Starting from the ‘80s, Venanzo Crocetti started to experiment a new, more synthesized perspective for some of his artworks. In this Bathing Girl, for example, the volumes are so reduced to a minimum that they make the sculpture look like a high-relief.
For the legs’ position, the memory of the Crouching Venus of the British Museum (roman copy from the II century from a greek original piece) but the Crocetti’s girl is a manifesto of a still immature simplicity even in the softness of her full flesh.