Birú, while wandering through the desert in that dying autumn, came across a latrine. He almost didn't enter

The territory of the Peruvian coast, particularly attractive to a number of contemporary Peruvian artists, provides the setting for Miguel Aguirre (Lima, 1973) to address –through the image of a portable latrine in the middle of the desert- his concerns regarding the potentially damaging results of the most recent presidential elections. At the same time, the title evokes Pre-Hispanic tales in which mythical heroes traveled throughout the Peruvian coast