Perspective plays a huge role when making a piece of art that relates to reality. Whether you are using one point or two point perspective, could make a huge difference in the way your artwork relates to reality.
Wedding Supper, Martin van Meytens, 1763, From the collection of: Schönbrunn Palace
I chose this piece because it is a perfect example of one point perspective. The artist did a great job of making sure the eye keeps going towards the vanishing point in the center.
Carnival of 1656, carousel at Palazzo Barberini in honour of Christina of Sweden, Filippo Gagliardi - Filippo Lauri, 1656/1659, From the collection of: Museo di Roma
I chose this piece painting because it seems like a two point perspective, but it is really a one point perspective painting. The reason it seems like a two point perspective painting is because of the back wall.
The Road from Arras to Bapaume, Nevinson, C R W (ARA), 1917, From the collection of: Imperial War Museums
I chose this painting because it is the most common one point perspective example. A curvy road disappearing in the distance is a great way to show one point perspective that can be believed to be real.
Relationship-Fiction 94 E∙F, Kim, Jai Kwan, 1994, From the collection of: Korean Art Museum Association
I chose this piece because it is a very simple example of two point perspective. It is very easy to find each point and see where everything goes to.
Perspective of gardens, Jacques Rousseau, Around 1674, From the collection of: Palace of Versailles
I chose this piece because it is an odd focus painting. The things in the foreground are in focus while the main objects in the background are out of focus. The eye doesn't know where to go, the vanishing point or the pillars.
The Ideal City, Fra Carnevale, ca. 1480-1484 (Renaissance), From the collection of: The Walters Art Museum
I chose this painting because the artist showed a huge open courtyard using one point perspective. Usually artists use two point perspective when making buildings in this position.
41-Road, Hahn, Jeesun, 2008, From the collection of: Korean Art Museum Association
I chose this painting just like the staircase by the same artist because it shows a great deal of depth with one point perspective. The steps make your eye follow the windy staircase.
38-Road, Hahn, Jee Sun, 2008, From the collection of: Korean Art Museum Association
This is probably the most simple one point perspective piece I chose. If the artist didn't put the plants on the staircase, the steps would then look like a pyramid.
Rue Vercingétorix, Paul Signac, 1885, From the collection of: Musée d’Orsay, Paris
I picked this piece because it may seem like a one point perspective but it is really two point perspective. There seems to be a subtle vanishing point in the center and the main point on the right side.
The Meeting of Solomon and the Queen of Sheba, Circle of Juan de la Corte, 1630 - 1660, From the collection of: Fundación Banco Santander
I chose this painting because it seems like a very symmetric one point perspective scene. The artist did a good job of making you curious of what is down the hall where the vanishing point is.
New Lane, Theresienstadt, Fabian, Fritz, 1944, From the collection of: Leo Baeck Institute, Center for Jewish History
I chose this piece because the buildings and the trees show a simple one point perspective view. The perspective may seem a little off but maybe that is what the artist intended.
The Piazza San Marco in Venice, Canaletto, Around 1723 - 1724, From the collection of: Museo Nacional Thyssen-Bornemisza
I chose this painting because the use of one point perspective allowed the building in the back to be the center focus while all the people and the side buildings are to support the back building.
Piazza Navona, Rome, Caspar Adriaansz. van Wittel (Vanvitelli), 1699, From the collection of: Museo Nacional Thyssen-Bornemisza
I chose this painting because it is a great example of one point perspective. Every little thing in this painting points toward the vanishing point. The artist did a great job of making the focus balanced.
Universal Exhibition 1855. Palace of Industry, cross-section, Max Berthelin, 1854, From the collection of: Musée d’Orsay, Paris
I chose this piece because it is a perfect example of one point perspective in architecture.
Location, Jung, Yeon Doo, 2007, From the collection of: Korean Art Museum Association
I chose this piece because you can easily tell it is one point perspective since the trees end up at the same vanishing point as the road.
Credits: All media
This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.
