Imperial Propaganda

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This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.

Emperors set the stage for the use of art in Rome between 30 BCE and 330 CE. In order to establish their power over an ever expanding empire and to influence the public opinion, rulers used a variety of means including patronage, role playing, genealogy, and iconography. The objects from Roman imperial period are often political statements reflecting the government, military, society, economy and daily life. As a result of imperial objects being on display citizens also came to follow current fashions, artistic styles, and aspired to gain the social status necessary to showcase particular items. In addition to emperors and citizens promoting their own status, these forms of propaganda also helped to unify the empire, promote Pax Romana (Roman peace), and inform Roman citizens of current events. When Rome transitions into the Soldier emperors we see propaganda become ineffective due to the instability in society.

Bust of Livia Drusilla, 1 - 25, From the collection of: The J. Paul Getty Museum
Livia was an iconic empress and was considered by many to be the first lady of Rome. She was bestowed many honors and had a great deal of influence in Roman politics. Her husband the first emperor of Rome - Augustus trusted Livia and was often advised by her. Because Livia was a part of the imperial family her image was broadcast all over the Roman Empire. The image above is a classic example of how Livia would be portrayed. Soft, youthful and with great loyalty to Rome.
Augustus, Unknown, 1st century - 2nd century, From the collection of: Museum of Fine Arts, Boston
This piece is created from marble that has been scientifically sourced from the Greek island of Paros. The piece is 43.3 cm tall, while the face itself is 20 centimeters in height. It can be assumed by the bust's clean termination at the nape of the neck that this piece was intended to sit in a pre-fabricated statue, designed for easy customization. Augustus was the first true emperor of Rome, his reign lasting from approximately 31 BCE-14 CE. Throughout history, the appearance of Augustus is one that is unchanging: depicting constant youth, always with soft bone structure, and three curls centered on his forehead.
Trajan's column, Unknown, 113 (made)ca. 1864 (cast) - 113, From the collection of: The Victoria and Albert Museum
This monumental gift to the people is the first time a freestanding column, wrapped with a continuous narrative frieze is constructed. It emphasizes the power and organization of Trajan’s military. It was erected in Trajan’s forum to honor the emperor and his victories in Dacai. Originally, it would have been topped by a heroically **** figure of Trajan, and painted. Presently, a statue of Saint Peter dated to the 16th century, sets in its place. After Trajan’s death the column also served as his tomb.
Bronze foundation coin of Aelia Capitolina (Roman Jerusalem), Unknown, Roman period, From the collection of: The Israel Museum, Jerusalem
This coin was made in commemoration of Hadrian's founding of the Roman colony Aelia Capitolina where Jerusalem once stood. One side depicts the bust of Hadrian with, "IMP CAES TRAIANO ADRIANO AVG P P," inscribed on it, meaning, "For Imperator Caesar Trajanus Hadrianus Augustus, Father of the Fatherland." The reverse side depicts Hadrian plowing the fields with a cow and a bull. Inscribed on this side is, "COL AEL KAPIT COND," meaning, "the founding of the colony of Aelia Capitolina." Aelia Capitolina was the name Hadrian gave to this Roman colony that he founded over the Jewish holy city of Jerusalem.
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This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.
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