In Myriad (Tulips), artist Anna Ridler looks at the politics and process of using large datasets to produce a piece of art. Inspired by ‘tulip-mania’ - the financial craze for tulip bulbs that swept across the Netherlands in the 1630s, she took 10,000 photographs of tulips and categorised them by hand, revealing the human aspect that sits behind machine learning.
Anna Ridler is an artist and researcher who lives and works in London. She has degrees from the Royal College of Art, Oxford University, University of Arts London and have shown at a variety of cultural institutions and galleries including Ars Electronica, Sheffield Documentary Festival, Leverhulme Centre for Future Intelligence, Tate Modern and the V&A. She is interested in working with collections of information or data, particularly self-generated data sets, to create new and unusual narratives in a variety of mediums, and how new technologies, such as machine learning, can be used to translate them to an audience. She is currently working with and researching the creative potential of machine learning, and how it relates to drawing and painting.
The Barbican's AI: More than Human (16 May-26 Aug 2019) is an major exhibition exploring creative and scientific developments in artificial intelligence demonstrating its potential to revolutionise our lives. Part of Life Rewired, the Barbican's 2019 season exploring what it means to be human when technology is changing everything.
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