In «Carlos do Carmo» [Carlos do Carmo], Júlio Pomar portrays one of the great figures of Fado at a moment when this theme held particular importance in his work, coinciding with the recognition of Fado as Intangible Cultural Heritage of Humanity. Portraiture occupies a central place in the artist’s practice, as he placed great value on likeness as a starting point for painting. Carlos do Carmo appears in three-quarter view, with a slight smile and his gaze directed beyond the frame. Over the areas of colour, Pomar adds angular lines that help define the face and give structure to the image.
More than a simple portrait, the painting reveals Júlio Pomar’s deep connection to the world of Fado. This relationship is not limited to painting: the artist also wrote poems for songs and collaborated with musicians, reinforcing the presence of Fado in his work as a fundamental expression of Portuguese culture.
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