in the glaze that might be overlooked at first glance, but these cracks add to the texture of the kalpis and create a pattern throughout the piece.
Venus and Anchises, Benjamin Robert Haydon, 1786–1846, British, 1826, From the collection of: Yale Center for British Art
Venus and Anchises, features the Roman goddess and her mortal lover. We see Anchises with a harp as he pines after Venus. The scene is framed by the side of a building and trees, creating a sense of unity between the objects in the scene. The painting is well balanced with the objects lower in the foreground and objects raised and in the background.
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This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.
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