The source of the name “GANJO NI JUKO ARI Ⅰ” refers to the phase from a classical Chinese poem. Both sides of the wall are pushed inward to make a heavy distortion. For the decoration, a spatula is effectively used so that the fluting applied to the body and the lip trimmed dauntlessly give the form a rich move. It is entirely covered with a transparent glaze including a black, a chromium, a copper glaze to create a tasteful scenery.