Greek Sculpture and influence

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This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.

Throughout history, there are plenty of examples of influential movements from previous cultures or nations. The historical progression of innovation and creativity is ever-moving and will always continue to progress based on our natural creativity given to us within our human abilities. Artistic influence and progression is among the greatest examples to look at how previous cultures provide a means in which modern cultures pay attribute to a particular influential period of artistic innovation. With that said, an excellent example of this concept put into practice, is the major contribution Ancient Greek sculpture had within the development and creation of Roman sculpture. In the successful eras, the Greek and Roman Empires were separated by about three-hundred years, the fifth century to the eighth century. Roman sculptors deeply admired the innovation of the actual means in which Greeks erected their sculptures and sought to utilize the Greek-inspired technique of individuals standing upright. However, the major contrast between the Greek sculptures and Roman sculptures is the meaning and significance behind the majority of the pieces. Ancient Greeks, when developing sculptures focused much of their works on Greek gods and goddesses as a means of worship and honoring of their lordship. When progressing further to the ancient Roman artists, sculptors incorporated the realistic human approach of building and carving well-formed, athletic men and women, but a lot of the focus of Roman sculpture was to pay homage to Roman rulers of their day. Although Greek religion, by Christian standards, is considered secular, Roman art, specifically in sculptural art displays the secularization of religion from the Greek beliefs to the Roman beliefs. However, Roman art in Christian standards is more God-like than that of the Greek sculpture, due to the fact that Christians believe in monotheism, having one God, rather than the Greeks portraying belief in multiple gods who possess different powers or rule that apply to particular systems of belief. Although art is not the only means of finding out this information, it is a very powerful tool to trace the historical influence that the Ancient Greeks had on the Roman Empire. In the background, a lot of Greek beliefs were actually considered “Hellenists”, later considered by the Romans as “Pagans”. The belief of Paganism, mostly defined by Christians, in general is a term to associate those who do not subscribe to Abrahamic religions. Following the Ancient Greek sculpture up to the Roman Empire sculpture, it is apparent that there was a shift in popular religious belief. The belief in ancient Greek gods and goddesses fell by the wayside, and Christianity had taken its place in the Roman Empire, becoming the national religion. What was once popularized by the Greek Empire as “secular” the belief-system held by Roman’s roughly three-centuries later held the same understanding of the Ancient Greek beliefs. The influence and evolution of sculpture from the Ancient Greeks to the Romans tells a great deal of the historical events that took place. Following the stories of famous sculptural works, there is much to understand how Ancient Greek sculptors influenced Roman sculptors, but yet the Roman Empire displayed it’s own influence on the future world itself.

Laocoön, about 1720, From the collection of: The J. Paul Getty Museum
This sculpture is showing the death of Laocoon and his sons. It’s an extremely important story and sculpture from the Greek Civilization. The stories say that Laocoon was the only man who suggested that the Trojans not touch the horse that was left outside of their city during the mythical Trojan war. He and his sons were out fishing by the water on the day that the decision was to be made and they got attacked by giant sea serpents. All were killed that day. This event was taken as a sign that the gods disapproved Laocoon and therefore his advice was wrong about the Trojan horse. The Greeks used this story as a lesson to teach that listening to wise men is important and listening to your instinct is important. There are multiple sculptures that worked on this piece. Some of them include Agesander of Rhodes, Polydorus of Rhodes and Athenodoros of Rhodes. It is currently being held at the Vatican in Rome, Italy. This sculpture is most notably known for it’s influence during the Renaissance.
Head of Aristotle, unknown, 25 AD - 75 AD, From the collection of: Kunsthistorisches Museum Wien
Sculptures of this time period not only focused on fictional stories and mythological gods, it was also used as a way to honor people of the time period. These people were usually rulers, kings, or in this case a scholar. This head of Aristotle is most likely the best-preserved replica of the Greek original. It was probably originally sculpted from bronze. No one is sure about the details of this specific sculpture, but it is said to be from the time of Claudius, The Roman emperor. There were many copies of this particular head, but this one that is held in Vienna is said to be the best preserved out of all of them. Aristotle was on of the most influential teachers and philosophers of this era and he was held in very high esteem. It was not uncommon to find sculptures of him all around Europe during this time. This speaks volumes about the kind of person and mind that the Greeks and Romans valued as well as how they showed their devotion to people. It was very common to find statues like this and of other philosophers and teachers in campus courtyards. Having a sculpture made of you was a huge honor. This sculptures details are so thought out and realistic witch matches the style of the period. Notice the “thinker’s lines” on his brow and the cheekbones that are sculpted to show age. The mouth is slightly turned downwards and the eyes look heavy. These details were what made sculptures worthwhile during this period.
Statue of Jupiter, Unknown, Ancient Rome. End of 1st century, From the collection of: The State Hermitage Museum
This Roman sculpture of the God of Jupiter is a very good depiction of what part of the Greek lifestyle influenced the Romans. Although the sculptor of the statue of Jupiter is unknown, it is said to have been sculpted by a Roman Flavian sculptor. The Flavian era was a time from 69 and 96 A.D. under the rule of the Vespasian, Titus, and Domitian. These rulers brought peace and rebuilt after the rein of Nero and encouraged all arts and writing. It is also considered the second Imperial Dynasty. They were known for their extreme realism which was heavily influenced by the Greeks. This sculpture uses Marble, gilded wood, and stucco. The use of stucco was a Roman interpretation of the Greek’s way of sculpting. This statue of Jupiter was brought from Italy to The State Hermitage Museum in St. Petersburg, Russia in 1861. That is where it is today. Although this is not a Greek sculpture, it shows very clearly the influence that Greek culture and arts had on the Roman civilization. Jupiter, which is the Greek name for Zeus, is very close to the early Greek statues of their high god. Although the Romans used different materials than the Greeks, the style is almost identical. There are a few differences; Romans tended to depict these deities more as great warriors than gods. They also started using different materials in their sculptures, such as stucco as I mentioned before.
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This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.
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