In the series of drypoint engravings from 1948, to which Calf belongs, the renowned graphic artist made his final use of graphic techniques — for the following four decades of his life, he focused primarily on drawing. The engraving depicts a side view of a calf lying on its stomach with its legs tucked underneath. The body of the animal is simplified, with only the contours marked. The head, positioned freely on the side of the body and shown in profile, is more thoroughly detailed, placed at the center of the composition. The animal’s gaze draws attention — its eye’s pupil is the only round, dark spot amidst the linear composition.
You are all set!
Your first Culture Weekly will arrive this week.