ARTH 278 – Chloe Kaufman – United By Difference: Portraiture, Place, and the Construction of the American People

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This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.

George Washington (The Athenaeum Portrait), Gilbert Stuart, 1796, From the collection of: Smithsonian's National Portrait Gallery
The Copley Family, John Singleton Copley, 1776/1777, From the collection of: National Gallery of Art, Washington DC
The Old Plantation, Attributed to John Rose, 1785 - 1790 (probably), From the collection of: The Colonial Williamsburg Foundation
Kiss Me and Youll Kiss the Lasses, Lilly Martin Spencer, 1856, From the collection of: Brooklyn Museum
The Wooing of Hiawatha, Mary Edmonia Lewis, 1866, From the collection of: SCAD Museum of Art
Wi-jún-jon, Pigeon's Egg Head (The Light) Going To and Returning From Washington, George Catlin, 1837-1839, From the collection of: Smithsonian American Art Museum
Isamu Noguchi, Winold Reiss, c. 1929, From the collection of: Smithsonian's National Portrait Gallery
View of Boston Common, Hannah Otis, about 1750, From the collection of: Museum of Fine Arts, Boston
Looking Down Yosemite Valley, California, Albert Bierstadt, 1865, From the collection of: Birmingham Museum of Art
View of Donner Lake, California, Albert Bierstadt, 1871-1872, From the collection of: de Young museum
Criss-Crossed Conveyors--Ford Plant, Charles Sheeler, 1927, From the collection of: The Nelson-Atkins Museum of Art
Cityscape, Abraham Walkowitz, c. 1915, From the collection of: Whitney Museum of American Art
Waiting to Be Let in the Mulberry Street Station, Jacob A. Riis, 1892, printed 1946-1952, From the collection of: The Museum of Fine Arts, Houston
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