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A Portrait of King Taejo

Lee Jae-jin (copy)2011

Academy of Korean Studies

Academy of Korean Studies
Seongnam-si, South Korea

A portrait of king is called ‘Eojin’. The production of Eojin was a national event which was superintended by a provisional office, and the whole process was recorded in Uigwe(royal protocols). A highly qualified painter was selected and the painting process was supervised by the King and his vassals. Special attention was paid to the enshrinement and preservation of Eojin. In particular, Taejo Eojin was enshrined in many places nationwide since he was a founding father of Joseon. This Taejo Eojin is a newly painted version based on that of Gyeonggijeon’s in Jeonju, painted in 1872(year 9 of Gojong) of . The color of a royal robe, throne and carpet was referred from the Taejo Eojin which was partly lost due to the fire in Seonwonjeon in Changdeokgung palace in August leap month in 1900. Taejo Eojin of Seonwonjeon was based on that of Yeongheung Jungwonjeon’s, produced in 1837(year 3 of Heonjong). At that time, Heonjong changed the color of a royal robe into red instead of blue.

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  • Title: A Portrait of King Taejo
  • Creator: Lee Jae-jin (copy)
  • Creator Nationality: Republic of Korea
  • Date: 2011
  • location: Jangseogak, Academy of Korean Studies, Seongnam-si, Gyeonggi-do, Rep. Korea
  • composition: 1 scroll
  • Physical Dimensions: w217 x h150 cm
  • Original Title: Tae-jo eo-jin (태조어진, 太祖御眞)
  • Korean caption: 왕의 초상을 어진(御眞)이라 한다. 어진의 제작은 국가적인 행사로서 도감(都監)에서 주관하였고, 모든 과정을 의궤(儀軌)에 기록하였다. 엄격한 검증을 거친 화가가 동원되었고, 왕과 신하도 제작과정을 감독했으며, 봉안과 관리에도 정성을 기울였다. 특히 태조어진은 조선을 개창한 국조(國朝)로서 전국의 곳곳에 봉안되었다. 이 태조어진은 1872년(고종 9)에 제작된 전주 경기전(慶基殿)의 태조어진을 바탕으로 하였다. 곤룡포의 색상, 어좌(御座), 바닥에 깐 채전(彩氈)은 1900년 윤8월 창덕궁 선원전(璿源殿) 화재로 일부 소실된 태조어진을 참고하였다. 선원전의 태조어진은 1837년(헌종 3)에 제작된 영흥 중원전(濬源殿)의 태조어진을 범본(範本)으로 했는데, 당시 헌종은 곤룡포의 색상을 청색에서 홍색으로 바꾸었다.
  • Provenance: Academy of Korean Studies
  • Type: Painted on Silk
  • Rights: Academy of Korean Studies
Academy of Korean Studies

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